Early Journals and Letters of Fanny Burney, Volume 4

Early Journals and Letters of Fanny Burney, Volume 4

Author: Frances Burney

Publisher: McGill-Queen's Press - MQUP

Published: 2003-05-21

Total Pages: 590

ISBN-13: 0773561021

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Volume IV of The Early Journals and Letters of Fanny Burney, covering the years 1780-1781, will be of particular interest to students of Burney as it marks the young author's introduction into the world following the astonishing success of her novel Evelina (1778) and includes her visits to Streatham and her encounters with Hester and Henry Thrale and Dr Johnson. It was an exciting period in her life, which she managed to enjoy despite struggling to repeat her first success while avoiding the often unwelcome attention it brought. But it was also a difficult period in her family life as she dealt with jealous interference by her stepmother, the courtship of her sister Susan by a man she considered untrustworthy, and the misbehaviour of her brothers. Burney's enthusiasm makes the most of her experiences and she describes characters and scenes with all the genius displayed in her novels. Her descriptions contain the four great attributes that distinguish her novels: brilliant handling of detail, total and full recall of conversations characteristic of the speaker, sensibility and empathy for others, and great relish for the ridiculous wherever it occurred.


The Early Journals and Letters of Fanny Burney: Volume V, 1782-1783

The Early Journals and Letters of Fanny Burney: Volume V, 1782-1783

Author: Lars E. Troide

Publisher: McGill-Queen's Press - MQUP

Published: 2012-03-19

Total Pages: 528

ISBN-13: 0773586768

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Volume V of The Early Journals and Letters of Fanny Burney covers a period of significant gains and losses for the young writer. Professionally, Burney consolidated her reputation as England's premier novelist with the publication of Cecilia. Through a mutual friendship she gained an appointment as Keeper of the Robes to Queen Charlotte, a position that provided both financial security and an insider's view to life at Court. Burney's professional success during these years was balanced by countless personal setbacks. Deprived of the companionship of her favourite sister following her sister's marriage, she also lost the friendship of Hester Lynch Thrale who grew increasingly distant during her romantic attachment to Gabriel Piozzi (whom she married in 1784). The death of her dear friend and mentor Samuel Crisp causes Burney deep sadness, and her emotional turmoil is further exacerbated by her introduction to George Owen Cambridge, a young clergyman to whom she is clearly attracted but who refuses to either declare himself to her, or leave her in peace. Throughout these trials and triumphs, Burney - an artist with an acute sense of the complexities and vagaries of human nature - never ceases to fix her lens on the fashions and follies of English society as they emerge in the manners of her time.


Satire, Celebrity, and Politics in Jane Austen

Satire, Celebrity, and Politics in Jane Austen

Author: Jocelyn Harris

Publisher: Bucknell University Press

Published: 2017-08-03

Total Pages: 389

ISBN-13: 1611488435

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In Satire, Celebrity, and Politics in Jane Austen, Jocelyn Harris argues thatJane Austen was a satirist, a celebrity-watcher,and a keen political observer.In Mansfield Park, she appears to baseFanny Price on Fanny Burney, criticizethe royal heir as unfit to rule, and exposeSusan Burney’s cruel husband throughMr. Price. In Northanger Abbey, she satirizes the young Prince of Wales as the vulgar John Thorpe; in Persuasion, she attacks both the regent’s failure to retrench, and his dangerous desire to become another Sun King. For Elizabeth Bennet in Pride and Prejudice, Austen may draw on the actress Dorothy Jordan, mistress of the pro-slavery Duke of Clarence, while her West Indian heiress in Sanditon may allude to Sara Baartman, who was exhibited in Paris and London as “The Hottentot Venus,” and adopted as a test case by the abolitionists. Thoroughly researched and elegantly written, this new book by Jocelyn Harris contributes significantly to the growing literature about Austen’s worldiness by presenting a highly particularized web of facts, people, texts, and issues vital to her historical moment.


Unfelt

Unfelt

Author: James Noggle

Publisher: Cornell University Press

Published: 2020-03-15

Total Pages: 185

ISBN-13: 1501747142

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Unfelt offers a new account of feeling during the British Enlightenment, finding that the passions and sentiments long considered as preoccupations of the era depend on a potent insensibility, the secret emergence of pronounced emotions that only become apparent with time. Surveying a range of affects including primary sensation, love and self-love, greed, happiness, and patriotic ardor, James Noggle explores literary evocations of imperceptibility and unfeeling that pervade and support the period's understanding of sensibility. Each of the four sections of Unfelt—on philosophy, the novel, historiography, and political economy—charts the development of these idioms from early in the long eighteenth century to their culmination in the age of sensibility. From Locke to Eliza Haywood, Henry Fielding, and Frances Burney, and from Dudley North to Hume and Adam Smith, Noggle's exploration of the insensible dramatically expands the scope of affect in the period's writing and thought. Drawing inspiration from contemporary affect theory, Noggle charts how feeling and unfeeling flow and feed back into each other, identifying emotional dynamics at their most elusive and powerful: the potential, the incipient, the emergent, the virtual.


