Principles of Orchestration

Principles of Orchestration

Author: Nikolay Rimsky-Korsakov

Publisher: e-artnow

Published: 2020-12-17

Total Pages: 430

ISBN-13:

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Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.


Orchestration Theory

Orchestration Theory

Author: James E. Perone

Publisher: Bloomsbury Publishing USA

Published: 1996-04-30

Total Pages: 200

ISBN-13: 0313387893

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Presenting detailed bibliographic information on all aspects of orchestration, instrumentation, and musical arranging with the broadest possible historical and stylistic palette, this work includes over 1,200 citations. The sources range from treatises, dissertations, and textbooks to journal articles and are cross-referenced and indexed. This is the only comprehensive bibliographic reference guide of its kind on the subject of orchestration. It will be of value to the music theory teacher, undergraduate and graduate students of orchestration, and the researcher. The book contains chapters devoted to book-length treatises; a general bibliography of journal articles and books partially related to orchestration; a chronological list of orchestration treatises; a list of jazz-arranging treatises; a list of band-related treatises; a list of treatises dealing with specific instruments or instrumental families; and an index. This is the first in a series of music theory reference books the author is developing.


Arranging for the Concert Band

Arranging for the Concert Band

Author: Frank Erickson

Publisher: Alfred Music

Published: 1999-11-27

Total Pages: 180

ISBN-13: 9781457493782

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Arranging for the Concert Band and the separately available workbook are intended to introduce students to basic techniques of arranging for the concert band. Arranging can be divided into two separate processes. The first deals with scoring and transcribing. Scoring is concerned with such things as voicing, doubling, balance and color. The term scoring also means the actual writing of notes on the score paper. Transcribing is scoring music written for one kind of musical instrument or group -- say a piano or orchestra -- for a different kind of group. This text deals with those matters. The second part of arranging is the more creative process of writing introductions, modulations, endings, background figures and so on.


Brahms in the Home and the Concert Hall

Brahms in the Home and the Concert Hall

Author: Katy Hamilton

Publisher: Cambridge University Press

Published: 2014-09-11

Total Pages: 425

ISBN-13: 1107042704

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This collection explores the boundaries between Brahms' professional identity and his lifelong engagement with private and amateur music-making.


The Orchestral Music of Michael Tippett

The Orchestral Music of Michael Tippett

Author: Thomas Schuttenhelm

Publisher: Cambridge University Press

Published: 2014-02-06

Total Pages: 341

ISBN-13: 1107000246

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Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music.


Contemporary Orchestration

Contemporary Orchestration

Author: R.J. Miller

Publisher: Routledge

Published: 2014-12-17

Total Pages: 786

ISBN-13: 1317806247

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Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles. Features Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument. Pedagogical features In the Profession: Professional courtesies, considerations and expectations. Building the Score: Step-by-step construction of an orchestration. Scoring Examples: Multiple scoring examples for each instrument. Exercises: Analyzing, problem solving, and creating orchestration solutions. Critical Thinking: Alternate approaches and solutions.


Orchestration

Orchestration

Author: Joseph Wagner

Publisher: Forgotten Books

Published: 2018-09-24

Total Pages: 396

ISBN-13: 9781390911626

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Excerpt from Orchestration: A Practical Handbook Teaching experience over a period of many years at all levels provided the data for this text. It is because this experience showed conclusively the regularity of common errors dealing essentially with purely technical aspects of structural problems that equal proportions of textures and timbres have been incorporated as basic text materials. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Counterpoint

Counterpoint

Author: Walter Piston

Publisher: W W Norton & Company Incorporated

Published: 1947

Total Pages: 235

ISBN-13: 9780393097283

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Explores the contrapuntal element in significant works from the eighteenth and nineteenth centuries for the music student who fully understands the composition of harmony