Enduring Images

Enduring Images

Author: Morgan Adamson

Publisher: U of Minnesota Press

Published: 2018-10-16

Total Pages: 317

ISBN-13: 1452957835

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An integrated look at the political films of the 1960s and ’70s and how the New Left transformed cinema A timely reassessment of political film culture in the 1960s and ’70s, Enduring Images examines international cinematic movements of the New Left in light of sweeping cultural and economic changes of that era. Looking at new forms of cinematic resistance—including detailed readings of particular films, collectives, and movements—Morgan Adamson makes a case for cinema’s centrality to the global New Left. Enduring Images details how student, labor, anti-imperialist, Black Power, and second-wave feminist movements broke with auteur cinema and sought to forge local and international solidarities by producing political essay films, generating new ways of being and thinking in common. Adamson produces a comparative and theoretical account of New Left cinema that engages with discussions of work, debt, information, and resistance. Enduring Images argues that the cinemas of the New Left are sites to examine, through the lens of struggle, the reshaping of global capitalism during the pivotal moment in which they were made, while at the same time exploring how these movements endure in contemporary culture and politics. Including in-depth discussions of Third Cinema in Argentina, feminist cinema in Italy, Newsreel movements in the United States, and cybernetics in early video, Enduring Images is an essential examination of the political films of the 1960s and ’70s.


Enduring Images

Enduring Images

Author: Paul Fazekas

Publisher: AuthorHouse

Published: 2009-02

Total Pages: 274

ISBN-13: 1438944861

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Paul Fazekas was drafted into the U.S. Army in 1969 at nineteen years of age. He served as a rifleman with the First Air Cavalry Division (Airmobile) and the 11th Light Infantry Brigade during his one-year tour of Vietnam. His book examines the personal cost of war suffered by combat veterans throughout their lifetime after they return.


The Enduring Ark

The Enduring Ark

Author: Gita Wolf

Publisher:

Published: 2013-02

Total Pages: 0

ISBN-13: 9789380340180

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Retells the biblical tale of Noah's ark through an Indian adaptation that features scroll-painting-style illustrations.


An Enduring Image

An Enduring Image

Author: Lillian Freedgood

Publisher: New York : Crowell

Published: 1970

Total Pages: 424

ISBN-13:

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Traces the history of American painting through incisive accounts of significant American painters from the unknown limners of colonial days to the pop and op artists of the 1960's.


The Enduring Struggle

The Enduring Struggle

Author: John Norris

Publisher: Rowman & Littlefield

Published: 2021-07-01

Total Pages: 339

ISBN-13: 1538154676

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"This comprehensive history of the U.S. Agency for International Development, the U.S. government’s official bilateral foreign aid agency, deserves to be read by all students of U.S. foreign policy." Foreign Affairs US Foreign aid is one of the most misunderstand functions of our federal government. Consuming less than 1% of the federal government budget, it has nonetheless played an outsized role in political debate. At the center of this controversy and misunderstanding has been the U.S. Agency for International Development, or AID, the government agency created during the Kennedy administration to administer America’s foreign assistance programs, an often-conflicted behemoth with a presence spanning the globe. In this book, journalist and foreign policy expert John Norris provides a compelling and rich story of AID, warts and all. There have been moments of enormous triumph: the eradication of smallpox, the Green Revolution, efforts to bring family planning to millions of women for the first time. There have also been florid, headline-grabbing failures in places like Vietnam and Iraq, missteps born out of ignorance and ethnocentrism, and money that flowed into the coffers of despots like President Mobutu in Zaire. In totality, the work of AID has touched millions and millions of lives in ways that have been truly profound, both good and bad. On the Eve of AID’s 60th anniversary, Norris shares history on an almost epic scale that remains largely untold.


To Make Their Own Way in the World

To Make Their Own Way in the World

Author: Ilisa Barbash

Publisher: Aperture

Published: 2020

Total Pages: 0

ISBN-13: 9781597114783

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To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the early history of photography. The fifteen daguerreotypes--made in 1850 by photographer Joseph T. Zealy--portray Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, men and women of African descent who were enslaved in South Carolina. Since 1976, when the daguerreotypes were rediscovered at Harvard University's Peabody Museum, the photographs have been the subject of intense and widespread study. To Make Their Own Way in the World features essays by prominent scholars who explore everything from the photographs' historical context and the "science" of race to the ways in which photography created a visual narrative of slavery and its effects. Multidisciplinary, deeply collaborative, and with more than two hundred illustrations, including new photography by contemporary artist Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent contemporary inquiry. Copublished by Aperture and Peabody Museum Press


Looking Through Images

Looking Through Images

Author: Emmanuel Alloa

Publisher: Columbia University Press

Published: 2021-10-05

Total Pages: 290

ISBN-13: 0231547579

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Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices.