Visitors Who Never Left

Visitors Who Never Left

Author: Kenneth B. Harris

Publisher: UBC Press

Published: 2011-11-01

Total Pages: 173

ISBN-13: 0774843551

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These legends, translated by Chief Kenneth Harris, tell of the origin of the Native people who live in the region between the Skeena and Nass rivers of British Columbia. Other stories tell of occurrences particularly significant in the 'history' of the people -- the origins of the 'Killer Whale' and 'Thunderbird Twtjea-adku,' and the revenge of 'Medeek,' the great bear who rose from the lake to punish people for breaking 'the law.'


National Visions, National Blindness

National Visions, National Blindness

Author: Leslie Dawn

Publisher: UBC Press

Published: 2011-11-01

Total Pages: 458

ISBN-13: 0774840625

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In the early decades of the twentieth century, the visual arts were considered central to the formation of a distinct national identity, and the Group of Seven's landscapes became part of a larger program to unify the nation and assert its uniqueness. This book traces the development of this program and illuminates its conflicted history. Leslie Dawn problematizes conventional perceptions of the Group as a national school and underscores the contradictions inherent in international exhibitions showing unpeopled landscapes alongside Northwest Coast Native arts and the "Indian" paintings of Langdon Kihn and Emily Carr. Dawn examines how this dichotomy forced a re-evaluation of the place of First Nations in both Canadian art and nationalism.


Eagle Down Is Our Law

Eagle Down Is Our Law

Author: Antonia Mills

Publisher: UBC Press

Published: 2011-11-01

Total Pages: 233

ISBN-13: 0774842741

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Eagle Down Is Our Law is about the struggle of the Witsuwit'en peoples to establish the meaning of aboriginal rights. With the neighbouring Gitksan, the Witsuwit'en launched a major land claims court case asking for the ownership and jurisdiction of 55,000 square kilometers of land in north-central British Columbia that they claim to have held since before the arrival of the Europeans. In conjunction with that court case, the Gitksan and Witsuwit'en asked a number of expert witnesses, among them Antonia Mills, an anthropologist, to prepare reports on their behalf. Her report, which instructs the judge in the case on the laws, feasts, and institutions of the Witsuwit'en, is presented here. Her testimony is based on two years of participant observation with the Witsuwit'en peoples and on her reading of the anthropological, historic, archaeological, and linguistic data about the Witsuwit'en.


New Histories for Old

New Histories for Old

Author: Theodore Binnema

Publisher: UBC Press

Published: 2011-11-01

Total Pages: 301

ISBN-13: 0774840129

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Scholarly depictions of the history of Aboriginal people in Canada have changed dramatically since the 1970s when Arthur J. ("Skip") Ray entered the field. New Histories for Old examines this transformation while extending the scholarship on Canada's Aboriginal history in new directions. This collection combines essays by prominent senior historians, geographers, and anthropologists with contributions by new voices in these fields. The chapters reflect themes including Native struggles for land and resources under colonialism, the fur trade, "Indian" policy and treaties, mobility and migration, disease and well-being, and Native-newcomer relations.


Making Canada New

Making Canada New

Author: Dean Irvine

Publisher: University of Toronto Press

Published: 2017-03-17

Total Pages: 415

ISBN-13: 1487511361

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An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others – whether old or new, print or digital – that instigates a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of more popular modes of literary scholarship with less frequented ones, such as bibliography, textual studies, and editing. Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print editions.


Marius Barbeau’s Vitalist Ethnology

Marius Barbeau’s Vitalist Ethnology

Author: Frances M. Slaney

Publisher: University of Ottawa Press

Published: 2023-03-28

Total Pages: 538

ISBN-13: 0776637142

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This book examines Marius Barbeau’s career at Canada’s National Museum (now the Canadian Museum of History), in light of his education at Oxford and in Paris (1907–1911). Based on archival research in England, France and Canada, Marius Barbeau’s Vitalist Ethnology presents Barbeau’s anthropological training at Oxford through his meticulous course notes, as well as archival photographs at the Pitt Rivers Museum and the Bibliothèque et Archives nationales du Québec. It also draws upon Barbeau’s professional correspondence at Library and Archives Canada, the BC Archives, and, above all, the National Museum, where he worked for over four decades. The author, Frances M. Slaney, sheds light on the professional life of this founder of Canadian anthropology, exploring his difficult working relationships with Edward Sapir, his collaborations with Franz Boas, and his outstanding fieldwork in rural Quebec and with Indigenous communities on British Columbia’s Northwest Coast. Barbeau penned over 1,000 books and articles, in addition to curating innovative museum exhibitions and art shows. He invited Group of Seven artists into his field sites, convinced that their works could better capture the “vitality” of Quebec’s rural culture than his own abundant photographs. For these—and many other—contributions, the Historic Sites and Monuments Board of Canada recognized him as a “person of national historic importance” in 1985.


Faces in the Forest

Faces in the Forest

Author: Michael D. Blackstock

Publisher: McGill-Queen's Press - MQUP

Published: 2001-11-16

Total Pages: 257

ISBN-13: 077356960X

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In Faces in the Forest Michael Blackstock, a forester and an artist, takes us into the sacred forest, revealing the mysteries of carvings, paintings, and writings done on living trees by First Nations people. Blackstock details this rare art form through oral histories related by the Elders, blending spiritual and academic perspectives on Native art, cultural geography, and traditional ecological knowledge. Faces in the Forest begins with a review of First Nations cosmology and the historical references to tree art. Blackstock then takes us on a metaphorical journey along the remnants of trading and trapping trails to tree art sites in the Gitxsan, Nisga'a, Tlingit, Carrier, and Dene traditional territories, before concluding with reflections on the function and meaning of tree art, its role within First Nations cosmology, and the need for greater respect for all of our natural resources. This fascinating study of a haunting and little-known cultural phenomenon helps us to see our forests with new eyes.


Learn, Teach, Challenge

Learn, Teach, Challenge

Author: Deanna Reder

Publisher: Wilfrid Laurier Univ. Press

Published: 2016-07-15

Total Pages: 804

ISBN-13: 1771121874

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This is a collection of classic and newly commissioned essays about the study of Indigenous literatures in North America. The contributing scholars include some of the most venerable Indigenous theorists, among them Gerald Vizenor (Anishinaabe), Jeannette Armstrong (Okanagan), Craig Womack (Creek), Kimberley Blaeser (Anishinaabe), Emma LaRocque (Métis), Daniel Heath Justice (Cherokee), Janice Acoose (Saulteaux), and Jo-Ann Episkenew (Métis). Also included are settler scholars foundational to the field, including Helen Hoy, Margery Fee, and Renate Eigenbrod. Among the newer voices are both settler and Indigenous theorists such as Sam McKegney, Keavy Martin, and Niigaanwewidam Sinclair. The volume is organized into five subject areas: Position, the necessity of considering where you come from and who you are; Imagining Beyond Images and Myths, a history and critique of circulating images of Indigenousness; Debating Indigenous Literary Approaches; Contemporary Concerns, a consideration of relevant issues; and finally Classroom Considerations, pedagogical concerns particular to the field. Each section is introduced by an essay that orients the reader and provides ideological context. While anthologies of literary criticism have focused on specific issues related to this burgeoning field, this volume is the first to offer comprehensive perspectives on the subject.