Three Major Plays
Three Major Plays

Author: Lope de Vega

Publisher: OUP Oxford

Published: 1999-01-21

Total Pages: 680

ISBN-13: 0191605360

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Lope de Vega (1562-1635), widely regarded as the architect of the drama of the Spanish Golden Age, was known by his contemporaries as the `monster of Nature' on account of his creativity as a playwright. Claiming to have written more than a thousand plays, he created plots and characters notable for their energy, inventiveness and dramatic power, and which, in contrast to French classical drama, combine the serious and the comic in their desire to imitate life. Fuente Ovejuna, based on Spanish history, and revealing how tyranny leads to rebelliion, is perhaps his best-known play. The Knight from Olmedo is a moving dramatization of impetuous and youthful passion which ends in death. Punishment without Revenge, Lope's most powerful tragedy, centres on the illicit relationship of a young wife with her stepson and the revenge of a dishonoured husband. These three plays, grouped here in translations which are faithful to the original Spanish, vivid and intended for performance, embody the very best of Lope's dramatic art. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Three Spanish Golden Age Plays
Three Spanish Golden Age Plays

Author: Lope De Vega

Publisher: A&C Black

Published: 2014-07-17

Total Pages: 342

ISBN-13: 1408150417

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Three classic Spanish plays, made famous by Shakespeare and Webster Two of the most famous and successful playwrights of Spain's Golden Age of playwriting were Lope de Vega (1562-1635) and Rojas Zorrilla (1607-48). From their prodigious output, the three plays in this volume, based on similar sources to Shakespeare's and Webster's versions, provide a fascinating comparison with their Jacobean counterparts. Lope's The Duchess of Amalfi's Steward, in contrast to Webster's play, focuses on the nobility of love, with characters who are complex and appealing. His Romeo-and-Juliet story, The Capulets and Montagues, is a fast-moving mixture of serious and comic, with an ending that will surprise and entertain. Rojas' treatment of Cleopatra, with its rich imagery, emphasises the love theme, held within a knot of jealous relationships. A full introduction by Gwynne Edwards sets the plays in context and provides a thorough study of the individual works.

Playing the King
Playing the King

Author: Melveena McKendrick

Publisher: Boydell & Brewer Ltd

Published: 2000

Total Pages: 242

ISBN-13: 1855660695

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A reappraisal of Lope's literary career, bringing out the complexities of his dramatic texts. This book offers a radical re-evaluation of Lope's theatre, which will affect the way in which the comedia in general is read. It spans Lope's literary career, discussing (pseudo-)historical, tragic and peasant plays in order to show Lope's texts as complex negotiations between author and public, between conservatism and subversion, between representations of the ideal of kingship and its political reality, in a period of social and political change. Drawing on contemporary Spanish political philosophy, McKendrick shows that far from glorifying monarchy and advocating absolutism (the orthodox view in the Hispanic world), Lope's political plays constitute an informed critiqueof kingship; she also challenges the received wisdom that the comedia was an instrument of stage and that its playwrights were the conscious propagandists of an aristocratic elite. With the help of insights and models provided by the speech act theory, the stratagems and techniques utilised by Lope to follow the path of prudence between the acceptable and the unacceptable in political commentary in the commercial theatre are scrutinised, illustrating how richly nuanced texts produce not an ideologically monolithic and complacent drama but one which is at once politically anxious and probing. MELVEENA MCKENDRICK is Professor of Spanish Literature, Culture and Societyat the University of Cambridge.

A History of Spanish Golden Age Drama
A History of Spanish Golden Age Drama

Author: Henry K. Ziomek

Publisher: University Press of Kentucky

Published: 2014-07-15

Total Pages: 257

ISBN-13: 0813164974

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Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.