The Elizabethan Theatre and The Book of Sir Thomas More

The Elizabethan Theatre and The Book of Sir Thomas More

Author: Scott McMillin

Publisher:

Published: 1987

Total Pages: 184

ISBN-13:

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"Pursued across the globe by ruthless National Security Agency operatives, David and Rachel struggle to piece together the truth behind Project Trinity and the enormous power it could unleash upon the world. As constant danger deepens their intimacy, Rachel realizes the key to Trinity lies buried in David's disturbed mind. But Trinity's clock is ticking ..." "Mankind is being held hostage by a machine that cannot be destroyed. Its only hope - a terrifying chess game between David and the Trinity computer, with the cities of the world as pawns. But what are the rules? How human is the machine? Can one man and woman change the course of history? Man's future hangs in the balance, and the price of failure is extinction."--BOOK JACKET.


A History of the Elizabethan Theater

A History of the Elizabethan Theater

Author: Adam Woog

Publisher:

Published: 2003

Total Pages: 120

ISBN-13:

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Discusses the development of the English theater during the Elizabethan era, including the origins of Elizabethan theater and dramas, the influence of the queen and the church, and the impact of various playwrights and actors.


The Purpose of Playing

The Purpose of Playing

Author: Louis Montrose

Publisher: University of Chicago Press

Published: 1996-06

Total Pages: 246

ISBN-13: 9780226534831

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Examines the role of Elizabethan drama in the shape of cultural belief, values, and understanding of political authority.


Life in War-torn Bosnia

Life in War-torn Bosnia

Author: Diane Yancey

Publisher: Greenhaven Press, Incorporated

Published: 1996

Total Pages: 0

ISBN-13: 9781560063261

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Examines life in Bosnia before communism, under Tito's rule, and under present conditions of war.


Elizabethan Drama

Elizabethan Drama

Author: John Gassner

Publisher: Hal Leonard Corporation

Published: 1990

Total Pages: 676

ISBN-13: 9781557830289

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(Applause Books). Boisterous and unrestrained like the age itself, the Elizabethan theatre has long defended its place at the apex of English dramatic history. Shakespeare was but the brightest star in this extraordinary galaxy of playwrights. The stage boasted a rich and varied repertoire from courtly and romantic comedy to domestic and high tragedy, melodrama, farce, and histories. The Gassner-Green anthology revives the whole range of this universal stage, offering us the unbounded theatrical inventiveness of the age. Elizabethan Drama is designed to provide the modern reader with complete access to the plays, as well as the beguiling Elizabethan world which was their backdrop. John Gassner's classic introduction is supplemented by his and William Green's superb prefaces to the individual plays. Marginal glosses and footnotes throughout keep the immediacy of the Elizabethan stage within easy reach.


Costumes and Scripts in the Elizabethan Theatres

Costumes and Scripts in the Elizabethan Theatres

Author: Jean MacIntyre

Publisher: University of Alberta

Published: 1992

Total Pages: 376

ISBN-13: 9780888642264

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The scripts of the Admiral's Men (later Prince Henry's Men), the Chamberlain's Men (later the King's Men) boy actors and Worcester's/Queen Anne's Men are examined in detail to document the differing costume practices of these companies, especially the ways in which in their earlier days they reconciled visual splendor with the greatest possible economy.


Reading the Jewish Woman on the Elizabethan Stage

Reading the Jewish Woman on the Elizabethan Stage

Author: Michelle Ephraim

Publisher: Ashgate Publishing, Ltd.

Published: 2008

Total Pages: 204

ISBN-13: 9780754658153

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The first book-length examination of Jewish women in Renaissance drama, this study links lesser-known dramatic adaptations of the biblical Rebecca, Deborah, and Esther with the Jewish daughters made famous by Christopher Marlowe and William Shakespeare on the popular stage. Drawing upon original research on early modern sermons and biblical commentaries, Michelle Ephraim here shows the cultural significance of biblical plays that have until now received scant critical attention.