This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
Dante's epic poem Inferno is brought to the reader complete in this superbly translated edition. As the opening part of Dante's epic of poetry, The Divine Comedy, The Inferno introduces Dante as a character. We see the poet lost in a dark wood, and promptly confronted by three mighty beasts: a leopard, a lion, and a she-wolf. Symbolic of sinful behaviour and desires, the trio of creatures pursue Dante into darkness, wherein Virgil - a deceased Roman poet representing human cognition and reason - appears. Initially unsure of Virgil's intentions, Dante is persuaded when the poet mentions that Beatrice Portinari, a young woman Dante knew and a symbol of love, sent him to find Dante with instructions from the Virgin Mary. It is thus that their journey to the underworld begins, with Virgil to act as Dante's guide through the malevolent environs.
Dante's Comedy has become a literary monument but first and foremost it is an engaging and vividly imagined story of a personal journey. Dante, the narrator, through encounters with the souls of dead people, masterly and completely etched in their earthly persona, especially in the Inferno, holds our attention even after so many years, so many stories and despite Dante's world view having become meaningless to us and his faith alien to many of us too.
Finally available, a high quality book of the original classic edition of The Divine Comedy of Dante Alighieri - The Inferno. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Dante Alighieri Dante Alighieri, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have The Divine Comedy of Dante Alighieri - The Inferno in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Divine Comedy of Dante Alighieri - The Inferno: Look inside the book: Boccaccio, his earliest biographer, swells out his Life, as the earlier commentators on the Comedy do their notes, with what are plainly but legendary amplifications of hints supplied by Dante’s own words; while more recent and critical writers succeed with infinite pains in little beyond establishing, each to his own satisfaction, what was the order of publication of the poet’s works, where he may have travelled to, and when and for how long a time he may have had this or that great lord for a patron. ...With the Pope for overlord they would at least have a master who was an Italian, and one who, his title being imperfect, would in his own interest be led to treat them with indulgence; while, in the permanent triumph of the Emperor, Italy must have become subject and tributary to Germany, and would have seen new estates carved out of her fertile soil for members of the German garrison. About Dante Alighieri Dante Alighieri, the Author: An early outside indication that the poem was underway is a notice by Francesco da Barberino, tucked into his Documenti d'Amore (Lessons of Love), written probably in 1314 or early 1315; speaking of Virgil, Francesco notes in appreciative words that Dante followed the Roman classic in a poem called 'Comedy' and that the setting of this poem (or part of it) was the underworld; i.e., hell. ...Dante's other works include Convivio ('The Banquet'), a collection of his longest poems with an (unfinished) allegorical commentary; Monarchia, a summary treatise of political philosophy in Latin which was condemned and burned after Dante's death by the Papal Legate Bertrando del Poggetto, which argues for the necessity of a universal or global monarchy in order to establish universal peace in this life, and this monarchy's relationship to the Roman Catholic Church as guide to eternal peace; De vulgari eloquentia ('On the Eloquence of Vernacular'), on vernacular literature, partly inspired by the Razos de trobar of Raimon Vidal de Bezaudun; and, La Vita Nuova ('The New Life'), the story of his love for Beatrice Portinari, who also served as the ultimate symbol of salvation in the Comedy.
