Find out what you can do with oil paints. Make brushwork more expressive and add shadows. Try a full complement of creative techniques. Breathtaking examples of finished paintings, analyzed in detail, guide you through a range of themes, including architecture, figures, and landscapes.
Oil paint is such a responsive and versatile medium that no two painters need use it in exactly the same way, and since its invention in Renaissance times it has never lost its popularity with artists. Amateurs also find it appealing, not only because it is enjoyable to use but also because mistakes can be easily rectified, yet in many cases mistakes would not occur if the individual had a sound knowledge of technique. In the A-Z section of the book, Jeremy Galton, a practising painter, explains how to build up a painting, how and when to work "wet into wet", and how to make your brushwork describe forms and textures. He also provides a wealth of stimulating ideas such as combining oil paints with other media, mixing paint with sand and sawdust and applying it with knives, rags or the fingers. In the second part of the book, Themes, you can see the techniques in context. Illustrated with a gallery of paintings by well-known artists as well as informative step-by-step demonstrations, it shows how each person applies his or her knowledge of oil painting techniques to the interpretation of a subject, whether landscape, portrait or still life.
Finally back in print for a new generation of artists, Ken Leslie's Oil Pastel is the definitive instructional resource on this wonderfully rich and versatile medium. Vibrant and portable, oil pastels are ideal for making quick sketches, producing stunning finished works, and make a great auxiliary tool for artists working primarily in other media. Boasting an astonishing array of color, value, and texture, oil pastels can be layered, scraped, washed, blended, and scumbled to achieve a seemingly endless variety of effects ranging from delicate lines to gooey, impasto crusts. Easily the most comprehensive oil pastel technique book available, Ken Leslie's Oil Pastel: Materials and Techniques for Today's Artist will teach you everything you need to know to create striking work that is authentically yours. Skipping over the flashy tricks and gimmicks that palely imitate true artistic skill, Ken dives headlong into a lively and engaging discussion of every aspect of the medium. With over 40 years' experience as a beloved teacher and collaborator, it's no wonder that every page of this book is jam-packed with substance and detail! Meticulous step-by-step demonstrations that accompany the sections on technique will show you how to use your pastels to achieve nearly any effect you desire. Ken can even teach you how to get a bright yellow to cover black! You will also have the chance to explore experimental approaches to oil pastel painting including, mixed media, 3-D constructions, unusual paper shapes, working with molten pastels, and much more. Perfect for all skill levels, Oil Pastel's thorough overview of color theory and basic painting techniques will help beginners get off to a strong start while advanced readers will surely delight in learning to make custom homemade pastels and new handling techniques. Ken Leslie's exciting and supportive writing style will have you paging through this book time and time again for tips, reminders, and lessons you missed the first time around! With color images of technical demonstrations, comparisons, the author's work, as well as the work of over 40 other artists, Oil Pastel: Materials and Techniques for Today's Artist truly has something for everyone.
This information-packed and comprehensive visual encyclopedia is your key to mastering a whole range of artistic skills. Guided by the expert advice of top professionals, you'll investigate the practicalities of all the most popular painting and drawing mediums and explore the full gamut of subject areas, from landscapes and portraits to flowers and still life. An inspirational one-stop guide to mastering great art. Book jacket.
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Stimulating, informative guide by noted teacher covers painting technique, painting from life, materials — paints, varnishes, oils and mediums, grounds, etc. — a painter's training, more. 64 photos. 5 line drawings.
The combined training and experience of the authors of this classic in the varied activities of painting conservation, cultural research, chemistry, physics, and paint technology ideally suited them to the task they attempted. Their book, written when they were both affiliated with the Department of Conservation at Harvard's Fogg Art Museum, is not a handbook of instruction. It is, instead, an encyclopedic collection of specialized data on every aspect of painting and painting research. The book is divided into five sections: Mediums, Adhesives, and Film Substances (amber, beeswax, casein, cellulose, nitrate, dragon's blood, egg tempera, paraffin, lacquer, gum Arabic, Strasbourg turpentine, water glass, etc.); Pigments and Inert Materials (over 100 entries from alizarin to zinnober green); Solvents, Diluents, and Detergents (acetone, ammonia, carbon tetrachloride, soap, water, etc.); Supports (academy board, dozens of different woods, esparto grass, gesso, glass, leather, plaster, silk, vellum, etc.); and Tools and Equipment. Coverage within each section is exhaustive. Thirteen pages are devoted to items related to linseed oil; eleven to the history and physical and chemical properties of pigments; two to artificial ultramarine blue; eleven to wood; and so on with hundreds of entries. Much of the information — physical behavior, earliest known use, chemical composition, history of synthesis, refractive index, etc. — is difficult to find elsewhere. The rest was drawn from such a wide range of fields and from such a long span of time that the book was immediately hailed as the best organized, most accessible work of its kind. That reputation hasn't changed. The author's new preface lists some recent discoveries regarding pigments and other materials and the pigment composition chart has been revised, but the text remains essentially unchanged. It is still invaluable not only for museum curators and conservators for whom it was designed, but for painters themselves and for teachers and students as well.
Here is everything you need to know about getting into oil painting—and maintaining a safe, solvent-free oil painting practice—in a slim, sophisticated guide. Oil painting is an exciting and adventurous medium, but aspiring artists can feel daunted by complex setups and the thought of using harsh chemicals. All of that changes now. The New Oil Painting walks you step-by-step through oil painting fundamentals—which materials you actually need, how to mix paint, how to set up your painting space—and, most revolutionary of all, how to eliminate harmful solvents from your work and replace them with safe, effective substitutes. This instructional handbook is organized into chapters with helpful diagrams throughout illustrating various techniques and tools. Whether you're a true beginner or have been painting with oils for years, you will find that this book has everything you need to build a new, thriving, toxin-free practice. • UNIQUE APPROACH: Not only does this book help aspiring artists build a repertoire of skills and materials, it also offers all artists, regardless of their experience levels, methods for eliminating solvents and other toxic substances from their oil painting practices. What was once a dangerous pastime is now a guilt-free, health-conscious, and rewarding activity. And using safe, nontoxic materials is better for the environment! • LONG-TERM USE: Good art instruction can deliver over a long period of time, and this handy guide is no exception. Along with being able to use this as an entryway into oil painting, you can also use it for reference or reread sections when you need a brushup. • EXPERT AUTHOR WITH IMPRESSIVE CREDENTIALS: Painter Kimberly Brooks was the founding arts editor at Huffington Post. As a painter, she exhibits her work frequently throughout the United States and was a featured artist with the National Endowment for the Arts. She has led oil painting workshops, and now she shares her vast knowledge of the subject in this accessible and comprehensive handbook. Perfect for: • Artists and art aspirants interested in exploring a new medium • Experienced oil painters looking to eliminate solvents from their practices • Painting students and teachers