A high school senior wins a space suit in a soap jingle contest, takes a last walk wearing "Oscar" before cashing him in for college tuition, and suddenly finds himself on a space odyssey.
Now in its first American edition, Dionne Brand’s groundbreaking A Map to the Door of No Return has emerged as a modern classic, a highly influential exploration of “being” in the Black Diaspora. Since its first publication in 2001, Dionne Brand’s groundbreaking exploration of being in the Black Diaspora, A Map to the Door of No Return, has emerged as a modern classic. The door, in Brand’s iconic schema, represents the point of rupture where the ancestors of the Black Diaspora departed one world for another: the place where all names were forgotten, and all beginnings recast. “This door,” writes Brand, “is not mere physicality. It is a spiritual location . . . Since leaving was never voluntary, return was, and still may be, an intention, however deeply buried. There is as it says no way in; no return.” Through shards of history, memoir, lyrical investigation, and the unwritten experience of so many descendants of those who passed through the door, Brand constructs a map of this indelible region, culminating in an enduring expression, both definitive and seeking, of what it is to live, think, and create in the wake of colonization. With a new preface by the author, and an afterword by Saidiya Hartman.
John M. Ford's The Scholars of Night is an extraordinary novel of technological espionage and human betrayal, weaving past and present into a web of unbearable suspense. Nicholas Hansard is a brilliant historian at a small New England college. He specializes in Christopher Marlowe. But Hansard has a second, secret, career with The White Group, a “consulting agency” with shadowy government connections. There, he is a genius at teasing secrets out of documents old and new—to call him a code-breaker is an understatement. When Hansard’s work exposes one of his closest friends as a Russian agent, and the friend then dies mysteriously, the connections seem all too clear. Shaken, Hansard turns away from his secret work to lose himself in an ancient Marlowe manuscript. Surely, a lost 400 year old play is different enough from modern murder. He is very, very wrong. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The last of the three stories in Lewis's science fiction trilogy. The story which began on Mars and was continued on Venus comes to its conclusion on Earth
Finalist for the 2023 Locus Award for Best Novel Finalist for the 2023 Arthur C. Clarke Award for Best Novel Finalist for the 2022 BSFA Award for Best Novel When tech scavenger Xích Si is captured and imprisoned by the infamous pirates of the Red Banner, she expects to be tortured or killed. Instead, their leader, Rice Fish, makes Xích Si an utterly incredible proposition: an offer of marriage. Both have their reasons for this arrangement: Xích Si needs protection; Rice Fish, a sentient spaceship, needs a technical expert to investigate the death of her first wife, the Red Scholar. That’s all there is to it. But as the interstellar war against piracy rages on and their own investigation reaches a dire conclusion, the two of them discover that their arrangement has evolved into something much less business-focused and more personal...and tender. And maybe the best thing that’s ever happened to either of them—but only if they can find a way to survive together. A rich space opera and an intensely soft romance, from an exceptional SF author. Advance Praise for The Red Scholar's Wake: “So romantic I may simply perish.” —Tasha Suri, author of The Jasmine Throne “LESBIAN SPACE PIRATES. Enough said.” —Katee Robert, NYT bestselling author of Neon Gods “The Red Scholar’s Wake is a fizzingly inventive space opera, quite unlike anything I’ve encountered before, and told with style, grace, and a big dose of heart. SF is lucky to have Aliette de Bodard.” —Alastair Reynolds, Sunday Times bestselling author “The Red Scholar’s Wake takes you on an exhilarating dive into space piracy with passion, politics, dazzling settings, and-even better-a profound core of love transcending hopelessness that rings throughout the story.” —Everina Maxwell, author of Winter’s Orbit
The papers in this book respond to the public debate over literary canons, in the United States, and elsewhere, by placing the political-ideological aspects of the conflict inside perspectives derived from comparative literature. Canons are seen by most of the contributors as based on democratic and communal intentions or choices inevitable filtered through and colored by historical experiences and social biases.An examination of the canonical process over many centuries reveals both the impressive durability of its elements and the amazing flexibility of its outlines. The careful individual analyses, as well as the thought-provoking general contributions in this volume agree that the democracy of play is one of the strongest bonds uniting the human race. Canons or canons, the contributors argue, are based on it and reflect the intimate interdependence of cultural and intellectual matters with the workings of society as a whole. Contributors Charles Altieri, Lilian R. Furst, Michael G. Cooke, Robert Royal, Roger Shattuck, Rosa E.M.D. Penna, Glen M. Johnson, Yves Chevrel, Raymond A. Prier, Peter Walker, Christopher Clausen, Virgil Nemoianu.
The Communication Yearbook annuals publish diverse, state-of-the-discipline literature reviews across the field of communication. Sponsored by the International Communication Association, volumes offer insightful descriptions of research as well as reflections on the implications of those findings for other areas of the discipline. Editor Christina S. Beck presents a diverse, international selection of articles that highlight empirical and theoretical intersections in the communication discipline.
In this book, Wendy Lynne Lee sets out to demonstrate how feminist theorizing is relevant to issues that may seem less directly about the status and emancipation of women but that are vital, she argues, to forming connections with other important twenty-first century movements. Lee shows how a feminist approach to crafting these connections can shed light on the economic disparity and entrenched gender inequality of global markets; the role technology plays in our conception of reproductive rights, sexual identity, and gender; the rise of religious fanaticism; and the relationship between our conceptions of gender, nonhuman animals, and the environment. Timely, politically passionate, and forcefully argued, Contemporary Feminist Theory and Activism will reinvigorate feminist thought for the twenty-first century.