The English Emblem Tradition

The English Emblem Tradition

Author: Alan R. Young

Publisher: University of Toronto Press

Published: 1988-01-01

Total Pages: 400

ISBN-13: 9780802043672

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This volume of the Index Emblematicus deals with three early seventeenth-century works: Remaines of a Greater Worke Concerning Britaine, by William Camden; The Mirrour of Maiestie, by H.G.; and Otto van Veen's Amorum Emblemata. Camden's Remaines is noteworthy for using imprese in language as pictorial image; for mixing imprese with cognizance; and for considering impresa itself as the identity of the individual rather than as a general principle. H.G.'s Mirrour is remarkable in that every one of its emblems consists of a personal heraldic coat of arms of an identified statesman twinned with a pictorial engraving, motto, and epigram on an opposite page. Van Veen's Emblemata enters literary history as a volume of emblem pictures consecrated to secular love experience, encapsulating some of the conventions of the sonnet sequences and having a strong influence on religious love literature. Each book is reproduced with critical and bibliographic introductions, translation of the poems and mottos, descriptions of the emblems, and indices to the visual and verbal components of the works.


The English Emblem Tradition

The English Emblem Tradition

Author: Peter Maurice Daly

Publisher: Index Emblematicus

Published: 1998

Total Pages: 376

ISBN-13:

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Rooted in the Renaissance, "emblems" typically consisted of a combination of motto, picture, and poem, and were used to expound an ethical or moral truth. THE MANUSCRIPT EMBLEM BOOKS OF HENRY PEACHAM is a collection of four emblem manuscripts by the noted 17th-century humanist scholar Henry Peacham.


The English Emblem Tradition

The English Emblem Tradition

Author: Alan R. Young

Publisher: University of Toronto Press

Published: 1998-09-19

Total Pages: 0

ISBN-13: 9780802009876

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The emblem was one of the most distinctive of Renaissance art forms, lending itself to the concrete manifestation of the deeply-rooted Renaissance belief in the interrelationship between painting and poetry. Emblems, typically consisting of a combination of motto, picture, and poem, had a didactic as well as illustrative function, and were used to expound an ethical or moral truth. Henry Peacham's Manuscript Emblem Books is a collection of four emblem manuscripts by the noted seventeenth-century humanist scholar, Henry Peacham. The volume includes three books based on King James I's Basilicon Doron, and a fourth emblem book entitled Emblemata varia. The story of their genesis, composition, and dedications to King James and his eldest son, Prince Henry, offers some fascinating insights into the attempts by Peacham to obtain royal patronage. In keeping with previous volumes in the Index Emblematicus series, the text and picture of each emblem is presented and accompanied by on-page translation and analysis.


The English Emblem Tradition

The English Emblem Tradition

Author: Peter Maurice Daly

Publisher: Index Emblematicus

Published: 1995

Total Pages: 428

ISBN-13:

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Interest in creating emblematic devices, fashionable during the sixteenth and early seventeenth centuries, did not disappear in England with the demise of the tournament and the Stuart masque. Alan R. Young examines the hundreds of emblematic devices used by the warring parties on their military flags during and immediatley after, the English Civil Wars. To be fully understood, these emblematic devices must be 'read' as part of the massive propaganda war waged by the different factions. This collection throws light on the nature of the conflicts that led to the civil wars, based on the views set forth in the emblems and mottoes designed by the men who risked their lives in the cause of Parliament, king, covenant, or Irish Confederacy. Unlike earlier volumes in the Index Emblematicus series, which draw on printed emblem books as their sources, The English Emblem Tradition, Volume 3 brings together a corpus of material that was previously scattered widely among a number of surviving manuscripts. Wherever possible, carefully drawn illustrations of details of the flags have been reproduced from the original manuscripts. The flags are listed in alphabetical order by motto ( the mottoes are translated from the original Latin, French, Spanish, and other languages). A series of concordances, indexes, and lists makes the volume extremely accessible. Because of the unusual nature of the source material, a lengthy introductory essay is provided to explain the indexing of the text.