The writings of Richard Henry Dulany and the young widower's extended family at his estate near Middleburg, Virginia, reveal the touching intricacies of daily life in wartime.
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.
Now in paperback, this major biography of J.E.B. Stuart—the first in two decades—uses newly available documents to draw the fullest, most accurate portrait of the legendary Confederate cavalry commander ever published. • Major figure of American history: James Ewell Brown Stuart was the South’s most successful and most colorful cavalry commander during the Civil War. Like many who die young (Stuart was thirty-one when he succumbed to combat wounds), he has been romanticized and popular- ized. One of the best-known figures of the Civil War, J.E.B. Stuart is almost as important a figure in the Confederate pantheon as Robert E. Lee and Stonewall Jackson. • Most comprehensive biography to date: Cavalryman of the Lost Cause is based on manuscripts and unpublished letters as well as the latest Civil War scholarship. Stuart’s childhood and family are scrutinized, as is his service in Kansas and on the frontier before the Civil War. The research in this biography makes it the authoritative work.
With Blood Image, Paul Anderson shows that the symbol of a man can be just as important as the man himself. Turner Ashby was one of the most famous fighting men of the Civil War. Rising to colonel of the 7th Virginia Cavalry, Ashby fought brilliantly under Thomas J. "Stonewall" Jackson during the 1862 Shenandoah Valley campaign until he died in battle. Anderson demonstrates that Ashby's image -- a catalytic, mesmerizing, and often contradictory combination of southern antebellum cultural ideals and wartime hopes and fears -- emerged during his own lifetime and was not a later creation of the Lost Cause. The stylistic synergy of Anderson's startling narrative design fuels a poignant irony: men like Ashby -- a chivalrous, charismatic "knight" who had difficulty complying with Stonewall Jackson's authority -- become trapped by the desire to have their real lives reflect their imagined ones.
Middleburg was established in 1787 by Leven Powell, one of Virginia's founding fathers. Following a long decline after the Civil War, the arrival of foxhunting in 1904 gave the town an international reputation for breeding, showing, and racing Thoroughbred horses. Over the ensuing decades, Middleburg would undertake significant historic preservation, but the town would also be remarkable for its laissez-faire attitude toward the rich and famous. Movie stars and presidents were seduced not only by Middleburg's horses, hounds, and history, but also by its respect for the privacy of its more renowned residents and visitors. In Middleburg, photographs from the collections of local residents Howard Allen and Tyler Gore as well as from the National Sporting Library, the Library of Congress, and other sources were chosen to reflect the character and charm of this historic village.
No military unit in all the annals of American history exceeds in reputation Robert E. Lee’s illustrious Army of Northern Virginia. In ten chapters based on exhaustive research, esteemed Civil War scholar Robert K. Krick gives eloquent examination to aspects of this army ranging from biographical sketches and the best and worst books on the subject to Confederate troop strengths and locating soldier records. The Smoothbore Volley That Doomed the Confederacy gleams with Krick’s usual superior research, skilled writing, and sound analysis and sheds new light on one of the most popular Civil War subjects.
After the ferocious fighting at Cold Harbor, Virginia, in June 1864, Union Lt. Gen.øUlysses S. Grant ordered his cavalry, commanded by Maj. Gen. Philip H. Sheridan, to distract the Confederate forces opposing the Army of the Potomac. Glory Enough for All chronicles the battle that resulted when Confederate cavalry pursued and caught their Federal foes at Trevilian Station, Virginia, perhaps the only truly decisive cavalry battle of the American Civil War. ø Eric J. Wittenberg tells the stories of the men who fought there, including eight Medal of Honor winners and one Confederate whose death at Trevilian Station made him the third of three brothers to die in the service of Company A of the Fourth Virginia Cavalry. He also addresses the little-known but critical cavalry battle at Samaria (Saint Mary's) Church on June 24, 1864, where Union Brig. Gen. David N. Gregg's division was nearly destroyed. ø The only modern strategic analysis of the battle, Glory Enough for All challenges prevailing interpretations of General Sheridan and of the Union cavalry. Wittenberg shows that the outcome of Trevilian Station ultimately prolonged Grant's efforts to end the Civil War.
The Piedmont area of Loudoun and Fauquier Counties, Virginia, near the Maryland border, was hotly contested throughout the Civil War. The mistress of a slave-holding estate, Ida Powell Dulany took over control of the extensive family lands once her husband left to fight for the Confederacy. She struggled to manage slaves, maintain contact with her neighbors, and keep up her morale after her region was abandoned by the Confederate government soon after the beginning of hostilities.
This impressively researched book tells the important but little-known story of elite southern white women's successful quest for a measure of self-reliance and independence between antebellum strictures and the restored patriarchy of Jim Crow. Profusely illustrated with the experiences of fascinating women in Virginia and North Carolina, it presents a compelling new chapter in the history of American women and of the South. As were many ideas, notions of the ideal woman were in flux after the Civil War. While poverty added a harder edge to the search for a good marriage among some "southern belles," other privileged white women forged identities that challenged the belle model altogether. Their private and public writings from the 1870s and 1880s suggest a widespread ethic of autonomy. Sometimes that meant increased domestic skills born of the new reality of fewer servants. But women also owned and transmitted property, worked for pay, and even pursued long-term careers. Many found a voice in a plethora of new voluntary organizations, and some southern women attained national celebrity in the literary world, creating strong and capable heroines and mirroring an evolving view toward northern society. Yet even as elite southern women experimented with their roles, external forces and contradictions within their position were making their unprecedented attitudes and achievements socially untenable. During the 1890s, however, virulent racism and pressures to re-create a mythic South left these women caught between the revived image of the southern belle and the emerging emancipated woman. Just as the memoirs of southern white women have been key to understanding life during the Civil War, the writings of such women unlock the years of dramatic change that followed. Informed by myriad primary documents, Jane Turner Censer immerses us in the world of postwar southern women as they rethought and rebuilt themselves, their families, and their region during a brief but important period of relative freedom.