The bestselling and award-winning author of Brooklyn, Colm Tóibín, returns with a stunning collection of stories—“a book that’s both a perfect introduction to Tóibín and, for longtime fans, a bracing pleasure” (The Seattle Times). Critics praised Brooklyn as a “beautifully rendered portrait of Brooklyn and provincial Ireland in the 1950s.” In The Empty Family, Tóibín has extended his imagination further, offering an incredible range of periods and characters—people linked by love, loneliness, desire—“the unvarying dilemmas of the human heart” ( The Observer, UK). In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party. The Empty Family will further cement Tóibín’s status as “his generation’s most gifted writer of love’s complicated, contradictory power” ( Los Angeles Times ).
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
From the author of the best-selling The Mother Zone, comes a comic narrative about an over-anxious mother and her twenty-something over-adventurous son. Home Free is about the last secret lap of parenting: getting through your kids’ twenties and learning how to let them go at the same time. The twentysomethings who invented the generation gap in the nineteen sixties have grown up to become hyperinvolved parents who can’t stop worrying about their adult kids. Many of the kids are still living in the basement, bussing tables instead of going to business school, and depending on their parents for emotional support. Just when they thought family life was on the wane, parents are back on deck with their children; at the same time many are often coping with their own frail or dying parents. Is this the new, improved face of family, where kids still depend on their parents for stability, friendship and guidance in an increasingly unforgiving world? Or has this era of over-invested parents, living vicariously through the achievements of their children, bred dependency in the new generation? Home Free is an intimate, candid, reflective and comic memoir that focuses on this new and undefined stage of family life: the challenges of helping our kids navigate their twenties – while learning how to let go of them at the same time.
A large segment of the population struggles with feelings of being detached from themselves and their loved ones. They feel flawed, and blame themselves. Running on Empty will help them realize that they're suffering not because of something that happened to them in childhood, but because of something that didn't happen. It's the white space in their family picture, the background rather than the foreground. This will be the first self-help book to bring this invisible force to light, educate people about it, and teach them how to overcome it.
The Empty Stocking is a brilliantly funny Christmas story by Richard Curtis and Rebecca Cobb. In this fantastically funny and heartwarming story by Richard Curtis, scriptwriter of Four Weddings and a Funeral and Love Actually, it's Christmas Eve and there's one very important question on everyone's mind - have YOU been good this year? For twins Sam and Charlie this is a big worry. Charlie has been especially naughty and everyone is sure that she won't get any presents AT ALL. But when Santa makes a mistake, it's up to Charlie to put things right... Richard Curtis is an award-winning and international film-director and scriptwriter, and the creator of Four Weddings and a Funeral, Love Actually, Notting Hill and Mr Bean. Rebecca Cobb graduated from Falmouth College of Arts in 2004. She has collaborated with the Gruffalo author Julia Donaldson and Orange-Prize-winner Helen Dunmore. Rebecca has been shortlisted for the 2013 Waterstones Prize and the prestigious Kate Greenaway Award.
How to Thrive After Your Kids Leave Home IT’S HAPPENING! You weren’t always sure you’d get here, but the kids grew up and are surviving—more or less successfully. But what now?! If you’re like most moms, you’re caught between grief and delight, and full of questions, loose ends, hopes, and regrets. Empty nesting can be a disorienting time, but it can also be the best time of your life. Jill Savage, an empty-nest veteran, offers you WISDOM for the murky waters ahead. Teaching you what you need to let go of and hold on to ENCOURAGEMENT for when you’re feeling confused and discouraged. Full of stories and new insights, you’ll find your spirits lifted and hope renewed. IDEAS for when you don’t know "What’s next?" Jill offers loads of practical ideas for coping and thriving in this encore season.
Karen E. Bender burst on to the literary scene a decade ago with her luminous first novel, Like Normal People, which garnered remarkable acclaim. A Town of Empty Rooms presents the story of Serena and Dan Shine, estranged from one another as they separately grieve over the recent loss of Serena's father and Dan's older brother. Serena's actions cause the couple and their two small children to be banished from New York City, and they settle in the only town that will offer Dan employment: Waring, North Carolina. There, in the Bible belt of America, Serena becomes enmeshed with the small Jewish congregation in town led by an esoteric rabbi, whose increasingly erratic behavior threatens the future of his flock. Dan and their young son are drawn into the Boy Scouts by their mysterious and vigilant neighbor, who may not have their best intentions at heart. Tensions accrue when matters of faith, identity, community, and family all fall into the crosshairs of contemporary, small–town America. A Town of Empty Rooms presents a fascinating insight into the lengths we will go to discover just where we belong.
From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
