The Encyclopedists as Critics of Music
Author: A. Richard Oliver
Publisher: New York : Columbia University Press
Published: 1947
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: A. Richard Oliver
Publisher: New York : Columbia University Press
Published: 1947
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOKAuthor: A. Richard Oliver
Publisher:
Published: 1966
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOKAuthor: Alfred Richard Oliver
Publisher:
Published: 1966
Total Pages: 227
ISBN-13:
DOWNLOAD EBOOKAuthor: Alfred Richard OLIVER
Publisher:
Published: 1947
Total Pages:
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DOWNLOAD EBOOKAuthor: Alphons Silbermann
Publisher: Psychology Press
Published: 1998
Total Pages: 230
ISBN-13: 9780415175999
DOWNLOAD EBOOKFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Enrico Fubini
Publisher: University of Chicago Press
Published: 1994-08-15
Total Pages: 436
ISBN-13: 9780226267326
DOWNLOAD EBOOKThis book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.
Author: H. B. Nisbet
Publisher: Cambridge University Press
Published: 2005-12-08
Total Pages: 978
ISBN-13: 9780521317207
DOWNLOAD EBOOKThis is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
Author: George Alexander Kennedy
Publisher: Cambridge University Press
Published: 1989
Total Pages: 978
ISBN-13: 9780521300094
DOWNLOAD EBOOKThis comprehensive 1997 account of eighteenth-century literary criticism is now available in paperback.
Author: Robert Donington
Publisher: Yale University Press
Published: 1990-01-01
Total Pages: 260
ISBN-13: 9780300056617
DOWNLOAD EBOOKExplains the use of symbolism in opera, interprets scenes from Monteverdi, Mozart, Verdi, Wagner, Stravinsky, and Britten, and stresses the importance of staging an opera in accord with the composer's intended use of symbols
Author: R.J. Arnold
Publisher: Taylor & Francis
Published: 2017-07-05
Total Pages: 245
ISBN-13: 1134803699
DOWNLOAD EBOOKWhy, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.