The Edge of Words is Rowan Williams' first book since standing down as Archbishop of Canterbury. Invited to give the prestigious 2014 Gifford Lectures, Dr Williams has produced a scholarly but eminently accessible account of the possibilities of speaking about God – taking as his point of departure the project of natural theology. Dr Williams enters into dialogue with thinkers as diverse as Augustine and Simone Weil and authors such as Joyce, Hardy, Burgess and Hoban in what is a compelling essay about the possibility of language about God.
The technological realm provides an unusually active laboratory not only for new ideas and products but also for the remarkable linguistic innovations that accompany and describe them. How else would words like qubit (a unit of quantum information), crowdsourcing (outsourcing to the masses), or in vitro meat (chicken and beef grown in an industrial vat) enter our language? In Virtual Words: Language on the Edge of Science and Technology, Jonathon Keats, author of Wired Magazine's monthly Jargon Watch column, investigates the interplay between words and ideas in our fast-paced tech-driven use-it-or-lose-it society. In 28 illuminating short essays, Keats examines how such words get coined, what relationship they have to their subject matter, and why some, like blog, succeed while others, like flog, fail. Divided into broad categories--such as commentary, promotion, and slang, in addition to scientific and technological neologisms--chapters each consider one exemplary word, its definition, origin, context, and significance. Examples range from microbiome (the collective genome of all microbes hosted by the human body) and unparticle (a form of matter lacking definite mass) to gene foundry (a laboratory where artificial life forms are assembled) and singularity (a hypothetical future moment when technology transforms the whole universe into a sentient supercomputer). Together these words provide not only a survey of technological invention and its consequences, but also a fascinating glimpse of novel language as it comes into being. No one knows this emerging lexical terrain better than Jonathon Keats. In writing that is as inventive and engaging as the language it describes, Virtual Words offers endless delights for word-lovers, technophiles, and anyone intrigued by the essential human obsession with naming.
From the big bang to black holes, from dark matter to dark energy, from the origins of the universe to its ultimate destiny, The Edge of the Sky tells the story of the most important discoveries and mysteries in modern cosmology—with a twist. The book’s lexicon is limited to the thousand most common words in the English language, excluding physics, energy, galaxy, or even universe. Through the eyes of a fictional scientist (Student-People) hunting for dark matter with one of the biggest telescopes (Big-Seers) on Earth (Home-World), cosmologist Roberto Trotta explores the most important ideas about our universe (All-there-is) in language simple enough for anyone to understand. A unique blend of literary experimentation and science popularization, this delightful book is a perfect gift for any aspiring astronomer. The Edge of the Sky tells the story of the universe on a human scale, and the result is out of this world.
Certain questions are basic to the human condition: how we imagine the world, and ourselves and others within it; how we confront the constraints of language and the limits of our own minds; and how we use imagination to give meaning to past experiences and to shape future ones. These are the questions James Boyd White addresses in The Edge of Meaning, exploring each through its application to great works of Western culture—Huckleberry Finn, the Odyssey, and the paintings of Vermeer among them. In doing so, White creates a deeply moving and insightful book and presents an inspiring conception of mind, language, and the essence of living.
“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
The celebrated author offers her thoughts on a broad range of subjects, including literary criticism, the state of science fiction writing today, and government and governmental policies.
In this remarkably beautiful collection of poems and musings, Victoria Erickson calls us to the core of our own aliveness with an ongoing invitation to inhabit a life fiercely lived. Artfully weaving words like a vivid tapestry, she gently reaches into the soul and invites us to swim in an ocean of hope, continuously choosing love and everyday magic over fear and resistance. Equal parts old soul and starry eyed child, Erickson encourages us to find the depth and meaning within our lives, reminding us to stay true to our own paths, while embracing both the pain and the beauty at the heart of reality. Hold this book close as a timeless reminder that wonder is everywhere. Your daily cup of universe.
The Edge of Words is Rowan Williams' first book since standing down as Archbishop of Canterbury. Invited to give the prestigious 2014 Gifford Lectures, Dr Williams has produced a scholarly but eminently accessible account of the possibilities of speaking about God – taking as his point of departure the project of natural theology. Dr Williams enters into dialogue with thinkers as diverse as Augustine and Simone Weil and authors such as Joyce, Hardy, Burgess and Hoban in what is a compelling essay about the possibility of language about God.
Ways with Words, first published in 1983, is a classic study of children learning to use language at home and at school in two communities only a few miles apart in the south-eastern United States. 'Roadville' is a white working-class community of families steeped for generations in the life of textile mills; 'Trackton' is an African-American working-class community whose older generations grew up farming the land, but whose existent members work in the mills. In tracing the children's language development the author shows the deep cultural differences between the two communities, whose ways with words differ as strikingly from each other as either does from the pattern of the townspeople, the 'mainstream' blacks and whites who hold power in the schools and workplaces of the region. Employing the combined skills of ethnographer, social historian, and teacher, the author raises fundamental questions about the nature of language development, the effects of literacy on oral language habits, and the sources of communication problems in schools and workplaces.
