(Artist Transcriptions). A must for every trumpet player, this songbook features 20 newly transcribed solos from this jazz giant's long and varied career, from swing to bebop to Latin. Includes: Anthropology * Blues 'N Boogie * Con Alma * Dizzy Atmosphere * Dizzy Meets Sonny * I Can't Get Started with You * It Don't Mean a Thing (If It Ain't Got That Swing) * Jersey Bounce * Manteca * A Night in Tunisia * Salt Peanuts * Sophisticated Lady * Stardust * Stella by Starlight * Tin Tin Deo * Woodyn' You * and more. Includes an extensive biography and discography.
(Artist Transcriptions). 20 tunes transcribed note-for-note for sax as Parker played them. Includes: The Bird * Bird Feathers * Bird of Paradise * Confirmation * Cool Blues * Dexterity * Dizzy Atmosphere * Embraceable You * Groovin' High * I Didn't Know What Time It Was * I'll Remember April * In the Still of the Night * Lover Man (Oh, Where Can You Be?) * A Night in Tunisia * Ornithology * Quasimodo * Relaxin' at the Camarillo * Salt Peanuts * The Song Is You * Star Eyes. Includes bio.
(Bass Recorded Versions). Exact transcriptions with tab of this jazz-fusion legend's incredible work on 14 tracks: Barbary Coast * Birdland * Black Market * Cannonball * Harlequin * Havona * Palladium * Port of Entry * Punk Jazz * A Remark You Made * River People * Slang * Speechless * Teen Town.
John Birks “Dizzy” Gillespie (October 21, 1917–January 6, 1993) was one of the most recognizable and popular figures in American jazz history. The youngest of nine children, Gillespie owed much of his success to an elementary school teacher who worked to harness his energy and anger by recruiting him for the school band—and he was hooked. His dedication and talent helped him mature into one of the country’s best trumpet players. In the 1940s, the trumpet virtuoso and respected improviser teamed up with musician Charlie Parker to lay the foundations for bebop. His beret, horn–rimmed glasses, bent horn, puffed-out cheeks, and sense of humor made him a fan favorite throughout his sixty–year career as a musical innovator, mentor, and cultural ambassador.
Jazz is a vibrant and a living art, and this volume serves to remind us of that fact through interviews with Art Tatum, Maynard Ferguson, Dizzy Gillespie, and Dave Brubeck, along with almost 20 other jazz greats. Meet the greatest musicians in the history of jazz. From Hoagy Carmichael to David Sanborn, these interviews and their subjects reflect the diverse appeal and deep roots of a truly American art form. Some of the interviews in Jazz Notes: Interviews across the Generations remain intact from their original publication. Others are updated to include conversations with younger artists, influenced by these legends and attempting to carry on their legacies. The interviews range from the 1970s to the present day and are followed by a concluding section that provides perspective from current artists. In the course of the interviews, the history of American art and culture receives interesting augmentation. Some artists, such as Dave Brubeck and Maynard Ferguson, discuss how they broke through to the top of the pop charts. Of course, many African American jazz musicians endured difficult and demeaning conditions while on the road in the 1930s, 1940s, and 1950s, and their memories of these experiences are a bittersweet counterpoint to remembered triumphs.
(Keyboard Instruction). A short easy method for learning to play boogie woogie, designed for the beginner and average pianist. Includes: exercises for developing left-hand bass * 25 popular boogie woogie bass patterns * arrangements of "Down the Road a Piece" and "Answer to the Prayer" by well-known pianists * a glossary of musical terms for dynamics, tempo and style.
This is an examination of the crucial formative period of Chinese attitudes toward nuclear weapons, the immediate post-Hiroshima/Nagasaki period and the Korean War. It also provides an account of US actions and attitudes during this period and China's response.
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. With a voice as smooth as a Charlie Parker alto saxophone solo, Boston broadcasting icon Ron Della Chiesa has brought music and musical legends alive for over thirty-five years. These are the inside stories of Della Chiesa’s career in radio. Discover Boston's vibrant music scene as only Ron can tell it: through his interviews with everyone from opera greats Luciano Pavarotti and Placido Domingo, to jazz artists Dizzy Gillespie and Dave McKenna, beloved song legends Rosemary Clooney and Bobby Short, composers David Raksin and Andre Previn, the brilliant raconteur Jean Shepherd, to his close friend, musical legend Tony Bennett.
The author of the magisterial A Biographical Guide to the Great Jazz and Pop Singers now approaches the great singers and their greatest work in an innovative and revelatory way: through considering their finest albums, which is the format in which this music was most resonantly organized and presented to its public from the 1940s until the very recent decline of the CD. It is through their albums that Ella Fitzgerald, Frank Sinatra, Peggy Lee, Sarah Vaughan, Nat King Cole, Judy Garland, and the rest of the glorious honor roll of jazz and pop singers have been most tellingly and lastingly appreciated, and the history of the album itself, as Will Friedwald sketches it, can now be seen as a crucial part of musical history. We come to understand that, at their finest, albums have not been mere collections of individual songs strung together arbitrarily but organic phenomena in their own right. A Sinatra album, a Fitzgerald album, was planned and structured to show these artists at their best, at a specific moment in their artistic careers. Yet the albums Friedwald has chosen to anatomize go about their work in a variety of ways. There are studio and solo albums: Lee’s Black Coffee, June Christy’s Something Cool, Cassandra Wilson’s Belly of the Sun. There are brilliant collaborations: famous ones—Tony Bennett and Bill Evans, Louis Armstrong and Oscar Peterson—and wonderful surprises like Doris Day and Robert Goulet singing Annie Get Your Gun. There are theme albums—Dinah Washington singing Fats Waller, Maxine Sullivan singing Andy Razaf, Margaret Whiting singing Jerome Kern, Barb Jungr singing Bob Dylan, and the sublime Jo Stafford singing American and Scottish folk songs. There are also stunning concert albums like Ella in Berlin, Sarah in Japan, Lena at the Waldorf, and, of course, Judy at Carnegie Hall. All the greats are on hand, from Kay Starr and Carmen McRae to Jimmy Scott and Della Reese (Della Della Cha Cha Cha). And, from out of left field, the astounding God Bless Tiny Tim. Each of the fifty-seven albums discussed here captures the artist at a high point, if not at the expected moment, of her or his career. The individual cuts are evaluated, the sequencing explicated, the songs and songwriters heralded; anecdotes abound of how songs were born and how artists and producers collaborated. And in appraising each album, Friedwald balances his own opinions with those of musicians, listeners, and critics. A monumental achievement, The Great Jazz and Pop Vocal Albums is an essential book for lovers of American jazz and popular music.