The Bluestockings: A History of the First Women's Movement

The Bluestockings: A History of the First Women's Movement

Author: Susannah Gibson

Publisher: W. W. Norton & Company

Published: 2024-07-23

Total Pages: 232

ISBN-13: 0393881393

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A New York Times Book Review Editors' Choice An illuminating group portrait of the eighteenth-century women who dared to imagine an active life for themselves in both mind and spirit. In England in the 1700s, a woman who was an intellectual, spoke out, or wrote professionally was considered unnatural. After all, as the wisdom of the era dictated, a clever woman—if there were such a thing—would never make a good wife. But a circle of women called the Bluestockings did something extraordinary: coming together in glittering salons to discuss and debate as intellectual equals with men, they fought for women to be educated and to have a public role in society. In this intimate and revelatory history, Susannah Gibson delves into the lives of these pioneering women. Elizabeth Montagu established one of the most famous salons of the Bluestocking movement, with everyone from royalty to revolutionaries clamoring for an invitation to attend. Her younger sister, Sarah Scott, imagined a female-run society and created a women’s commune. Meanwhile, Hester Thrale, who also had a salon, saved her husband’s brewery from bankruptcy and, after being widowed, married a man she loved—Italian, Catholic, and not of her social class. Other women made a name for themselves through their publications, including Catharine Macaulay, author of an eight-volume history of England, and Frances Burney, author of the audacious novel Evelina. In elegant prose, Gibson reveals the close and complicated relationships between these women, how they supported and admired each other, and how they sometimes judged and exploited one another. Some rebelled quietly, while others defied propriety with adventurous and scandalous lives. With moving stories and keen insight, The Bluestockings uncovers how a group of remarkable women slowly built up an eviscerating critique of their male-dominated world that society was not yet ready to hear.


The Novel Stage

The Novel Stage

Author: Marcie Frank

Publisher: Rutgers University Press

Published: 2020-02-14

Total Pages: 231

ISBN-13: 1684481678

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"The Novel Stage: Narrative Form from the Restoration to Jane Austen traces the novel's relation to the theater over the course of the long eighteenth century, arguing that the familiar account of the novel as 'new' and distinct from other literary genres risks distorting a true reckoning of the form by failing to engage with the borrowings and departures from other more familiar genres, particularly drama. The Novel Stage traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel. These genres were shared across print and performance, media that were not construed as opposites in a world in which individual silent reading took place beside playgoing, play-reading, amateur theatricals, and sociable reading aloud. The book thus expands an overly narrow conception of the novel as the genre of realism or domesticity whose highest achievement is its representation of characters' mental lives by describing the influence of the stage and its genres. Beginning in the later 1600s with Aphra Behn, The Novel Stage concludes with a chapter on some novelists of the Romantic period and a coda about Victorian novels. The Novel Stage's account of the novel provides an enriched, because more specific, sense of its formal accomplishments that drew on this ensemble of cultural forms and turns that lens back onto drama"--Provided by publisher.


Sex, Money & Personal Character in Eighteenth-century British Politics

Sex, Money & Personal Character in Eighteenth-century British Politics

Author: Marilyn Morris

Publisher: Yale University Press

Published: 2014-01-01

Total Pages: 281

ISBN-13: 0300208456

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A sophisticated analysis of changing views of political virtue in the 18th century and the origins of the modern dilemma over probity and suitability for high public office How, and why, did the Anglo-American world become so obsessed with the private lives and public character of its political leaders? Marilyn Morris finds answers in eighteenth-century Britain, when a long tradition of court intrigue and gossip spread into a much broader and more public political arena with the growth of political parties, extra-parliamentary political activities, and a partisan print culture. The public's preoccupation with the personal character of the ruling elite paralleled a growing interest in the interior lives of individuals in histories, novels, and the theater. Newspaper reports of the royal family intensified in intimacy and its members became moral exemplars--most often, paradoxically, when they misbehaved. Ad hominem attacks on political leaders became commonplace; politicians of all affiliations continued to assess one another's characters based on their success and daring with women and money. And newly popular human-interest journalism promoted the illusion that the personal characters of public figures could be read by appearances.