Many have spoken about the Kennedy assassination. But never the alleged killer. Until now.Midnight, November 22, 1963. Lee Harvey Oswald sits alone in a Dallas prison cell, charged with murdering a policeman and facing intense interrogation over the shooting of the president. With his nemeses baying for blood, Oswald fears they could silence him forever, depriving his daughter Junie and the world of the reasons for his actions. Fighting through dyslexia, he writes feverishly with stolen pen and paper, laying out those fateful few days in Dallas as he races against the clock and unknown forces.
"This is a 'must read' for anyone with an interest in the Kennedy assassination, its impact on the American political system, and the controversies that surrounded it then."- Midwest Book Review (Oregon, WI) "Reading the words of this infamous man is more illuminating than a dozen volumes of analysis of his character. This book fills a definite niche in American history and is long overdue Holloway uses professionalism and competent knowledge of history to create an engaging biography of an enigmatic man."- Morgan Ann Adams, Charlotte Austin Review. "A breath of fresh air in the JFK assassination literature."- Judge Robert Finn, former FBI agent. Lee Harvey Oswald, accused assassin of President John Kennedy, has remained a mystery for 45 years. Using Oswald's letters, speeches, radio interviews, brief autobiography, job/college applications, diary, book about Russia, and words according to those who knew him, the editor has fashioned his autobiography from childhood to death. Jack Ruby's testimony and lie detector test are included for readers to learn his motivation in killing Oswald. New materials such as papers given to President Clinton by Premier Boris Yeltsin and documents found in 2008 in the Dallas safe of District Attorney Henry Wade are included.
Judyth Vary was once a promising science student who dreamed of finding a cure for cancer; this exposé is her account of how she strayed from a path of mainstream scholarship at the University of Florida to a life of espionage in New Orleans with Lee Harvey Oswald. In her narrative she offers extensive documentation on how she came to be a cancer expert at such a young age, the personalities who urged her to relocate to New Orleans, and what led to her involvement in the development of a biological weapon that Oswald was to smuggle into Cuba to eliminate Fidel Castro. Details on what she knew of Kennedy’s impending assassination, her conversations with Oswald as late as two days before the killing, and her belief that Oswald was a deep-cover intelligence agent who was framed for an assassination he was actually trying to prevent, are also revealed.
In perhaps his most important literary feat, Norman Mailer fashions an unprecedented portrait of one of the great villains—and enigmas—in United States history. Here is Lee Harvey Oswald—his family background, troubled marriage, controversial journey to Russia, and return to an “America [waiting] for him like an angry relative whose eyes glare in the heat.” Based on KGB and FBI transcripts, government reports, letters and diaries, and Mailer’s own international research, this is an epic account of a man whose cunning, duplicity, and self-invention were both at home in and at odds with the country he forever altered. Praise for Oswald’s Tale “America’s largest mystery has found its greatest interpreter.”—The Washington Post Book World “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . From the American master conjurer of dark and swirling purpose, a moving reflection.”—Robert Stone, The New York Review of Books “A narrative of tremendous energy and panache; the author at the top of his form.”—Christopher Hitchens, Financial Times “The performance of an author relishing the force and reach of his own acuity.”—Martin Amis, The Sunday Times (London) Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
Lee Harvey Oswald's assassination of President Kennedy in 1963 remains one of the most horrifying and hotly debated crimes in American history. Just as perplexing as the assassination is the assassin himself; the 24-year-old Oswald's hazy background and motivations -- and his subsequent murder at the hands of Jack Ruby -- make him an intriguing yet frustratingly enigmatic figure. Because Oswald briefly defected to the Soviet Union, some historians allege he was a Soviet agent. But as Peter Savodnik shows in The Interloper, Oswald's time in the U.S.S.R. reveals a stranger, more chilling story. Oswald ventured to Russia at the age of 19, after a failed stint in the U.S. Marine Corps and a childhood spent shuffling from address to address with his unstable, needy mother. Like many of his generation, Oswald struggled for a sense of belonging in postwar American society, which could be materialistic, atomized, and alienating. The Soviet Union, with its promise of collectivism and camaraderie, seemed to offer an alternative. While traveling in Europe, Oswald slipped across the Soviet border, soon settling in Minsk where he worked at a radio and television factory. But Oswald quickly became just as disillusioned with his adopted country as he had been with the United States. He spoke very little Russian, had difficulty adapting to the culture of his new home, and found few trustworthy friends; indeed most, it became clear, were informing on him to the KGB. After nearly three years, Oswald returned to America feeling utterly defeated and more alone than ever -- and as Savodnik shows, he began to look for an outlet for his frustration and rage. Drawing on groundbreaking research, including interviews with Oswald's friends and acquaintances in Russia and the United States, The Interloper brilliantly evokes the shattered psyche not just of Oswald himself, but also of the era he so tragically defined.
