Yiddish in Israel
Yiddish in Israel

Author: Rachel Rojanski

Publisher: Indiana University Press

Published: 2020-01-07

Total Pages: 338

ISBN-13: 0253045185

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Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.

Early Yiddish Epic
Early Yiddish Epic

Author: Jerold C. Frakes

Publisher: Syracuse University Press

Published: 2014-07-07

Total Pages: 521

ISBN-13: 0815652682

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Unlike most other ancient European, Near Eastern, and Mediterranean civilizations, Jewish culture surprisingly developed no early epic tradition: while the Bible comprises a broad range of literary genres, epic is not among them. Not until the late medieval period, Beginning in the fourteenth century, did an extensive and thriving epic tradition emerge in Yiddish. Among the few dozen extant early epics, there are several masterpieces, of which ten are translated into English in this volume. Divided between the religious and the secular, the book includes eight epics presented in their entirety, an illustrative excerpt from another epic, and a brief heroic prose tale.These texts have been chosen as the best and the most interesting representatives of the genre in terms of cultural history and literary quality: the pious “epicizing” of biblical narrative, the swashbuckling medieval courtly epic, Arthurian romance, heroic vignettes, intellectual high art, and popular camp.

The Emergence of Early Yiddish Literature
The Emergence of Early Yiddish Literature

Author: Jerold C. Frakes

Publisher: Indiana University Press

Published: 2017-06-06

Total Pages: 302

ISBN-13: 0253025680

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Cover -- Contents -- Preface -- Acknowledgments -- Abbreviations -- 1. Introduction -- 2. "Whither Am I to Go?": Old Yiddish Love Song in a European Context -- 3. (Non- )Intersecting Parallel Lives: Pasquino in Rome and on the Rialto -- 4. Purim Play as Political Action in Diasporic Europe and/as Ancient Persia -- 5. Vashti and Political Revolution: Gender Politics in a Topsy-Turvy World -- 6. The Political Liminality of Mordecai in Early Ashkenaz -- 7. Feudal Bridal Quest Turned on Its Jewish Head -- 8. The Other of Another Other: Yiddish Epic's Discarded Muslim Enemy -- 9. Conclusion -- Appendix: Elia Levita's Short Poems (English translation) -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- H -- I -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Y

The Rise of Modern Yiddish Culture
The Rise of Modern Yiddish Culture

Author: David E. Fishman

Publisher:

Published: 2005-11-07

Total Pages: 208

ISBN-13:

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Acting as an important historical archive for the Jews of eastern Europe, The Rise of Modern Yiddish Culture examines the progress of Yiddish culture from its origins in Tsarist and inter-war Poland to its apex with the founding of the Yiddish Scientific Institute in 1925.

Introduction to Old Yiddish Literature
Introduction to Old Yiddish Literature

Author: Jean Baumgarten

Publisher: OUP Oxford

Published: 2005-06-02

Total Pages: 480

ISBN-13: 0191557072

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Jean Baumgarten's Introduction to Old Yiddish Literature, thoroughly revised from the first edition and translated into English, provides students and scholars of medieval, Renaissance, and early modern European cultures with an exemplary survey of the broad and deep literary tradition in Yiddish. Baumgarten conceives of his work as the study of an entire culture via its literature, and thus he conceives of literature in a broad sense: he begins with four chapters addressing pertinent issues of the larger cultural context of the literature and moves on to a consideration of the primary genres in which the culture is expressed (epic, romance, prose narrative, drama, biblical translation and commentary, ethical and moral treatises, prayers, and the broad range of literature of daily use - medical, legal, and historical). In the field of early Yiddish studies the book will be the standard of intellectual breadth and scholarly excellence for decades to come. In this second edition, the hundreds of text citations and bibliographical references that are the scholarly basis of the study have been verified, and the citations translated anew directly from the original source.

The Hebrew Book in Early Modern Italy
The Hebrew Book in Early Modern Italy

Author: Joseph R. Hacker

Publisher: University of Pennsylvania Press

Published: 2011-08-19

Total Pages: 334

ISBN-13: 081220509X

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The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.

The Rise of the Modern Yiddish Theater
The Rise of the Modern Yiddish Theater

Author: Alyssa Quint

Publisher: Indiana University Press

Published: 2019-01-24

Total Pages: 300

ISBN-13: 0253038626

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Jewish Book Award Finalist: “Turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater’s formative years.” —Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire In this book, Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that “breathed the European spirit into our old jargon.” Quint uses Goldfaden’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden’s work on stage absorbed the theater into their everyday lives. Goldfaden’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.

The Object of Jewish Literature
The Object of Jewish Literature

Author: Barbara E. Mann

Publisher: Yale University Press

Published: 2022-07-26

Total Pages: 278

ISBN-13: 0300234112

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A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the "death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.

Producing Redemption in Amsterdam
Producing Redemption in Amsterdam

Author: Shlomo Berger

Publisher: BRILL

Published: 2013-01-22

Total Pages: 253

ISBN-13: 9004248064

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Yiddish was the basic Ashkenazi vernacular in the early modern period. The vast majority of the population was not educated and Yiddish books were printed in order to assist them with keeping a solid Jewish life. Being a basically German language and never being a canonical language as Hebrew, Yiddish also functioned as a buffer language between the internal Ashkenazi Jewish culture and the culture of the environment. Studying the paratexts added to printed Yiddish books may teach us about roles of the printed Yiddish word in Ashkenazi society: contents and forms of books, their contextual framework within Ashkenazi culture, the world of Yiddish book producers on the one hand, and the envisaged readership on the other.

Ze’enah U-Re’enah
Ze’enah U-Re’enah

Author: Morris M. Faierstein

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2017-05-08

Total Pages: 1265

ISBN-13: 311046103X

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This book is the first scholarly English translation of the Ze’enah U-Re’enah, a Jewish classic originally published in the beginning of the seventeenth century, and was the first significant anthological commentary on the Torah, Haftorot and five Megillot. The Ze’enah U-Re’enah is a major text that was talked about but has not adequately studied, although it has been published in two hundred and seventy-four editions, including the Yiddish text and partial translation into several languages. Many generations of Jewish men and women have studied the Torah through the Rabbinic and medieval commentaries that the author of the Ze’enah U-Re’enah collected and translated in his work. It shaped their understanding of Jewish traditions and the lives of Biblical heroes and heroines. The Ze’enah U-Re’enah can teach us much about the influence of biblical commentaries, popular Jewish theology, folkways, and religious practices. This translation is based on the earliest editions of the Ze’enah U-Re’enah, and the notes annotate the primary sources utilized by the author.