The Apocalypse or end times are a recurrent theme within contemporary popular culture. 'The End All Around Us' presents a wide-ranging exploration of the influence of the apocalypse within art, literature, music and film. The essays draw on representations of the apocalypse in heavy metal music, science fiction, disaster movies and anime. The book examines key apocalyptic texts, focusing on their relevance to today. It will be invaluable to all those interested in the religious and cultural impact of apocalyptic thought.
SPECIAL PREVIEW! “Ori’s dead because of what happened out behind the theater, in the tunnel made out of trees. She’s dead because she got sent to that place upstate, locked up with those monsters. And she got sent there because of me.” The Walls Around Us is a ghostly story of suspense told in two voices--one still living and one long dead. On the outside, there’s Violet, an eighteen-year-old dancer days away from the life of her dreams when something threatens to expose the shocking truth of her achievement. On the inside, within the walls of a girls’ juvenile detention center, there’s Amber, locked up for so long she can’t imagine freedom. Tying these two worlds together is Orianna, who holds the key to unlocking all the girls’ darkest mysteries. We hear Amber’s story and Violet’s, and through them Orianna’s, first from one angle, then from another, until gradually we begin to get the whole picture--which is not necessarily the one that either Amber or Violet wants us to see. Nova Ren Suma tells a supernatural tale of guilt and innocence, and what happens when one is mistaken for the other. Praise for Imaginary Girls: “A surreal and dreamy world where magical thinking is carried to a chilling extreme.” —Publishers Weekly, starred review Praise for 17 & Gone: “Suma’s exquisite sentence-level writing and fine eye for creepy detail are in abundant evidence.” —Kirkus Reviews
We’re all just infinitesimal specks on a rock hurling through a giant black hole. We all know it. Whether we’re consumed by an enormous tidal wave, bombarded with falling meteors, or ravaged by a new incurable disease, the end is near. So the penultimate question is: Would you rather a) drink alone in your room and brood or b) color? Well, good news. Now, with this adult coloring book, you can do both! Artist Ted Rechlin offers thirty-eight apocalyptic scenarios for you to color, question your mortality, and come to terms with your insignificance! Awesome! Scenes vary from a gorgeous shot of the NASA space station being sucked into a black hole to an elegant portrayal of the next Ice Age. Also included are beautiful depictions of zombie uprisings, picturesque plagues ravaging the human race, aesthetically pleasing aliens plotting to destroy planet Earth, and much more! To add some irony, each illustration is accompanied by an optimistic quote: envision “‘Be thou the rainbow in the storms of life. The evening beam that smiles the clouds away, and tints tomorrow with prophetic ray.’ —Lord Byron” as tornadoes tear through cities around it. Or what if it’s all a dream and we’re just brains in vats? What if nothing’s tangible and the world around us is all just perception? What if all that you love doesn’t exist and is only simulated? It doesn’t mean you can’t color! So embrace your inner nihilist, and the reality that you might not be sticking around too much longer. Pick up your colored pencils and The Apocalypse Coloring Book. You’re going to need a way to cope when things start to go downhill.
AN NPR BEST BOOK OF THE YEAR • An absorbing, deeply felt book about our anxious present tense—and coming to grips with the future, by the author of the award-winning To Be a Machine. “Deeply funny and life-affirming, with a warm, generous outlook even on the most challenging of subjects.” —Esquire We’re alive in a time of worst-case scenarios: The weather has gone uncanny. A pandemic draws our global community to a halt. Everywhere you look there’s an omen, a joke whose punchline is the end of the world. How is a person supposed to live in the shadow of such a grim future? What might it be like to live through the worst? And what on earth is anybody doing about it? Dublin-based writer Mark O’Connell is consumed by these questions—and, as the father of two young children, he finds them increasingly urgent. In Notes from an Apocalypse, he crosses the globe in pursuit of answers. He tours survival bunkers in South Dakota. He ventures to New Zealand, a favored retreat of billionaires banking on civilization’s collapse. He engages with would-be Mars colonists, preppers, right-wing conspiracists. And he bears witness to places, like Chernobyl, that the future has already visited—real-life portraits of the end of the world as we know it. What emerges is an absorbing, funny, and deeply felt book about our anxious present tense—and coming to grips with what’s ahead.
In The Phenomenology of Religious Belief, the renowned philosopher Michael J. Shapiro investigates how art – and in particular literature and film – can impact upon both traditional interpretations and critical studies of religious beliefs and experiences. In doing so, he examines the work of prolific and award-winning writers such as Toni Morrison, Philip K. Dick and Robert Coover. By placing their work in conjunction with critical analyses of media by the likes of Ingmar Bergman and Pier Paolo Pasolini and combining it with the work of groundbreaking thinkers such as George Canguilhem, Giorgio Agamben and Slavoj Žižek, Shapiro takes a truly interdisciplinary approach to the question of how life should be lived. His assessment of phenomenological subjectivity also leads him to question the nature of political theology and extend the criticism of Pauline theology.
The Salvation of Israel investigates Christianity's eschatological Jew: the role and characteristics of the Jews at the end of days in the Christian imagination. It explores the depth of Christian ambivalence regarding these Jews, from Paul's Epistle to the Romans, through late antiquity and the Middle Ages, to the Puritans of the seventeenth century. Jeremy Cohen contends that few aspects of a religion shed as much light on the character and the self-understanding of its adherents as its expectations for the end of time. Moreover, eschatological beliefs express and mold an outlook toward nonbelievers, situating them in an overall scheme of human history and conditioning interaction with them as that history unfolds. Cohen's close readings of biblical commentary, theological texts, and Christian iconography reveal the dual role of the Jews of the last days. For rejecting belief and salvation in Jesus Christ, they have been linked to the false messiah—the Antichrist, the agent of Satan and the exemplary embodiment of evil. Yet from its inception, Christianity has also hinged its hopes for the second coming on the enlightenment and repentance of the Jews; for then, as Paul prophesized, "all Israel will be saved." In its vast historical scope, from the ancient Mediterranean world of early Christianity to seventeenth-century England and New England, The Salvation of Israel offers a nuanced and insightful assessment of Christian attitudes toward Jews, rife with inconsistency and complexity, thus contributing significantly to our understanding of Jewish-Christian relations.
The first sustained conversation between Marxism, postcolonialism, and psychoanalysis in biblical studies This volume pursues critical readings of the Bible that put psychoanalysis into conversation with Marxist and postcolonial criticism. In these essays psychoanalysis provides a way to mediate between Marxism's materialist groundings and postcolonialism's resistance against empire. The essays in the volume illuminate the way empire has shaped the biblical text by looking at the biblical texts' silences, ruptures, oversights, over-emphases, and inexplicable elements. These details are read as symptoms of a set of oppressive material relations that shaped and continue to haunt the text in the ascendancy of the text in the name of the West. Features: Essays and responses from multiple perspectives and geographical locations, including Africa, Australia, Oceania, Latin America, and North America Psychoanalysis that considers how the traumas of colonialism manifest both materially and psychically Close readings of biblical texts
In the Memory House recalls what American society has forgotten--the land, its people, and its ideals. By examining what we choose to remember, this important book reveals how progress has created absences in our landscapes and in our lives.
