This revised, expanded edition of the Common Worship President’s Edition contains everything to celebrate Holy Communion Order One throughout the church year. It combines relevant material from the original President’s Edition with Eucharistic material from Times and Seasons, Festivals and Pastoral Services, and the Additional Collects.
The Common Worship Main Volume is the primary worship and service book for the Church of England. It contains material used on Sundays by most churches: a variety of Communion services and non-eucharistic forms of worship, as well as the basic Baptism service and the Psalms. Full contents: The Declaration of Assent The Calendar A Service of the Word Morning and Evening Prayer on Sunday Morning and Evening Prayer from the Book of Common Prayer Night Prayer (Compline) Night Prayer (Compline) in Traditional Language Prayers for Various Occasions The Litany The Litany from the Book of Common Prayer Authorized Forms of Confession and Absolution Creeds and Authorized Affirmations of Faith Holy Communion including A Form of Preparation, Order One, Order One in Traditional Language, Order Two, Order Two in Contemporary Language, Supplementary Texts, Seasonal Provisions Thanksgiving for the Gift of a Child Holy Baptism Collects and Post Communions Collects and Post Communions in Traditional Language Rules Lectionary The Psalter Canticles
Offers liturgical material for the journey of each individual through life. For each key element of this journey (birth, marriage, healing, death), it provides both material for key ‘public’ events and resources for ‘private’ pastoral care.
Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. There are few experiences more uplifting and humbling than standing in the nave of a cathedral, and no one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world-famous stained glass of Canterbury or the striking Gothic scissor arch at Wells. Britain is the top foreign tourist destination for Americans, with 3 million visiting each year, and historic buildings are the top visitor sites. Canterbury Cathedral alone receives over 40,000 visitors each year from the United States and, together with Durham, is a World Heritage Site. In this truly breathtaking book, award-winning Magnum photographer, Peter Marlow, has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east window, these remarkable images bring into sharp relief the full splendour of the buildings. Marlow first took up photography as a student, after visiting an exhibition of the photographs of Walker Evans at the Museum of Modern Art in New York. The impetus to begin photographing cathedrals came from a commission in 2007 from the Royal Mail for photographs of the interiors or six cathedrals, for use on a set of commemorative stamps. Once the commission was complete, Marlow was inspired to continue the project in his own time. Approaching the Dean and Chapter of each cathedral, he gained permission to enter each building in the early hours of the morning and to turn off all artificial lights. Marlow adopted a kind of ritual, waking as early as 3.00 am to drive to the location and begin working from 6.00 am. In this window of opportunity, he watched the cathedral interior emerge from the darkness and come to life. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches, preparatory shots and technical notes; an introduction by curator Martin Barnes on the tradition of church photography, especially the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall.
The 1928 Book of Common Prayer is a treasured resource for traditional Anglicans and others who appreciate the majesty of King James-style language. This classic edition features a Presentation section containing certificates for the rites of Baptism, Confirmation, and Marriage. The elegant burgundy hardcover binding is embossed with a simple gold cross, making it an ideal choice for both personal study and gift-giving. The 1928 Book of Common Prayer combines Oxford's reputation for quality construction and scholarship with a modest price - a beautiful prayer book and an excellent value.
Beyond the Scripture, this book delves into all other aspects of the Episcopalian service, from the vestments and gestures to the church calendar, that result in a deeper appreciation of the faith. The perfect book for newcomers who are often confused by the worship service, Welcome to Sunday is also an excellent book for those who have been sitting in the pews without fully understanding what happens on Sunday morning. Episcopal priest Christopher Webber takes the reader from the sidewalk outside the church, guides them through the service, and sends them out again when the service has ended. Webber explains the postures, the Christian year, the colors we use during various seasons, and all the elements in the Service of the Eucharist. As in Webber's very popular Welcome to the Episcopal Church, the tone of the easy-to-read book is conversational, making it useful for parish study.
This book examines the stylistic development of English cathedral music during a period of liturgical upheaval, looking at the attitudes of cathedral clergy, liturgists, composers, leading church music figures and organisations to music and liturgy. Arguments that were advanced for retaining an archaic style in cathedral music are considered, including the linking of musical style with liturgical language, the recommending of a subservient role for music in the liturgy, and the development of a language of fittingness to describe church music. The roles of the RSCM and other influential bodies are explored. Martin Thomas draws on many sources: the libraries and archives of English cathedrals; contemporary press coverage and the records of church music bodies; publishing practices; secondary literature; and the music itself. Concluding that an arresting of development in English cathedral music has prevented appropriate influences from secular music being felt, Thomas contrasts this with how cathedrals have often successfully and dynamically engaged with the world of the visual arts, particularly in painting and sculpture. Presenting implications for all denominations and for patronage of the arts by churches, and the place of musical aesthetics in the planning of liturgy, this book offers an important resource for music, theology, liturgy students and ministry teams worldwide.
