In this Regency-era romance, a nobleman in hiding considers a return to society when he falls for the lady under his protection. A scarred mercenary . . . Or the Disappearing Duke of Greybourne? Rafe has spent years running from his true identity. He’s a lone wolf, living far from aristocratic England and his violent father. Then unconventional Cleopatra Osbourne requests his protection as she crosses the Egyptian desert. In Cleo he discovers a fellow outcast—and a fierce desire! Cleo must return to London, and here lies Rafe’s dilemma—because following his heart means claiming the title he’s avoided for so long!
A fascinating tale of deceipt and secret lives peels back the layers on the fifth Duke of Portland, a strange man who deliberately cloaked his life in mystery and his eccentric family, in a strange saga of fratricide, missing heirs, disputed fortunes, mock burials, clandestine marriages, fraud, perjury, blackmail, and bribery.
A scarred mercenary…or the Disappearing Duke of Greybourne? Rafe has spent years running from his true identity. He’s a lone wolf, living far from aristocratic England and his violent father. Then unconventional Cleopatra Osbourne requests his protection as she crosses the Egyptian desert. In Cleo he discovers a fellow outcast — and a fierce desire! Cleo must return to London, and here lies Rafe’s dilemma — because following his heart means claiming the title he’s avoided for so long! Mills & Boon Historical — Your romantic escape to the past.
Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond.
With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
A fake engagement and plenty of charm keep the pages turning in this delightful Regency romance which the USA Today bestselling author Julia Quinn hails as "terrific." "I have come to ask you to kill me, my lord." Miss Abigail Abbott desperately needs to disappear—permanently—and the only person she trusts to help her do that is Lord Stephen Wentworth, heir to the Duke of Walden. Stephen is brilliant, charming, and—when he needs to be—absolutely ruthless. So ruthless that he proposes marriage instead of "murder" to keep Abigail safe. Stephen was smitten the instant his sister introduced him to Abigail, a woman with the dignity and determination of a duchess and the courage of a lioness. When she accepts his courtship of convenience, he also discovers she kisses like his most intimate wish come true. For Abigail, their arrangement is a sham to escape her dangerous enemies. For Stephen, it's his one chance to share a lifetime with the lady of his dreams—if only he can convince her his love is real.
The notorious “Devil Duke” of Huntington needs a woman—and not just any woman. His fortune depends on him wooing one of the most eccentric bluestockings of the ton within the month, or else he can kiss his hard-earned wealth goodbye. Which is a challenge for any gentleman, let alone one who believes that love is a wasted emotion and marriage (at best) an inconvenience. So it’s hardly a surprise that Lady Sophie Wolcott seems unmoved by his charms and attention... Sophie’s beloved orphanage is in imminent danger, and she will do anything to save it. Even if it means marrying a ruthless rake who takes what he wants in business and in pleasure. But while the Devil Duke is everything Sophie’s always feared, she can’t quite resist just how much she yearns for the scoundrel’s very touch... But the duke has enemies. And as a malevolent shadow from the duke’s past emerges, Sophie’s life—and heart—may depend on the devil she knows. Each book in the Saints & Scoundrels series is STANDALONE: * The Devilish Duke * The Elusive Earl * The Sinful Scot
Much of the scholarship on difference in colonial Spanish America has been based on the "racial" categorizations of indigeneity, Africanness, and the eighteenth-century Mexican castas system. Adopting an alternative approach to the question of difference, Joanne Rappaport examines what it meant to be mestizo (of mixed parentage) in the early colonial era. She draws on lively vignettes culled from the sixteenth- and seventeenth-century archives of the New Kingdom of Granada (modern-day Colombia) to show that individuals classified as "mixed" were not members of coherent sociological groups. Rather, they slipped in and out of the mestizo category. Sometimes they were identified as mestizos, sometimes as Indians or Spaniards. In other instances, they identified themselves by attributes such as their status, the language that they spoke, or the place where they lived. The Disappearing Mestizo suggests that processes of identification in early colonial Spanish America were fluid and rooted in an epistemology entirely distinct from modern racial discourses.
Randy "Duke" Cunningham was an ace fighter pilot and Top Gun instructor. He came back from battle as Vietnam's most famous pilot—a Navy hero in an unpopular war. In his political life, Cunningham was an eight-term United States representative who never lost an election. So how did this powerful politician, one of the Vietnam War's most highly decorated pilots, become the most corrupt congressman in U.S. history? In 2005, Cunningham shocked the nation by pleading guilty to charges of conspiracy to commit bribery, fraud, and tax evasion. A federal judge sentenced him to more than eight years in prison, the longest sentence handed down to a member of Congress in 40 years. And even as Cunningham was led, weeping, to prison, investigators continued to uncover a deep-rooted scandal, reaching the cozy nexus between Congress and lobbyists, military contractors, the Defense Department and the upper ranks of the Central Intelligence Agency. Cunningham's bribes were seemingly endless. They included a yacht, a Rolls-Royce, and hundreds of thousands of dollars' worth of antiques. Defense contractors flew him aboard private chartered jets to luxury destinations, picked up the tab at expensive restaurants, and paid for his daughter's graduation party. In total, he collected at least $2.4 million in five years, a series of acts unequaled in the long, sordid history of congressional corruption. An ongoing investigation is even exploring allegations that prostitutes were hired by Cunningham's associates to entertain the congressman. His corruption and that of his cohorts was a decisive factor in the 2006 elections, as Democrats retook control of the House for the first time in more than a decade. What led a man who showed such strength and resolve in battle to show such moral weakness later in life? Had he become a prisoner of greed or was he manipulated by others far more cunning than he? What happened to Randy Cunningham? In Feasting on the Spoils, Hettena offers a probing look at deception and avarice. He paints an unforgettable portrait of a life publicly unraveled, and of a man for whom the mysteries—and the history of fraud—only seem to deepen.
