In the center of the nest lay one perfect egg, the color of a spring sky. The father robin sat on a branch nearby, guarding his family. Tressa spotted raccoon tracks below and a blue jay eyeing the nest. “Gran, how are we going to keep the egg safe?”“We’ll have to leave that one to the Creator,” Gran said.Robins have built a nest on the window ledge at Grandmother’s house! Tressa is thrilled—and concerned. What will happen to the sky-blue egg laid by the mother robin? As more eggs appear, Tressa witnesses the daily drama of the robins’ nest and learns how God cares for all creatures.Besides watching the birds, there are Easter eggs to color. And there is a very special story to hear—a tale of long ago about one small bird with a very big heart. How did the robin get its red breast? Tressa is about to find out as Gran tells her the story of the Easter robin.Brought to life with colorful, tender illustrations, The Story of the Easter Robin will captivate and teach your child about compassion and faith.
Celebrate the story of Jesus’ resurrection in a fresh way as beloved, bestselling author Glenys Nellistshares the Bible stories of the season in a familiar rhythm and rhyme that children will love, following the classic style of the iconic 'Twas the Night Before Christmas. Join Glenys, beloved author of the bestselling 'Twas the Evening of Christmas, and ‘Twas the Season of Advent, as she reveals the joy and beauty of the resurrection in a unique, inspiring way.. This gorgeous picture book tells the true, biblical story of Easter through read-aloud rhymes and engaging illustrations by Elena Selivanova. With an eye-catching cover, this book is perfect for any Easter basket and sure to be a treasured Easter tradition for years to come. 'Twas the morning of Easter, before the sun rose, Two guards on a hillside were trying to doze. You see Jesus had died, only three days before, A huge stone had been placed, to sealthe cave door. 'Twas the Morning of Easter: Is written by Glenys Nellist, author of the bestselling‘Twas series, The Wonder That Is You, and the Snuggle Time and Love Letters from God series Is told in the style of Clement C. Moore's iconic poem––'Twas the Night before Christmas Features a familiar rhythm and rhyme that children ages 4-8 will love Retells the story of the resurrection of Jesus in a fresh way Gives adults the perfect way to share the powerful story of Easter with little ones Download your free companion Activity and Resource Pack to accompany this book, which includes an Easter pageant and an intergenerational StoryWalk event, at GlenysNellist.com Look for additional inspirational children’s picture books from Glenys: Baptized in the Water ‘Twas the Season of Advent 'Twas the Evening of Christmas Snuggle Time series Love Letters from God series
Sharing the Easter Faith with Children is theologically sound, biblically focused, educationally on target, and developmentally appropriate. Carolyn Brown writes clearly and helpfully, with conviction and passion for what to share and how to share one's faith with children. It should be required reading for every parent, educator, and pastor who wants to communicate and celebrate the Easter faith with children. Brown packs a lot of practical suggestions, insights, and activities into this very readable resource. I am confident children will mature in their understanding and affirmation of the Easter faith when they have been nurtured in families and congregations that take seriously what Brown offers. --Donald Griggs, author of Teaching Today’s Teachers to Teach It is easy to share the Christmas story and faith with children. The story is beautiful and lends itself well to pageants and other celebratory events for children. It is not so easy to share the Easter story and faith with children because the message and images are complex. Many parents have trouble articulating what Easter means to them personally much less answering their children’s questions. In many congregations children are featured in palm parades on Palm Sunday, but they are not specifically planned for at other Holy Week services. When schools schedule an Easter break, many families go away and thus unintentionally bypass the whole Easter message for years. This book explores what the Easter message can mean to children as they grow up. The author helps congregations and families share the Easter message with their children and include the children meaningfully in Lent, Holy Week and Easter observances. Included are materials for children from birth (in the church nursery) to age 12, and reproducible pages to create a booklet for parents. The first section of the book describes the particular parts of the Easter faith that are important to children at different ages and comments on the biblical Easter texts from a child’s point of view. The second part of the book works through the Lenten season, describing ways congregations can include children and providing program and worship plans, including: Lenten disciplines for children and their families Ash Wednesday Celebrating Palm Sunday or looking ahead on Passion Sunday Maundy Thursday: Recalling the Last Supper Keeping Good Friday The church-sponsored Easter Egg Hunt Easter Sunday Morning Another part of the book offers help to leaders who want to share the content with teachers, parents, or committees. Also included is a comprehensive list of related resources. This carefully researched and well-grounded, practical resource from a highly regarded Christian educator will strengthen your educational ministry with children and support parents as they shape the faith of their children.
This newly illustrated edition of The Legend of the Easter Robin renews the wonder and charm of the original and timeless tale written by Dandi Daley Mackall. With new vibrant artwork from New York Times bestselling illustrator, Richard Cowdrey, this holiday classic is brought to life for a new generation. The Legend of the Easter Robin tells the story of Tressa, whose grandmother reveals to her the story of a small robin who saw Jesus struggling and soared to help him. This Easter tale reminds Christians everywhere how much Jesus sacrificed for us and how much he loves us.
Add some kindness to your Easter baskets with Jan Brett's beloved Easter tale If Hoppi can make the best Easter egg, he will get to help the Easter Bunny with his deliveries on Easter morning. But it is not so easy. Discouraged, he goes into the woods to think when a blue robin’s egg tumbles out of its nest. Hoppi keeps it safe and warm until the baby bird hatches. When the Easter Bunny arrives and Hoppi presents the empty blue eggshell, the Easter Bunny declares it the very best one to reward Hoppi for his kindness. Spring is everywhere in gorgeous illustrations framed with pussy willows, flowering vines and flowers. Side borders feature busy rabbits making their unusual eggs and, in a border above, the Robin’s family drama unfolds. Jan Brett's lovable bunny hero and her remarkable Easter Bunny will enchant young readers.
Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
