Willie Nelson sang for Farm Aid and it didn't work: this won't either: yet this is a book: a book about farming and a family man and a familiar county--stung body; stung land--as told by a tweaked-to-warble farm machine that ate a human arm, and the chicken ate what's left, and the hawk ate what's left, and then the hawk died of old age.
The first biography of the artist who “essentially invented indie and alternative rock” (Spin) A brilliant and influential songwriter, vocalist, and guitarist, the charismatic Alex Chilton was more than a rock star—he was a true cult icon. Awardwinning music writer Holly George-Warren’s A Man Called Destruction is the first biography of this enigmatic artist, who died in 2010. Covering Chilton’s life from his early work with the charttopping Box Tops and the seminal power-pop band Big Star to his experiments with punk and roots music and his sprawling solo career, A Man Called Destruction is the story of a musical icon and a richly detailed chronicle of pop music’s evolution, from the mid-1960s through today’s indie rock.
Examines the many reasons and motivations for the destruction of books throughout history, citing specific acts from the smashing of ancient Sumerian tablets to the looting of libraries in post-war Iraq.
From the Publisher: Mass Destruction is the compelling story of Daniel Jackling and the development of open-pit hard rock mining, its role in the wiring of an electrified America, and its devastating environmental effects. This new method of mining, complimenting the mass production and mass consumption that came to define the "American way of life"in the early twentieth century, promised infinite supplies of copper and other natural resources. LeCain deftly analyzes how open-pit mining continues to adversely effect the environment and how, as the world begins to rival American resource consumption, no viable alternatives have emerged.
After Humanity is a guide to one of C.S. Lewis's most widely admired but least accessible works, The Abolition of Man, which originated as a series of lectures on ethics that he delivered during the Second World War. These lectures tackle the thorny question of whether moral value is objective or not. When we say something is right or wrong, are we recognizing a reality outside ourselves, or merely reporting a subjective sentiment? Lewis addresses the matter from a purely philosophical standpoint, leaving theological matters to one side. He makes a powerful case against subjectivism, issuing an intellectual warning that, in our "post-truth" twenty-first century, has even more relevance than when he originally presented it. Lewis characterized The Abolition of Man as "almost my favourite among my books," and his biographer Walter Hooper has called it "an all but indispensable introduction to the entire corpus of Lewisiana." In After Humanity, Michael Ward sheds much-needed light on this important but difficult work, explaining both its general academic context and the particular circumstances in Lewis's life that helped give rise to it, including his front-line service in the trenches of the First World War. After Humanity contains a detailed commentary clarifying the many allusions and quotations scattered throughout Lewis's argument. It shows how this resolutely philosophical thesis fits in with his other, more explicitly Christian works. It also includes a full-color photo gallery, displaying images of people, places, and documents that relate to The Abolition of Man, among them Lewis's original "blurb" for the book, which has never before been published.
Over a 1000 tiny bronze artefacts were found alongside the remains of a man in a Dutch barrow that was excavated in laboratory conditions. The objects had been dismantled and taken apart, all to be destroyed by fire in what appears to have been a pars pro toto burial. In essence, a person and a place were being transformed through destruction. Based on the meticulous excavation and a range of specialist and comprehensive studies of finds, a prehistoric burial ritual now can be brought to life in surprising detail. This Iron Age community used extraordinary objects that find their closest counterpart in the elite graves of the Hallstatt culture in Central Europe.
This updated edition by one of the world's leading apologists presents a systematic, positive case for Christianity that reflects the latest work in the contemporary hard sciences and humanities. Brilliant and accessible.