Finally available, a high quality book of the original classic edition of The Divine Comedy of Dante Alighieri - The Inferno. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Dante Alighieri Dante Alighieri, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have The Divine Comedy of Dante Alighieri - The Inferno in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Divine Comedy of Dante Alighieri - The Inferno: Look inside the book: Boccaccio, his earliest biographer, swells out his Life, as the earlier commentators on the Comedy do their notes, with what are plainly but legendary amplifications of hints supplied by Dante's own words; while more recent and critical writers succeed with infinite pains in little beyond establishing, each to his own satisfaction, what was the order of publication of the poet's works, where he may have travelled to, and when and for how long a time he may have had this or that great lord for a patron. ...With the Pope for overlord they would at least have a master who was an Italian, and one who, his title being imperfect, would in his own interest be led to treat them with indulgence; while, in the permanent triumph of the Emperor, Italy must have become subject and tributary to Germany, and would have seen new estates carved out of her fertile soil for members of the German garrison. About Dante Alighieri Dante Alighieri, the Author: An early outside indication that the poem was underway is a notice by Francesco da Barberino, tucked into his Documenti d'Amore (Lessons of Love), written probably in 1314 or early 1315; speaking of Virgil, Francesco notes in appreciative words that Dante followed the Roman classic in a poem called 'Comedy' and that the setting of this poem (or part of it) was the underworld; i.e., hell. ...Dante's other works include Convivio ('The Banquet'), a collection of his longest poems with an (unfinished) allegorical commentary; Monarchia, a summary treatise of political philosophy in Latin which was condemned and burned after Dante's death by the Papal Legate Bertrando del Poggetto, which argues for the necessity of a universal or global monarchy in order to establish universal peace in this life, and this monarchy's relationship to the Roman Catholic Church as guide to eternal peace; De vulgari eloquentia ('On the Eloquence of Vernacular'), on vernacular literature, partly inspired by the Razos de trobar of Raimon Vidal de Bezaudun; and, La Vita Nuova ('The New Life'), the story of his love for Beatrice Portinari, who also served as the ultimate symbol of salvation in the Comedy.
The California Lectura Dantis is the long-awaited companion to the three-volume verse translation by Allen Mandelbaum of Dante's Divine Comedy. Mandelbaum's translation, with facing original text and with illustrations by Barry Moser, has been praised by Robert Fagles as "exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths," and by the late James Merrill as "lucid and strong . . . with rich orchestration . . . overall sweep and felicity . . . and countless free, brilliant, utterly Dantesque strokes." Charles Simic called the work "a miracle. A lesson in the art of translation and a model (an encyclopedia) for poets. The full range and richness of American English is displayed as perhaps never before." This collection of commentaries on the first part of the Comedy consists of commissioned essays, one for each canto, by a distinguished group of international scholar-critics. Readers of Dante will find this Inferno volume an enlightening and indispensable guide, the kind of lucid commentary that is truly adapted to the general reader as well as the student and scholar.
Describing Dante's descent into Hell midway through his life with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters doomed souls including the pagan Aeneas, the liar Odysseus, the suicide Cleopatra, and his own political enemies, damned for their deceit. Led by leering demons, the poet must ultimately journey with Virgil to the deepest level of all. For it is only by encountering Satan, in the heart of Hell, that he can truly understand the tragedy of sin.
Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XX features The Divine Comedy, the masterpiece by Italian poet DANTE ALIGHIERI (1265-1321). Written in the vernacular-a groundbreaking step for literature-it is considered the greatest work in the Italian language and an important explication of the medieval mindset, particularly regarding religion. The journey of Dante, as his own fictional protagonist, through the afterlife has inspired writers from Geoffrey Chaucer to T.S. Eliot to today's popular novelists, filmmakers and videogame designers, and continues to profoundly influence modern ideas of heaven and hell.
This enthralling new translation of Dante's Inferno "immediately joins ranks with the very best" (Richard Lansing). One of the world's transcendent literary masterpieces, the Inferno tells the timeless story of Dante's journey through the nine circles of hell, guided by the poet Virgil, when in midlife he strays from his path in a dark wood. In this vivid verse translation into contemporary English, Peter Thornton makes the classic work fresh again for a new generation of readers. Recognizing that the Inferno was, for Dante and his peers, not simply an allegory but the most realistic work of fiction to date, he points out that hell was a lot like Italy of Dante's time. Thornton's translation captures the individuals represented, landscapes, and psychological immediacy of the dialogues as well as Dante's poetic effects. The product of decades of passionate dedication and research, his translation has been hailed by the leading Dante scholars on both sides of the Atlantic as exceptional in its accuracy, spontaneity, and vividness. Those qualities and its detailed notes explaining Dante's world and references make it both accessible for individual readers and perfect for class adoption.
