Published 15 years after his suicide, this all-new, youthful work by Brautigan, was written a decade before he found sudden fame with "Trout Fishing in America".
Published 15 years after his suicide, this all-new, youthful work by Brautigan, was written a decade before he found sudden fame with Trout Fishing in America.
In all of the obituaries and writing about Richard Brautigan that appeared after his suicide, none revealed to Ianthe Brautigan the father she knew. Through it took all of her courage, she delved into her memories, good and bad, to retrieve him, and began to write. You Can't Catch Death is a frank, courageous, heartbreaking reflection on both a remarkable man and the child he left behind.
Confident and robust, Jubilee Hitchhiker is an comprehensive biography of late novelist and poet Richard Brautigan, author of Troutfishing in America and A Confederate General from Big Sur, among many others. When Brautigan took his own life in September of 1984 his close friends and network of artists and writers were devastated though not entirely surprised. To many, Brautigan was shrouded in enigma, erratic and unpredictable in his habits and presentation. But his career was formidable, an inspiration to young writers like Hjortsberg trying to get their start. Brautigan's career wove its way through both the Beat–influenced San Francisco Renaissance in the 1950s and the "Flower Power" hippie movement of the 1960s; while he never claimed direct artistic involvement with either period, Jubilee Hitchhiker also delves deeply into the spirited times in which he lived. As Hjortsberg guides us through his search to uncover Brautigan as a man the reader is pulled deeply into the writer's world. Ultimately this is a work that seeks to connect the Brautigan known to his fans with the man who ended his life so abruptly in 1984 while revealing the close ties between his writing and the actual events of his life. Part history, part biography, and part memoir this etches the portrait of a man destroyed by his genius.
A heartbroken American writer starts a story about an ice-cold sombrero that falls inexplicably from the sky and lands in the centre of a small Southwest town. Devastated by the departure of his gorgeous Japanese girlfriend, he cannot concentrate on his writing and in frustration he throws away his beginning. But as the man searches through his apartment for strands of his lost love's hair, the discarded story in the wastepaper basket - through some kind of elaborate origami - carries on without him. Arguments over the sombrero begin, one thing leads to another and before long all hell breaks loose in the normally sleep town. Brautigan's fertile imagination twists and pulls at the ensuing chaos to come up with a tender, moving, surreal and incredibly funny tale that is told by a writer at the very peak of his creative powers.
"Assumes the form of a traveler's journal, chronicling the protagonists's journey and his oblique ruminations on the suicide of one woman and the death from cancer of another, close friend."--Jacket.
In the late 1960s and early 1970s, Richard Brautigan was a counter-cultural celebrity, a writer that the would-be hip just had to read. The problem was that his fame did not rest on the considerable literary virtues of his work but, to a great extent, on a hippie image exemplified by the photograph of him on the cover of his breakthrough novel, 'Trout Fishing in America'. When nobody wanted tie-dye shirts and gurus any more, they didn’t want Brautigan either. Academics have followed the public’s lead: this is the first book-length study of Brautigan in English for 30 years. Its purpose is to reclaim Brautigan’s reputation. Dr. John Tanner analyses Brautigan’s fiction against the background of the cultural and literary upheavals from which it emerged and demonstrates that Brautigan is no mere Sixties curio but an innovative and vibrant American voice ignored for far too long.
Best known for his novel Trout Fishing in America, American writer Richard Gary Brautigan (1935-1984) published eleven novels, ten poetry collections, and two story collections, as well as five volumes of collected work, several nonfiction essays, and a record album of spoken voice recordings. Brautigan's idiosyncratic style and humor caused him to be identified with the counterculture movement of the 1960s. The authors of many of these 32 essays knew Brautigan personally and professionally; others came to know and respect him through a cultivated connection with his writings. The essays--many of which are new, others of which were published in obscure journals--combine personal remembrance of the man and critical appraisal of his still-controversial works. Includes previously unpublished photographs and artworks.