Originally written in 1938 but never published due to its controversial nature, an insightful guide reveals the seven principles of good that will allow anyone to triumph over the obstacles that must be faced in reaching personal goals.
“The most comprehensive and comprehendible history of the West Virginia Coal War I’ve ever read.” —John Sayles, writer and director of Matewan On September 1, 1912, the largest, most protracted, and deadliest working-class uprising in American history was waged in West Virginia. On one side were powerful corporations whose millions bought armed guards and political influence. On the other side were fifty thousand mine workers, the nation’s largest labor union, and the legendary “miners’ angel,” Mother Jones. The fight for unionization and civil rights sparked a political crisis that verged on civil war, stretching from the creeks and hollows of the Appalachians to the US Senate. Attempts to unionize were met with stiff resistance. Fundamental rights were bent—then broken. The violence evolved from bloody skirmishes to open armed conflict, as an army of more than fifty thousand miners finally marched to an explosive showdown. Extensively researched and vividly told, this definitive book about an often-overlooked chapter of American history, “gives this backwoods struggle between capital and labor the due it deserves. [Green] tells a dark, often despairing story from a century ago that rings true today” (Pittsburgh Post-Gazette).
Undoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.
Seven shots ring out in the silence of Victoria’s rolling Barrabool Hills. As the final recoil echoes through the paddocks, a revered sheep-breeding dynasty comes to a bloody and inglorious end. No one could have anticipated the orgy of violence that wiped out three generations of the Wettenhall family, much less the lurid scandals about Darcy Wettenhall, the man behind the world famous Stanbury sheep stud, that would emerge from the aftermath. Almost three decades later, the web of secrets and lies that led to this bizarre and seemingly motiveless murder spree are unravelled with the help of Bob Perry, Darcy Wettenhall’s secret lover for a decade prior to his murder. From the bucolic majesty, privilege and snobbery of the Western District’s prized pastoral lands and dynasties to the bleak, loveless underworld of orphanages, rodeo stables and homeless shelters, The Devil’s Grip is a courageous and thought-provoking meditation on the fragility of reputation, the folly of deception and the power of shame. Praise for The Devil’s Grip ‘A remarkable piece of work. It is a strange, unusual and beautiful book with an incredibly unique setting. I don't think I've read anything quite like it. It is compulsive reading. True crime. Memoir. History. How do you live a life honestly and with dignity? It's difficult to categorise because it traverses so many genres. But it WORKS.’ Matthew Condon, author of the Three Crooked Kings trilogy ‘On its face this is the story of a family steeped in the pursuit of the perfect ram, but beneath the surface lies a riveting and ribald tale of lust, loss, manipulation, unbridled ambition and ultimately murder.’ Mark Tedeschi AM QC and author of Eugenia, Kidnapped and Murder at Myall Creek ‘An unforgettable, courageous and deeply tragic local story which manages to become a universal tale’ Gregory Day, author of Archipelago of Souls and A Sand Archive ‘It’s got it all: sex, domestic violence, ‘the land’ – such an important concept resonating in the Australian mind – land-holders and property, privilege, prejudice, skulduggery and murder!’ David Bradford, author of The Gunners’ Doctor and Tell Me I’m Okay
The Devil's Fruit describes the facets of the strawberry industry as a harm industry, and explores author Dvera Saxton’s activist ethnographic work with farmworkers in response to health and environmental injustices. She argues that dealing with devilish—as in deadly, depressing, disabling, and toxic—problems requires intersecting ecosocial, emotional, ethnographic, and activist labors. Through her work as an activist medical anthropologist, she found the caring labors of engaged ethnography take on many forms that go in many different directions. Through chapters that examine farmworkers’ embodiment of toxic pesticides and social and workplace relationships, Saxton critically and reflexively describes and analyzes the ways that engaged and activist ethnographic methods, frameworks, and ethics aligned and conflicted, and in various ways helped support still ongoing struggles for farmworker health and environmental justice in California. These are problems shared by other agricultural communities in the U.S. and throughout the world.