This is a comprehensive collection of the late scholar’s groundbreaking work in feminist biblical interpretation, in English translation. The essays document Van Dijk-Hemmes’ development and show how her work relates to contemporary developments in feminist thinking. There is a Foreword by Mieke Bal, an in memoriam by Athalya Brenner, and an overview of van Dijk-Hemmes’ extensive output of books and articles completes the volume.
The Oxford Handbook of Feminist Approaches to the Hebrew Bible brings together 37 essential essays written by leading international scholars, examining crucial points of analysis within the field of feminist Hebrew Bible studies. Organized into four major areas - globalization, neoliberalism, media, and intersectionality - the essays collectively provide vibrant, relevant, and innovative contributions to the field. The topics of analysis focus heavily on gender and queer identity, with essays touching on African, Korean, and European feminist hermeneutics, womanist and interreligious readings, ecofeminist and animal biblical studies, migration biblical studies, the role of gender binary voices in evangelical-egalitarian approaches, and the examination of scripture in light of trans women's voices. The volume also includes essays examining the Old Testament as recited in music, literature, film, and video games. The Oxford Handbook of Feminist Approaches to the Hebrew Bible charts a culturally, hermeneutically, and exegetically cutting-edge path for the ongoing development of biblical studies grounded in feminist, womanist, gender, and queer perspectives.
This double issue of CCAR Journal includes a new data analysis by the Reform Pay Equity Initiative, a discussion of the growth of Reform Judaism in IberoAmerica, a piece on disenfranchised grief in the wake of October 7, and several articles addressing the challenges of pastoral care. The issue also contains new book reviews and poems.
Branded by critics from Aristophanes to Nietzsche as sophistic, iconoclastic, and sensationalistic, Euripides has long been held responsible for the demise of Greek tragedy. Despite this reputation, his drama has a fundamentally conservative character. It conveys nostalgia for an idealized age that still respected the gods and traditional codes of conduct. Using deconstructionist and feminist theory, this book investigates the theme of the lost voice of truth and justice in four Euripidean tragedies. The plays' unstable mix of longing for a transcendent voice of truth and skeptical analysis not only epitomizes the discursive practice of Euripides' era but also speaks to our postmodern condition. The book sheds light on the source of the playwright's tragic power and enduring appeal, revealing the surprising relevance of his works for our own day.
Sixty-six colleagues, friends, and former students of Edward L. Greenstein present essays honoring him upon his retirement. Throughout Greenstein's half-century career he demonstrated expertise in a host of areas astonishing in its breadth and depth, and each of the essays in these two volumes focuses on an area of particular interest to him. Volume 1 includes essays on ancient Near Eastern studies, Biblical Hebrew and Northwest Semitic languages, and biblical law and narrative. Volume 2 includes essays on biblical wisdom and poetry, biblical reception and exegesis, and postmodern readings of the Bible.
Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart’s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse.
While the expectations and circumstances of women’s lives in ancient Israel have received considerable attention in recent scholarship, to date little attention has been focused on the role of daughters in Hebrew narrative‒‒that is, of yet unmarried female members of the household, who are not yet mothers. Kimberly D. Russaw argues that daughters are more than foils for the males (fathers, brothers, etc.) in biblical narratives and that they often use particular tactics to navigate antagonistic systems of power in their worlds. Institutions and power structures favor the patriarch, sons inherit such privileges and benefits, and wives and mothers are ascribed special status because they ensure the patrilineal legacy by birthing sons; but daughters do not receive such social favor or standing. Instead of privileging daughters, systems and institutions control their bodies, restrict their access, and constrict their movement. Combining philological data, social-science models, and cross-cultural comparisons, Russaw examines the systems that constrict biblical daughters in their worlds and the strategies they employ when hostile social forces threaten their well-being.
April Westbrook explores the intentional inclusion of woman stories (those displaying significant female presence) within the David narrative in the books of Samuel. These stories are made prominent by the surprisingly high number of their occurrences as well as the sequentially progressive literary pattern in which they occur in the larger narrative. Westbrook shows that the dramatic and detailed accounts within the story repeatedly challenge the reader to consider the experiences of women and their contribution to the purpose of the larger narrative. When viewed collectively, these woman stories serve to stir the reader's responses in ways which systematically call into question the nature of the monarchy itself as a power system-both its impact upon the nation and upon the kings who rule. Although King David is often held up as a paragon of virtue, the experiences of the women in his life frequently reveal a different side of his character, and the reader must wrestle with the resultant ambiguity. In the process, the reader must also think deeply about the inevitably negative aspects of hierarchical social structures and why this biblical text is apparently designed to press the reader toward unavoidable and uncomfortable personal confrontation with these realities concerning the use of power within community life.
Joy A. Schroeder explores centuries of Jewish and Christian interpretations of the biblical story of Deborah, an authoritative judge, prophet, and war leader who violently defeated her enemies.
