This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
The Divine Comedy: The Vision of Hell, Purgatory, and Paradise: Hell, Dante Alighieri. The Divine Comedy (Italian: Divina Commedia is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
The medieval classic that takes readers on a guided tour of the afterlife and on a spiritual journey toward God. Written in the fourteenth century, this epic poem continues to entrance readers as it explores the nine circles of hell, the mountain of purgatory, and the spheres of heaven, detailing those who inhabit each and the sins and virtues that led them there. This masterpiece is a work of literature, history, psychology, and philosophy—and a deeply insightful exploration of Christian theology that, in painting a picture of the afterlife, allows us to reflect on earthly life as well.
Italian classic "The Divine Comedy" is the depiction of a journey through hell and purgatory. Its first canticle "Inferno" is one of the most famous works of Western literature, showing pious sentiment for God's love. Dante pigeonholes it in the form of prose and lyrics exhibiting optimal love that enlightens the mind and heart. Engrossing!
The Divine Comedy is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is widely considered the preeminent work of Italian literature, and is seen as one of the greatest works of world literature. The poem's imaginative and allegorical vision of the afterlife is a culmination of the medieval world-view as it had developed in the Western Church. It helped establish the Tuscan dialect, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso. On the surface, the poem describes Dante's travels through Hell, Purgatory, and Heaven; but at a deeper level, it represents allegorically the soul's journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse".
The third and final section of Dante's Divine Comedy. “Do not be afraid; our fate cannot be taken from us; it is a gift.”-Dante Alighieri, The Divine Comedy: Paradise In this volume, Dante presents a vision of Paradise relying on suggestion rather than concrete description. A journey through the realms of Paradise culminating in a vision of God. This poem also portrays the individual's struggle to attain spiritual illumination. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes.
The "Divina Commedia" is an allegory of human life, in the form of a vision of the world beyond the grave, written avowedly with the object of converting a corrupt society to righteousness: "to remove those living in this life from the state of misery, and lead them to the state of felicity". It is composed of a hundred cantos, written in the measure known as terza rima, with its normally hendecasyllabic lines and closely linked rhymes, which Dante so modified from the popular poetry of his day that it may be regarded as his own invention. He is relating, nearly twenty years after the event, a vision which was granted to him (for his own salvation when leading a sinful life) during the year of jubilee, 1300, in which for seven days (beginning on the morning of Good Friday) he passed through hell, purgatory, and paradise, spoke with the souls in each realm, and heard what the Providence of God had in store for himself and to world. The framework of the poem presents the dual scheme of the "De Monarchiâ" transfigured. Virgil, representing human philosophy acting in accordance with the moral and intellectual virtues, guides Dante by the light of natural reason from the dark wood of alienation from God (where the beasts of lust pride, and avarice drive man back from ascending the Mountain of the Lord), through hell and purgatory to the earthly paradise, the state of temporal felicity, when spiritual liberty has been regained by the purgatorial pains. Beatrice, representing Divine philosophy illuminated by revelation, leads him thence, up through the nine moving heavens of intellectual preparation, into the true paradise, the spaceless and timeless empyrean, in which the blessedness of eternal life is found in the fruition of the sight of God. There her place is taken by St. Bernard, type of the loving contemplation in which the eternal life of the soul consists, who commends him to the Blessed Virgin, at whose intercession he obtains a foretaste of the Beatific Vision, the poem closing with all powers of knowing and loving fulfilled and consumed in the union of the understanding with the Divine Essence, the will made one with the Divine Will, "the Love that moves the sun and the other stars". The sacred poem, the last book of the Middle Ages, sums up the knowledge and intellectual attainment of the centuries that passed between the fall of the Roman Empire and the beginning of the Renaissance; it gives a complete picture of Catholicism in the thirteenth century in Italy. In the "Inferno", Dante's style is chiefly influenced by Virgil, and, in a lesser degree, by Lucan. The heir in poetry of the great achievement of St. Albertus Magnus and St. Thomas Aquinas in christianizing Aristotle, his ethical scheme and metaphysics are mainly Aristotelean while his machinery is still that of popular medieval tradition. It is doubtful whether he had direct acquaintance with any other account of a visit to the spirit world, save that in the sixth book of the "Æneid". But over all this vast field his dramatic sense played at will, picturing human nature in its essentials, laying bare the secrets of the heart with a hand as sure as that of Shakespeare. Himself the victim of persecution and injustice, burning with zeal for the reformation and renovation of the world, Dante's impartiality is, in the main, sublime. He is the man (to adopt his own phrase) to whom Truth appeals from her immutable throne, as such, he relentlessly condemns the "dear and kind paternal image" of Brunetto Latini to hell, though from him he had learned "how man makes himself eternal" while he places Constantine, to whose donation he ascribes the corruption of the Church and the ruin of the world in paradise. The pity and terror of certain episodes in the "Inferno" - the fruitless magnanimity of Farinata degli Uberti, the fatal love of Francesca da Rimini, the fall of Guido da Montefeltro, the doom of Count Ugolino - reach the utmost heights of tragedy.