“The single best book ever written on the Kennedy assassination” -- Thomas Mallon, author of Mrs. Paine's Garage: And the Murder of John F. Kennedy “It is not at all easy to describe the power of Marina and Lee . . . It is far better than any other book about Kennedy . . . Other books about the Kennedy assassination are all smoke and no fire. Marina and Lee burns.” —New York Times Book Review Marina and Lee is an indispensable account of one of America’s most traumatic events and a classic work of narrative history. In her meticulous—at times even moment by moment—account of Oswald’s progress toward the assassination of JFK, Priscilla Johnson McMillan takes us inside Oswald’s fevered mind and his manic marriage. Only a few weeks after the birth of their second child, Oswald’s wife, Marina, hears of Kennedy’s death and discovers that Lee's rifle is missing from the garage where it was stored. She knows that her husband has killed the President. McMillan came to the story with a unique knowledge of the two main characters. In the 1950s, she worked for Kennedy and had known him well for a time. Later, working in Moscow as a journalist, she interviewed Lee Harvey Oswald during his attempt to defect to the Soviet Union. When she heard his name again on November 22, 1963, she said, “My God! I know that boy!” Marina and Lee was written with the complete and exclusive cooperation of Oswald’s Russian-born wife, Marina Prusakova, whom McMillan debriefed for seven months in the immediate aftermath of the President’s assassination and her husband’s nationally televised execution at the hands of Jack Ruby. The truth is far more compelling, and unsettling, than the most imaginative conspiracy theory. Marina and Lee is a human drama that is outrageous, heartbreaking, tragic, fascinating—and real.
Reporting new and never-before-published information about the assassination of John F. Kennedy, this investigation dives straight into the deep end, and seeks to prove the CIA’s involvement in one of the most controversial topics in American history. Featuring intelligence gathered from CIA agents who reported their involvement in the assassination, the case is broken wide open while covering unexplored ground. Gritty details about the assassination are interlaced throughout, while primary and secondary players to the murder are revealed in the in-depth analysis. Although a tremendous amount has been written in the nearly five decades since the assassination, there has never been, until now, a publication to explore the aspects of the case that seemed to defy explanation or logic.
Lee Harvey Oswald, the accused assassin of President John F. Kennedy, has remained an enigma for several decades. Fortunately, Lee Harvey Oswald was one of those people who wrote a lot. As a result, the public can see the workings of his mind as his writings are displayed in chronological order throughout his life. They are accompanied by historical events and psychological commentary. The activities of Jack Ruby, who killed Oswald, are tracked and give insight regarding his murderous act. A psychological and political analysis of Oswald is included, as well as an explanation of most of Oswald's entries in his address book.
From the author of the National Book Award-winning novel White Noise comes an eerily convincing fictional speculation on the events leading up to the assassination of John F. Kennedy In this powerful, unsettling novel, Don DeLillo chronicles Lee Harvey Oswald’s odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When “history” presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped. A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.
