The Drowned Muse

The Drowned Muse

Author: Anne-Gaëlle Saliot

Publisher:

Published: 2015

Total Pages: 401

ISBN-13: 0198708629

DOWNLOAD EBOOK

The Drowned Muse is a study of the extraordinary destiny, in the history of European culture, of an object which could seem, at first glance, quite ordinary in the history of European culture. It tells the story of a mask, the cast of a young girl's face entitled "L'Inconnue de la Seine" (the Unknown Woman of the Seine), and its subsequent metamorphoses as a cultural figure. Legend has it that the "Inconnue" drowned herself in Paris at the end of the nineteenth century. The forensic scientist tending to her unidentified corpse at the Paris Morgue was supposedly so struck by her allure that he captured in plaster the contours of her face. This unknown girl, also called "The Mona Lisa of Suicide," has since become the object of an obsessive interest that started in the late 1890s, reached its peak in the 1930s, and continues to reverberate today. Aby Warburg defines art history as "a ghost story for grown-ups." This study is simlarly "a ghost story for grown-ups," narrating the aura of a cultural object that crosses temporal, geographical, and linguistic frontiers. It views the "Inconnue" as a symptomatic expression of a modern world haunted by the earlier modernity of the nineteenth century. It also investigates how the mask's metamorphoses reflect major shifts in the cultural history of the last two centuries, approaching the "Iconnue" as an entry point to understand a phenomenon characteristic of 20th- and 21st-century modernity: the translatability of media. Doing so, this study mobilizes discourses surrounding the "Inconnue," casting them as points of negotiation through which we may consider the modern age.


The Drowned Muse

The Drowned Muse

Author: Anne-Gaëlle Saliot

Publisher:

Published: 2015

Total Pages: 384

ISBN-13: 9780191779558

DOWNLOAD EBOOK

'The Drowned Muse' charts the trajectory of representations of 'L'Inconnue de la Seine' in literature and the visual arts since the late 1890s and shows how the mask's metamorphoses track across the years provides points of negotiation through which to better understand modernity.


The Waiting Water

The Waiting Water

Author: Alexander Sorenson

Publisher: Cornell University Press

Published: 2024-09-15

Total Pages: 150

ISBN-13: 1501777122

DOWNLOAD EBOOK

The Waiting Water addresses one of the most recurrent and troubling motifs in German Realist literature—death by drowning. Characters find themselves before bodies of water, presented with the familiar realm above the surface and the unobservable, uncanny domain beneath it. With somber regularity, they then disappear into the depths. Alexander Sorenson explores the role that these hidden deaths in water play within a literary movement that set out precisely to reveal universal truths about human life. The poetics of submergence, he argues, revolve around two concepts fundamental to Poetic Realism—order and sacrifice. Focusing on texts by Adalbert Stifter, Gottfried Keller, Marie von Ebner-Eschenbach, and Theodor Storm, along with material from earlier and later epochs, The Waiting Water shows that the pervasive symbolism of drowning scenes in German Realism, which typically occur in zones of narrative invisibility on the social periphery, reveals the extent to which realist narrative uses the natural environment to work through deeply embedded and hidden tensions that troubled the social and moral life of the age.


New Directions in Flânerie

New Directions in Flânerie

Author: Kelly Comfort

Publisher: Routledge

Published: 2021-11-29

Total Pages: 256

ISBN-13: 1000482340

DOWNLOAD EBOOK

This book distinguishes itself from previous scholarship by offering an inclusive and comprehensive treatment of urban walking from 1800 to the present. Divided into three sections—geography, genius, and gender—the introduction establishes the origins of the flâneur and flâneuse in early foundational texts and explores later works that reimagine flânerie in terms of these same three themes. The volume’s contributors provide new and global perspectives on urban walking practices through their treatment of a variety of genres (literature, film, journalism, autobiography, epistolary correspondence, photography, fashion, music, digital media) and regions (Europe, Asia, the Americas, Africa, the Middle East). This volume theorizes well-known urban characters like the idler, lounger, dandy, badaud, promeneuse, shopper, collector, and detective and also proposes new iterations of the flâneur/flâneuse as fashion model, gaucho, cruiser, musician, vampire, postcolonial activist, video game avatar and gamer.


Moonlighting

Moonlighting

Author: Nathan Waddell

Publisher: Oxford University Press

Published: 2019-06-27

Total Pages: 263

ISBN-13: 0192548646

DOWNLOAD EBOOK

How and why did the life and music of Ludwig van Beethoven (1770-1827) matter to experimental writers in the early twentieth century? Previous answers to this question have tended to focus on structural analogies between musical works and literary texts, charting the many different ways in which poetry and prose resemble Beethoven's compositions. This book takes a different approach. It focuses on how early twentieth-century writers—chief among them E. M. Forster, Aldous Huxley, Wyndham Lewis, Dorothy Richardson, Rebecca West, and Virginia Woolf—profited from the representational conventions associated in the nineteenth century and beyond with Beethovenian culture. The emphasis of Moonlighting falls for the most part on how modernist writers made use of Beethovenian legend. It is concerned neither with formal similarities between Beethoven's music and modernist writing nor with the music of Beethoven per se, but with certain ways of understanding Beethoven's music which had long before 1900 taken shape as habit, myth, cliché, and fantasy, and with the influence they had on experimental writing up to 1930. Moonlighting suggests that the modernists drew knowingly and creatively on the conventional. It proposes that many of the most experimental works of modernist literature were shaped by a knowing reliance on Beethovenian consensus; in short, that the literary modernists knew Beethovenian legend when they saw it, and that they were eager to use it.


