David Shepherd awakes in a cell. The middle-aged London cab driver has vague recollections of attempting to protect his female passenger from a gang of drunken youths. Patchy flash-backs of blood and screams leave him with the ominous feeling that he may have done something rather quite rash. Did he kill one of the attackers? This question is answered by the matter-of-fact Olivia, who assures him that this isn't jail and that David hasn't murdered anyone. His relief is short-lived when Olivia also reveals herself to be an Angel and that David is, in fact, in Purgatory. It appears that there was one fatality the previous night: him. And so begins the Trial of David Shepherd in the Court of Saint Peter. A court that is presided over by Angels, prosecuted by Demons and ultimately judged by a soul's adherence to the Ten Commandments. The Devil's in the Detail is a religious satire, for atheists, agnostics and believers alike. It poses questions that we will all one day ponder: How are the actions we take in this life, ultimately judged? What constitutes a good life? What does it really take to pass through the Pearly Gates? As David tries to answer these questions he will discover that sometimes... The Devil's in the Detail.
Jess Damon's life is...complicated. Not only is she a man-eating succubus (albeit recently reformed), but she has the mother from hell--literally. Yep, Houston's hottest wedding planner is the daughter of the devil. Though as far as her mother knows, Jess is only in the business to hook up with hunky groomsmen, not to find true love. But when demon hunter Cutter Owens rolls into town, turning her back on her evil birthright proves harder than Jess thought. Cutter is out to take down the devil once and for all--and he wants Jess's help to do it. There's no denying Cutter is gorgeous, in that sexy "a demon stole my soul" sort of way. And, sure, Lillian Damon is the queen of evil. But she's still Jess's mom. Now Jess must outfox the world's greatest demon hunter without revealing her true identity or--devil forbid!--falling in love. Sexy, funny, and fiendishly clever, this bewitching paranormal romance is one hell of a read.
Jennifer Traig's memoir Devil in the Details paints a portrait of a well-meaning Jewish girl and her good-natured parents, and takes a very funny, very sharp look back at growing up with obsessive-compulsive disorder. Recalling the agony of growing up an obsessive-compulsive religious fanatic, Traig fearlessly confesses the most peculiar behavior like tirelessly scrubbing her hands for a full half hour before dinner, feeding her stuffed animals before herself, and washing everything she owned because she thought it was contaminated by pork fumes. Jennifer's childhood mania was the result of her then undiagnosed OCD joining forces with her Hebrew studies-what psychiatrists call scrupulosity While preparing for her bat mitzvah, she was introduced to an entire set of arcane laws and quickly made it her mission to follow them perfectly. Her parents nipped her religious obsession in the bud early on, but as her teen years went by, her natural tendency toward the extreme led her down different paths of adolescent agony and mortification. Years later, Jennifer remembers these scenes with candor and humor. In the bestselling tradition of Running with Scissors and A Girl Named Zippy, Jennifer Traig tells an unforgettable story of youthful obsession.
Showcasing Todd McFarlane's unique art style, which burst onto the comic book scene in the late 1980s and forever changed the landscape of comic book art. Features art from original comic art boards, rare, never-before-seen sketches, as well as art from McFarlane's work on Batman, Spider-Man, and the Hulk (amongst many others), and his own top-selling creation, Spawn. Also features selected commentary by the artist himself.
Robert Batterman examines a form of scientific reasoning called asymptotic reasoning, arguing that it has important consequences for our understanding of the scientific process as a whole. He maintains that asymptotic reasoning is essential for explaining what physicists call universal behavior. With clarity and rigor, he simplifies complex questions about universal behavior, demonstrating a profound understanding of the underlying structures that ground them. This book introduces a valuable new method that is certain to fill explanatory gaps across disciplines.
The things that truly haunt us dwell within the deepest confines of our subconscious.The Devil's In The Details features twenty-five tales of psychological terror that attack all levels of the human psyche.The complexities of the man's darker side, satanic murders, paranormal phenomena, natural wonders, sinister technological advancement-- Theses stories will burrow under your skin and fill you with a sense of dread you that you can't escape.
Develop equity, excellence, and well-being across the whole system! The world is troubled! We need to combine a moral imperative and a system transformation to survive for the better. Education is crucial to our future but needs to play a more direct role in shaping our future. The Devil is in the Details shows how we can re-think the education system and its three levels of leadership—local, middle, and top—so that each level can contribute to dramatic turnaround for education and society. The focus is on examining details to ensure effective actions are taken, rather than assuming large pronouncements and policies will drive change. Readers will find: • Details and analysis about successful systems in California, Ontario, and Australia • Ideas for how leaders at all levels can take steps to begin • Vignettes, actions and strategies that illustrate how to address equity, excellence and well-being With the goal of transforming the culture of learning to develop greater equity, excellence, and student wellbeing, this book will help you liberate the system and maintain focus.
