A book that is guaranteed to raise eyebrows, The Embroidered Couch is the first English translation of an erotic novel originally published in the early 17th century, attributed to Lu Tiancheng (b. 1580). Regarded as a notorious classic in Chinese literature, it has long been banned in China, and never been available in English.
Enchanting Embroidery Designs invites you to create your own world using bright thread colors and imaginative stitches. Full of motifs that are both simple and playful, from zany crocodiles, and cuddly cats to big-eared bats and stealthy ravens. This book invites you to be creative with its whimsical designs and step-by-step instructions--whether you use these projects as visible mending techniques or simply to add interest to a piece. The sweet scenes and cute characters are full of life and texture, making them at home on your favorite clothing, home accessories or wall hangings. The unusual and versatile designs in this book include: Cheery flowers on a broach Pretty pine trees on hanging ornaments A colorful curly sheep Fluffy and stormy clouds Bushy-tailed foxes Moss on stone and microorganisms in Petri dishes And more! Simple how-tos take you through every recommended stitch, while a section on combining colors will inspire you to try mixing and matching to create something new. There's also a section on turning your stitchery into embellishments you can use, wear and share. Put your imagination and hands to work with the help of this inspiring embroidery book.
Li Yu, 1610-1680, was a brilliant comic writer and entertainer, a thoroughgoing professional whose life was in his work-plays, stories, a novel, criticism, essays, and poems. Patrick Hanan places him in the society of his day, where even his precarious livelihood, his constant search for patronage, did not dampen his versatility, his irreverent wit, or his jocund spirit. Li was also an epicure, an inventor, a pundit, and a designer of houses and gardens. He was an exceptional figure in Chinese culture for two reasons: his disregard of the authority of tradition, and his dedication to the cause of comedy. Hanan uses the term "invention" in his title in several ways: Li Yu's invention of himself, his public image-his originality and inventiveness in a multitude of fields and the literary products of his inventiveness. With expert and entertaining translations Hanan explores the key features of Li Yu's work, summarizing, describing, and quoting extensively to convey Li's virtuosity, his unconventionality, his irreverence, his ribaldry. This is a splendid introduction to the art and persona of a Chinese master of style and ingenuity.
This book explores poems, novels, legends, operas and other genres of writing from the Ming Dynasty. It is composed of two parts: the literary history; and comprehensive reference materials based on the compilation of several chronologies. By studying individual literary works, the book analyzes the basic laws of the development of literature during the Ming Dynasty, and explores the influences of people, time, and place on literature from a sociological perspective. In turn, it conducts a contrastive analysis of Chinese and Western literature, based on similar works from the same literary genre and their creative methods. The book also investigates the relationship between literary theory and literary creation practices, including those used at various poetry schools. In closing, it studies the unique aesthetic traits of related works. Sharing valuable insights and perspectives, the book can serve as a role model for future literary history studies. It offers a unique resource for literary researchers, reference guide for students and educators, and lively read for members of the general public.