Understanding Blanchot, Understanding Modernism

Understanding Blanchot, Understanding Modernism

Author: Christopher Langlois

Publisher: Bloomsbury Publishing USA

Published: 2018-06-14

Total Pages: 345

ISBN-13: 150133137X

DOWNLOAD EBOOK

Maurice Blanchot occupies a central though still-overlooked position in the Anglo-American reception of 20th-century continental philosophy and literary criticism. On the one hand, his rigorous yet always-playful exchanges with the most challenging figures of the philosophical and literary canons of modernity have led thinkers such as Georges Bataille, Emmanuel Levinas, Jacques Derrida, and Michel Foucault to acknowledge Blanchot as a major influence on the development of literary and philosophical culture after World War II. On the other hand, Blanchot's reputation for frustrating readers with his difficult style of thought and writing has resulted in a missed opportunity for leveraging Blanchot in advancing the most essential discussions and debates going on today in the comparative study of literature, philosophy, politics, history, ethics, and art. Blanchot's voice is simply too profound, too erudite, and too illuminating of what is at stake at the intersections of these disciplines not to be exercising more of an influence than it has in only a minority of intellectual circles. Understanding Blanchot, Understanding Modernism brings together an international cast of leading and emergent scholars in making the case for precisely what contemporary modernist studies stands to gain from close inspection of Blanchot's provocative post-war writings.


The Reclining Nude

The Reclining Nude

Author: Emma Wilson

Publisher: Contemporary French and Franco

Published: 2019

Total Pages: 256

ISBN-13: 1789620244

DOWNLOAD EBOOK

This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking. Agnès Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy. The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.


In One Version of the Story

In One Version of the Story

Author: Chuck Carlise

Publisher: New Issues Poetry & Prose

Published: 2016

Total Pages: 109

ISBN-13: 9781936970452

DOWNLOAD EBOOK

In One Version of the Story is a lyric exploration of the ways human beings confront desire, loss and absence by creating stories. Its narrative situation begins with from the French folk legend of "l'Inconnue de la Seine"--the unidentified young woman who drowned herself in Paris in the 1880s, and whose (unauthorized) death mask was eventually cast as the face of Resusci-Anne CPR training dummies--but eventually the book encompasses a chronicle of personal loss, a history of photography, a study of the mechanics of breathing, and a solo climb to the rim of a Mediterranean volcano. The book is a hybrid of narrative history, lyric meditation, and journalistic investigation, often implicating the speaker (and reader) in the act of mythmaking itself. It is story-making itself which is interrogated here, however the book seeks not to recreate narratives, but rather to understand why they matter--why and how we give them the meaning that we do.


The Unknown Woman of the Seine

The Unknown Woman of the Seine

Author: Brooks Hansen

Publisher: Delphinium

Published: 2021-11-02

Total Pages: 224

ISBN-13: 9781953002051

DOWNLOAD EBOOK

In the late autumn of 1889, the body of an unknown woman appeared on the banks of the Seine River in Paris. It was taken to the city morgue behind Notre Dame and put on display for a month, according to protocol. The eerie beauty of the young woman's expression attracted crowds but no claimant, and so, before the body was dispatched, a mold was taken of the face, yielding a mask which was to become one of the most celebrated cult objets/curios of the 20th century. Set during the final days of the Paris expo of 1889, Brooks Hansen's The Unknown Woman of the Seine sets out to solve the mystery of who the woman was behind the mask. In charge of that investigation is a former Gendarme and recent prisoner of war just returned from Tonkin, China. Henri Brassard is on his way to Paris, determined to reclaim his place in La Force when he crosses paths with a mysterious and unnamed young maiden and her gypsy wagon. Detecting villainy, and bent on proving himself to his former superiors, Brassard tracks her into the city and observes from the shadows as, with evident but inscrutable purpose, she wends her way into the orbit of several savory and unsavory characters--an Artist, an Impresario, a Madame, a Countess, and one Disciple even--each of whom sees in her some opportunity, a chance for profit or redemption; any one of whom may therefore be responsible for her sudden and unexplained disappearance. On that account, Brassard's chase will lead him on a grand tour of the city's lushest and seamiest venues, from its highest spires down into its darkest, dankest catacombs and past a gallery of equally diverse crimes--the moral, the political, the maniacal. By the end, he will, in fact, learn the stunning truth of the unknown woman's true identity, her past and present, but not before unearthing the equally disturbing truth about himself, who he has been, and who he must become.