The Documentary Impulse

The Documentary Impulse

Author: Stuart Franklin

Publisher: Phaidon Press

Published: 2016-04-11

Total Pages: 0

ISBN-13: 9780714870670

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Award-winning photographer Stuart Franklin's exploration of how we, as humans, are driven to visually document our experiences and the world around us. Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and science. Looking at photojournalism, war photography and work recording our culture, Franklin identifies some of its driving impulses: curiosity, outrage, reform and ritual; the search for evidence, for beauty, for therapy; and the immortalization of memory. As our understanding of 'documentary' continues to expand, Franklin considers photographic staging - where, perhaps, the future of the genre may lie: in search of truth over fact. "This book traces what I shall call the documentary impulse. Here I mean the passion to record, with fidelity, the moments we experience and wish to preserve, the things we witness and might want to reform; or simply the people, places or things we find remarkable... Photography (and journalism) practised respectfully has the power to educate us all towards a greater understanding and empathy towards others." —Stuart Franklin


Where Truth Lies

Where Truth Lies

Author: Kris Fallon

Publisher: University of California Press

Published: 2019-10-29

Total Pages: 246

ISBN-13: 0520300939

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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016.


Trauma and Documentary Photography of the FSA

Trauma and Documentary Photography of the FSA

Author: Sara Blair

Publisher: Univ of California Press

Published: 2012-05-01

Total Pages: 128

ISBN-13: 0520265653

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"Coauthored by the literary scholar Sara Blair and the art historian Eric Rosenberg, this volume of the Defining Moments in American Photography series offers new ways to understand the work of the famous Farm Security Administration photographers by exploring an expanded and much more variable idea of the documentary than what New Dealers proposed. The coauthors follow in the line of scholars who have, on the one hand, looked critically at the FSA photography project and identified its goals, biases, contradictions, and ambivalences and, on the other hand, discerned strikingly independent directions among its photographers. But what distinguishes their work from that of others is their wrestling with a specific term often applied to the Depression era: trauma. If it was the case that documentary, as a genre, and FSA photographs, as an umbrella project, came to prominence during a time of trauma and in the hands of socially minded photographers was meant to address and publicize trauma, the coauthors of this volume seek to understand how trauma and photography mixed and how, in the volatility of that mixture, the competing ideas for documentary took shape. Among the key figures they study are some of the most beloved in American photography, including Walker Evans, Ben Shahn, and Aaron Siskind"--Provided by publisher.


Documentary Expression and Thirties America

Documentary Expression and Thirties America

Author: William Stott

Publisher: University of Chicago Press

Published: 1986-06-15

Total Pages: 460

ISBN-13: 9780226775593

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"A comprehensive inquiry into the attitudes and ambitions that characterized the documentary impulse of the thirties. The subject is a large one, for it embraces (among much else) radical journalism, academic sociology, the esthetics of photography, Government relief programs, radio broadcasting, the literature of social work, the rhetoric of political persuasion, and the effect of all these on the traditional arts of literature, painting, theater and dance. The great merit of Mr. Stott's study lies precisely in its wide-ranging view of this complex terrain."—Hilton Kramer, New York Times Book Review "[Scott] might be called the Aristotle of documentary. No one before him has so comprehensively surveyed the achievement of the 1930s, suggesting what should be admired, what condemned, and why; no one else has so persuasively furnished an aesthetic for judging the form."—Times Literary Supplement


American Modern

American Modern

Author: Sharon Corwin

Publisher: Univ of California Press

Published: 2010

Total Pages: 212

ISBN-13: 0520265629

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This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.


Documentary Resistance

Documentary Resistance

Author: Angela J. Aguayo

Publisher:

Published: 2019

Total Pages: 297

ISBN-13: 0190676213

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Documentary Resistance: Social Change and Participatory Media offers a new approach to understanding the networked capacity of documentary media to create public commons areas, crafting connections between unlikely interlocutors. In this process communities invest in the exchange of documentary moving image discourse around politics and social change. This book advances a new argument suggesting that documentary's capacity for social change is found in its ability to establish forms of collective identification and political agency capable of producing and sustaining activist media cultures. It advances the creation of a conceptual, theoretical, and historical space in which documentary and social change can be examined, drawing upon research in cinema, media, and communication studies as well as cultural theory to explore how political ideas move into participatory action. This book takes a distinctive approach, understanding how struggles for social justice are located, reflected, and represented on the documentary screen, but also in pre- and post-production processes. To address this living history, this project includes over sixty unpublished field interviews with documentary filmmakers, critics, funders, activists, and distributors.


Re-viewing Documentary

Re-viewing Documentary

Author: Laura Katzman

Publisher: American University Museum

Published: 2011

Total Pages: 0

ISBN-13: 9781879383777

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Re-viewing Documentary is the first study to assess Louise Rosskam's contributions to the Rosskam team in the context of the larger field of social reform photography. It addresses the boundaries she traversed in negotiating her role in a profession in which women were making dynamic strides.


Collecting Visible Evidence

Collecting Visible Evidence

Author: Jane Gaines

Publisher: U of Minnesota Press

Published: 1999

Total Pages: 372

ISBN-13: 9780816631353

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In documentary studies, the old distinctions between fiction and nonfiction no longer apply, as contemporary film and video artists produce works that defy classification. Coming together to make sense of these developments, the contributors to this book effectively redefine documentary studies. They trace the documentary impulse in the early detective camera, in the reenactment of battle scenes from World War I, and in the telecast of the Nevada A-Bomb test in 1949. Other topics include experiments in virtual reality; the crisis of representation in anthropology; and video art and documentary work that challenges the asymmetry of the postcolonial Us/Them divide.


The Impulse Factor

The Impulse Factor

Author: Nick Tasler

Publisher: Simon and Schuster

Published: 2009-12

Total Pages: 274

ISBN-13: 1439157278

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Packed with riveting examples and controversial research, "The Impulse Factor" provides a clear understanding of why people make the choices they do--and the tools necessary to turn those decisions into something great.