In the twelfth Longmire novel, Walt, Henry, and Vic discover much more than they bargained for when they are called in to investigate a hit-and-run accident involving a young motorcyclist near Devils Tower—from the New York Times bestselling author of Land of Wolves In the midst of the largest motorcycle rally in the world, a young biker is run off the road and ends up in critical condition. When Sheriff Walt Longmire and his good friend Henry Standing Bear are called to Hulett, Wyoming—the nearest town to America's first national monument, Devils Tower—to investigate, things start getting complicated. As competing biker gangs; the Bureau of Alcohol, Tobacco, and Firearms; a military-grade vehicle donated to the tiny local police force by a wealthy entrepreneur; and Lola, the real-life femme fatale and namesake for Henry's '59 Thunderbird (and, by extension, Walt's granddaughter) come into play, it rapidly becomes clear that there is more to get to the bottom of at this year's Sturgis Motorcycle Rally than a bike accident. After all, in the words of Arthur Conan Doyle, whose Adventures of Sherlock Holmes the Bear won't stop quoting, "There is nothing more deceptive than an obvious fact."
Hailed as "the best business book of 2010" (Huffington Post), this New York Times bestseller about the 2008 financial crisis brings the devastation of the Great Recession to life. As soon as the financial crisis erupted, the finger-pointing began. Should the blame fall on Wall Street, Main Street, or Pennsylvania Avenue? On greedy traders, misguided regulators, sleazy subprime companies, cowardly legislators, or clueless home buyers? According to Bethany McLean and Joe Nocera, two of America's most acclaimed business journalists, many devils helped bring hell to the economy. All the Devils Are Here goes back several decades to weave the hidden history of the financial crisis in a way no previous book has done. It explores the motivations of everyone from famous CEOs, cabinet secretaries, and politicians to anonymous lenders, borrowers, analysts, and Wall Street traders. It delves into the powerful American mythology of homeownership. And it proves that the crisis ultimately wasn't about finance at all; it was about human nature. Just as McLean's The Smartest Guys in the Room was hailed as the best Enron book on a crowded shelf, so will All the Devils Are Here be remembered for finally making sense of the financial meltdown and its consequences.
Critically acclaimed author Robert Klara's The Devil's Mercedes chases down one of the most improbable stories of the postwar era: the national drama that erupted when Hitler’s armored limousine surfaced in the US. In 1938, Mercedes-Benz began production of the largest, most luxurious limousine in the world. A machine of frightening power and sinister beauty, the Grosser 770K Model 150 Offener Tourenwagen was 20 feet long, seven feet wide, and tipped the scales at 5 tons. Its supercharged, 230-horsepower engine propelled the beast to speeds over 100 m.p.h. while its occupants reclined on glove-leather seats stuffed with goose down. Armor plated and equipped with hidden compartments for Luger pistols, the 770K was a sumptuous monster with a monstrous patron: Adolph Hitler and the Nazi party. Deployed mainly for propaganda purposes before the war, the hand-built limousines—in which Hitler rode standing in the front seat—motored through elaborate rallies and appeared in countless newsreels, swiftly becoming the Nazi party’s most durable symbol of wealth and power. Had Hitler not so thoroughly dominated the scene with his own megalomania, his opulent limousine could easily have eclipsed him. Most of the 770Ks didn’t make it out of the rubble of World War II. But several of them did. And two of them found their way, secretly and separately, to the United States. In The Devil’s Mercedes, author Robert Klara uncovers the forgotten story of how Americans responded to these rolling relics of fascism on their soil. The limousines made headlines, drew crowds, made fortunes and ruined lives. What never became public was how both of the cars would ultimately become tangled in a web of confusion, mania, and opportunism, fully entwined in a story of mistaken identity. Nobody knew that the limousine touted as Hitler’s had in fact never belonged to him, while the Mercedes shrugged off as an ordinary staff car—one later abandoned in a warehouse and sold off as government surplus—turned out to be none other than Hitler’s personal automobile. It would take 40 years, a cast of carnies and millionaires, the United States Army, and the sleuthing efforts of an obscure Canadian librarian to bring the entire truth to light. As he recounts this remarkable drama, Klara probes the meaning of these haunting hulks and their power to attract, excite and disgust. The limousines’ appearance collided with an American populous celebrating a victory even as it sought to stay a step ahead of the war’s ghosts. Ultimately, The Devil’s Mercedes isn’t only the story of a rare and notorious car, but what that car taught postwar America about itself.
