Having moved from Maine with her physician husband in the 1840s, Dolly lost her husband and her only living child to illness by the time she began the diary at age thirty. A devout and self-sufficient schoolteacher, she soon married her second husband, Thomas Burge, a planter and widowed father of four. Upon his death in 1858, Dolly ran the plantation independently through the Civil War, remaining on the land during Sherman's infamous march through the area. After making the transition from slave labor to tenant farming, Dolly was married a third and final time to the Rev. William Parks, a prominent Methodist minister.
The Diary of Dolly Lunt Burge is the compelling story of an ordinary woman rising to meet extraordinary challenges in nineteenth-century Georgia. Dolly Lunt Burge's full life was remakable for the range of roles she filled and the myriad experiences she had. That her life span coincided with critical transformations in America and that she recorded her experiences within this historical context make her diary all the more noteworthy.
The first reference work to draw together the stories and studies of women in the American Civil War, this annotated bibliography offers access to the literature that documents the history of women who experienced the war, changed it, and were changed by it. Offering nearly 800 entries, it lists both primary and secondary sources, classic and current works, and items in print and available on the Internet. Drawing together over one hundred years of writings, Women in the American Civil War: An Annotated Bibliography is an invaluable resource for readers and researchers interested in this neglected topic. During the American Civil War women played a highly significant role, yet modern writers often overlook their experiences and contributions. Women in the American Civil War: An Annotated Bibliography is the first reference work to focus exclusively on women in the war. Sections list sources on such diverse topics as women as nurses and medical relief workers, women's changing economic roles, their lives as refugees, as spies and scouts, or in military camps. It also looks at the literature on the miscellaneous topics of women in public, wives of politicians and military commanders, family life, and women on the wrong side of the law.
The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.
This book provides comprehensive insights into the concept of gender in an international context. By focusing on diverse and varied critical approaches, it explores how gender identities are shaped by socio-cultural factors, and provides a map of how gender experiences are understood and represented in the arts and society. Through an analysis of both focal and local experiences of gender within a global context, the contributions to this volume create a continuum in which gender and experience stand at a crossroads within the arts. Moreover, this crossroads intersects with the cultural determinations that some of the contributors explore in a critical way. Consequently, this volume represents a necessary contribution to the new maps of gender that are currently being set for the future. The book will appeal to academic scholars interested in the articulation of gender in traditional discourses, as well as the many deconstructions that have been undertaking in the recent past and the present. In addition, the volume is suitable for use in programmes and modules for undergraduate students of feminist and gender studies, cultural studies, sociology, literature, and popular culture, among other disciplines.
Meandering plots, dead ends, and repetition, diaries do not conform to literary expectations, yet they still manage to engage the reader, arouse empathy and elicit emotional responses that many may be more inclined to associate with works of fiction. Blurring the lines between literary genres, diary writing can be considered a quasi-literary genre that offers a unique insight into the lives of those we may have otherwise never discovered. This edited volume examines how diarists, poets, writers, musicians, and celebrities use their diary to reflect on multiculturalism and intercultural relations. Within this book, multiculturalism is defined as the sociocultural experiences of underrepresented groups who fall outside the mainstream of race, ethnicity, religion, gender, sexual orientation, disability, and language. Multiculturalism reflects different cultures and racial groups with equal rights and opportunities, equal attention and representation without assimilation. In America, the multicultural society includes various cultural and ethnic groups that do not necessarily have engaging interaction with each other whereas, importantly, intercultural is a community of cultures who learn from each other, and have respect and understand different cultures. Presented as a collection of academic essays and creative writing, The Diary as Literature Through the Lens of Multiculturalism in America analyses diary writing in its many forms from oral diaries and memoirs to letters and travel writing. Divided into three sections: Diaries of the American Civil War, Diaries of Trips and Letters of Diaspora, and Diaries of Family, Prison Lyrics, and a Memoir, the contributors bring a range of expertise to this quasi-literary genre including comparative and transatlantic literature, composition and rhetoric, history and women and gender studies.
Five writers examine the political and social forces in Arkansas that led to secession and transformed farmers, clerks, and shopkeepers into soldiers. Retired longtime Arkansas State University professor Michael Dougan delves into the 1861 Arkansas Secession Convention and the delegates’ internal divisions on whether to leave the Union. Lisa Tendrich Frank, who teaches at Florida Atlantic University, discusses the role Southern women played in moving the state toward secession. Carl Moneyhon of the University of Arkansas at Little Rock looks at the factors that led peaceful civilians to join the army. Thomas A. DeBlack of Arkansas Tech University tells of the thousands of Arkansans who chose not to follow the Confederate banner in 1861, and William Garret Piston of Missouri State University chronicles the first combat experience of the green Arkansas troops at Wilson’s Creek.
Throughout the Civil War, irregular warfare—including the use of hit-and-run assaults, ambushes, and raiding tactics—thrived in localized guerrilla fights within the Border States and the Confederate South. The Guerrilla Hunters offers a comprehensive overview of the tactics, motives, and actors in these conflicts, from the Confederate-authorized Partisan Rangers, a military force directed to spy on, harass, and steal from Union forces, to men like John Gatewood, who deserted the Confederate army in favor of targeting Tennessee civilians believed to be in sympathy with the Union. With a foreword by Kenneth W. Noe and an afterword by Daniel E. Sutherland, this collection represents an impressive array of the foremost experts on guerrilla fighting in the Civil War. Providing new interpretations of this long-misconstrued aspect of warfare, these scholars go beyond the conventional battlefield to examine the stories of irregular combatants across all theaters of the Civil War, bringing geographic breadth to what is often treated as local and regional history. The Guerrilla Hunters shows that instances of unorthodox combat, once thought isolated and infrequent, were numerous, and many clashes defy easy categorization. Novel methodological approaches and a staggering diversity of research and topics allow this volume to support multiple areas for debate and discovery within this growing field of Civil War scholarship.
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