This introductory reader collects excerpts from Steiners many talks and writings on the significance of Christmas. This volume features an editorial introduction, afterword, commentary, and notes by Matthew Barton.
Within the Mystery cultures of ancient history, art, science and religion formed a unity that offered direction and spiritual nourishment to the broader society. Today, art, science and religion can again be reunited. However, as Marie Steiner indicates in her introduction to these lectures, these aspects of our culture need rejuvenation through fresh spiritual understanding and knowledge. Art cannot be renewed through compromise, but only by returning to the spiritual foundations of life. As she says: "The remedy lies in unlocking the wisdom of the Mysteries and presenting it to humanity in a form adapted to contemporary needs." In these wide-ranging lectures, Rudolf Steiner offers spiritual insight for the modern day into a revitalised world of the arts. His themes include: the relation of art to technology, the moral experience of the worlds of colour and music, the legendary Norwegian Dream Song of Olaf Åsteson, and the relationship between the various arts of architecture, sculpture, painting, music, poetry, eurythmy and the human being.
The heart of this volume comprises Rudolf Steiner’s commentary on the elemental forces that are responsible for our earthly nature as human beings – forces that influence us through our membership of a national or geographical group. When such elemental forces are not recognised and understood, he states, they cause conflict and chaos. However, Steiner indicates an important accompanying task that calls upon each human being to develop individuality, emancipating ourselves from the earthly influences underlying national and racial groups. These great themes are framed by Rudolf Steiner’s pioneering research into the two major Northern folk-poems, the Kalevala and The Dream Song of Olaf Åsteson. The former tells of the elemental spirits who created the conditions for our earthly incarnation, whereas the Dream Song has to do with the drama of excarnation – the journey of the human soul after death. Linking these vast motifs is Steiner’s unique description of the mission and tasks of the Russian people and the contrast of their destiny to the North American people (who, he says, are ‘dominating the Earth for a brief period of increasing splendour’). Steiner explains how elemental beings, responsible for the balance of land and sea, have created conditions where various peoples are enabled to develop their gifts and fulfil their destinies. Thus he speaks of Finland as the ancient conscience of Europe, Russia as the future bearer of the Christ-imbued Spirit Self, and the differing but complementary environments of Germany and Britain. Strikingly, he states that, ‘no souls on Earth love one another more than those living in Central Europe and those living in the British Isles’. Rudolf Steiner also speaks of the necessary work of luciferic and ahrimanic beings that collaborate to enable the solid spatial forms of our physical bodies. Likewise, they influence our etheric and astral bodies, facilitating thinking, feeling and will to be imbued with life and consciousness.
When Council Inspector Paul Clark visited the Peredur Trust in Cornwall more than twenty years ago, he was under pressure to serve a legal notice to comply with various regulations or face closure. He expected to encounter a cult organization with weird and unpalatable practices. In fact, he found something quite different. As he says in his foreword, "I came to inspect--I stopped to evaluate--and I remained to admire " Paul later became the trust's chief executive. The Peredur Trust has been caring for disadvantaged and differently abled individuals, effectively and successfully, for more than sixty years. Siegfried Rudel, its president and one of its four founders, tells the story of how the impulse behind the organization--inspired by the philosophy of Rudolf Steiner-- first transpired. However, this is not simply a narrative and history of a single organization; rather, this book represents a universal cultural impulse that embraces the needs of our time, and one that reappears today in many residential communities for people with special needs around the world. In a fascinating presentation, and with the aid of many archival photographs, In the Light of the Lanthorn tackles interrelated themes including the arts, the environment, sustainability, agriculture and nutrition--all in the light of working with individuals with special needs.
Much has been written about the phenomenon of near-death experiences, but little attention has been paid to scientific research, such as that of Dr. Michael Sabom, that indicates that these are body-free or spiritual experiences. Still less attention has been paid to the parallels that exist between descriptions such as those given by George Ritchie, whose near-death journey caused Raymond Moody to begin the epoch-making study that brought the phenomenon into the public eye, and the work of Rudolf Steiner. Steiner spoke of the twentieth century as an age at the threshold of the Risen Christ; it is the author's conviction that Ritchie's story affords us an opportunity to recognize and enter into the meaning of this event.
5 lectures, Dornach, March 31 - April 8, 1923 (CW 223) "Human beings must attain an esoteric maturity in order to think not merely abstractly, but to be able to think so concretely that they can again become festival-creating. Then it will be possible again to unite something spiritual with the cycle of sense phenomena." --Rudolf Steiner These five lectures were given at Easter, 1923. Rudolf Steiner, in a fully conscious way, laid a foundation for celebrating the Christian festivals --Christmas, Easter, St. John's, and Michaelmas. This is begun with a description of how the festival year evolved over long ages from the Earth's cycle of inbreathing and outbreathing. These forces are the Earth's soul activities in relation to the cosmos. Rudolf Steiner reveals the deep relationship between humanity and the seasons of the Earth, the solstices, and the equinoxes. And through the festivals of the seasons, he reveals humanity's relationship to the Christ Being The esoteric realities behind the festivals are also discussed in relation to sub-earthly and supra-earthly forces, the ancient Mysteries, the activity of the Archangel Michael, morality, and the arts. This book is a translation from German of Der Jahreskreislauf als Atmungsvorgang der Erde und die vier grossen Festeszeiten. Die Anthroposophie und das menschliche Gemüt (GA 223).
This book introduces a new way for thinking about, creating, and viewing art. Rudolf Steiner saw his task as the renewal of the lost unity of science, the arts, and religion; thus, he created a new, cognitive scientific and religious art in anthroposophy. The implications of his act --recognized by such diverse artists as Wassily Kandinsky and Joseph Beuys --are only now coming fully to light. In his thorough introduction of more than a hundred pages, Michael Howard takes readers through these thought-provoking chapters: Is Art Dead? To Muse or Amuse Artistic Activity As Spiritual Activity The Representative of Humanity Beauty, Creativity, and Metamorphosis New Directions in Art Lectures include: The Aesthetics of Goethe's Worldview The Spiritual Being of Art Buildings Will Speak The Sense Organs and Aesthetic Experience The Two Sources of Art The Building at Dornach The Supersensible Origin of the Arts Truth, Beauty, and Goodness Christ, Ahriman, and Lucifer Plus a bibliography and index