Gloumov, (the protagonist) has not only become an eduring character on the Russian stage, but the abstract noun derived from his name, gloumovshchina (or gloumovism), has entered the language. As long as ambitious young men with brains and talent can most readily achieve success by selling themselves and betraying their better natures, gloumovism will thrive. Transitional societies have a special need of Gloumov to keep things moving - as well as to maintain equilibrium - since the actor-opportunist will further any cause, switch positions overnight, defend opposite sides of the same issue, and turn his coat with every wind until he almost becomes the coat. from the Afterword by Daniel Gerould
Re: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world. Helpfully organized into four key areas of the subject, the book explores: * theories of directing * the boundaries of the director's role * the limits of categorization * the history of the theatre and performance art. Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
A study of Yury Lyubimov's tempestuous career and his style of theatre. This work traces the development of his ideas, from his arrival at the Taganka Theatre in 1964 through to his explusion in 1984, and his period of exile in the West until his return in 1989 to a much-changed Russia.
A Recommended Read from: The Los Angeles Times * Town and Country * The Seattle Times * Publishers Weekly * Lit Hub * Crime Reads * Alma From the author of The Real Lolita and editor of Unspeakable Acts, the astonishing story of a murderer who conned the people around him—including conservative thinker William F. Buckley—into helping set him free In the 1960s, Edgar Smith, in prison and sentenced to death for the murder of teenager Victoria Zielinski, struck up a correspondence with William F. Buckley, the founder of National Review. Buckley, who refused to believe that a man who supported the neoconservative movement could have committed such a heinous crime, began to advocate not only for Smith’s life to be spared but also for his sentence to be overturned. So begins a bizarre and tragic tale of mid-century America. Sarah Weinman’s Scoundrel leads us through the twists of fate and fortune that brought Smith to freedom, book deals, fame, and eventually to attempting murder again. In Smith, Weinman has uncovered a psychopath who slipped his way into public acclaim and acceptance before crashing down to earth once again. From the people Smith deceived—Buckley, the book editor who published his work, friends from back home, and the women who loved him—to Americans who were willing to buy into his lies, Weinman explores who in our world is accorded innocence, and how the public becomes complicit in the stories we tell one another. Scoundrel shows, with clear eyes and sympathy for all those who entered Smith’s orbit, how and why he was able to manipulate, obfuscate, and make a mockery of both well-meaning people and the American criminal justice system. It tells a forgotten part of American history at the nexus of justice, prison reform, and civil rights, and exposes how one man’s ill-conceived plan to set another man free came at the great expense of Edgar Smith’s victims.
