The Desert is No Lady
The Desert is No Lady

Author: Vera Norwood

Publisher:

Published: 1987

Total Pages: 281

ISBN-13: 9780300045888

DOWNLOAD EBOOK

Over the past century, women artists and writers have expressed diverse creative responses to the landscape of the Southwest. "The Desert Is No Lady" provides a cross-cultureal perspective on women by examining Anglo, Hispanic, and Native American women's artistic expressions and the effect of their art in defining the southwestern landscape. "The Desert Is No Lady" has been made into a motion picture of the same title by Women Make movies, New York, NY "A beautifully crafted book. . . . Although it varies in intensity, the response of women to the environment is virtually always different from the male frontiersman's view of the land as inanimate, boundless, conquerable and controllable." --Polly Wells Kaufman in "Women's Review of Books" "A powerful masterpiece." --Eve Gruntfest in "The Professional Geographer"

The Desert is No Lady
The Desert is No Lady

Author: Vera Norwood

Publisher: University of Arizona Press

Published: 1997

Total Pages: 356

ISBN-13: 9780816516490

DOWNLOAD EBOOK

Over the past century, women artists and writers have expressed diverse creative responses to the landscape of the Southwest. The Desert Is No Lady provides a cross-cultureal perspective on women by examining Anglo, Hispanic, and Native American women's artistic expressions and the effect of their art in defining the southwestern landscape. The Desert Is No Lady has been made into a motion picture of the same title by Women Make movies, New York, NY "A beautifully crafted book. . . . Although it varies in intensity, the response of women to the environment is virtually always different from the male frontiersman's view of the land as inanimate, boundless, conquerable and controllable." ÑPolly Wells Kaufman in Women's Review of Books "A powerful masterpiece." ÑEve Gruntfest in The Professional Geographer

Sixteen Modern American Authors
Sixteen Modern American Authors

Author: Jackson R. Bryer

Publisher: Duke University Press

Published: 1989

Total Pages: 840

ISBN-13: 9780822310181

DOWNLOAD EBOOK

Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies

No Life for a Lady
No Life for a Lady

Author: Agnes Morley Cleaveland

Publisher: U of Nebraska Press

Published: 1977-01-01

Total Pages: 372

ISBN-13: 9780803258686

DOWNLOAD EBOOK

When Agnes Morley Cleaveland was born on a New Mexico cattle ranch in 1874, the term "Wild West" was a reality, not a cliché. In those days cowboys didn't know they were picturesque, horse rustlers were to be handled as seemed best on the occasion, and young ladies thought nothing of punching cows and hunting grizzlies in between school terms.

Women of Color and the Multicultural Curriculum
Women of Color and the Multicultural Curriculum

Author: Liza Fiol-Matta

Publisher: Feminist Press at CUNY

Published: 1994

Total Pages: 412

ISBN-13: 9781558610835

DOWNLOAD EBOOK

A A A The product of 13 curriculum projects that involved several hundred educators nationwide, this volume provides faculty and administrators with a guide to multicultural curricular change-especially with respect to women. While womenA represent over halfA of the college students on campus, they are still represented only minimally in the allegedly "mainstream" curriculum. Women of color are far less visible in the curriculum than white women. A A A Both the process and the results of a Ford Foundation funded project are presented here in a format that allows browsing and promotes reading straight through. The volume is divided into three major sections, the first of which highlights the actual process of faculty transformation and administrative support essential to curricular changes as it occurred on two of the participating campuses, U.C.L.A. and George Washington University. Extensive multidisciplinary faculty development syllabi are provided. A A A Section Two conatins 37 transformed undergraduate course syllabi for courses in sociology, American history and literature, and more, with brief essays describing professors' encounters with teaching the new texts. Section Three is an invaluable interdisciplinary guide to teaching about Puerto Rican women, prepared by a team of scholars at SUNY, Albany. It provided information about Puerto Rican women inside and outside Puerto Rico, as well as teaching strategies for integrating such information into the traditional curriculum. A A A This volume shows that essential educational change-to meet the diversity of U.S. students-may be somewhat slower than one would wish, and more difficult, but it is complex, challenging, and intellectually exciting.

A Land Apart
A Land Apart

Author: Flannery Burke

Publisher: University of Arizona Press

Published: 2017-05-02

Total Pages: 425

ISBN-13: 081653618X

DOWNLOAD EBOOK

Winner, Spur Award for Best Contemporary Nonfiction (Western Writers of America) A Land Apart is not just a cultural history of the modern Southwest—it is a complete rethinking and recentering of the key players and primary events marking the Southwest in the twentieth century. Historian Flannery Burke emphasizes how indigenous, Hispanic, and other non-white people negotiated their rightful place in the Southwest. Readers visit the region’s top tourist attractions and find out how they got there, listen to the debates of Native people as they sought to establish independence for themselves in the modern United States, and ponder the significance of the U.S.-Mexico border in a place that used to be Mexico. Burke emphasizes policy over politicians, communities over individuals, and stories over simple narratives. Burke argues that the Southwest’s reputation as a region on the margins of the nation has caused many of its problems in the twentieth century. She proposes that, as they consider the future, Americans should view New Mexico and Arizona as close neighbors rather than distant siblings, pay attention to the region’s history as Mexican and indigenous space, bear witness to the area’s inequalities, and listen to the Southwest’s stories. Burke explains that two core parts of southwestern history are the development of the nuclear bomb and subsequent uranium mining, and she maintains that these are not merely a critical facet in the history of World War II and the militarization of the American West but central to an understanding of the region’s energy future, its environmental health, and southwesterners’ conception of home. Burke masterfully crafts an engaging and accessible history that will interest historians and lay readers alike. It is for anyone interested in using the past to understand the present and the future of not only the region but the nation as a whole.

A Contested Art
A Contested Art

Author: Stephanie Lewthwaite

Publisher: University of Oklahoma Press

Published: 2015-10-01

Total Pages: 363

ISBN-13: 0806152885

DOWNLOAD EBOOK

When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University

The Kalahari Typing School for Men
The Kalahari Typing School for Men

Author: Alexander McCall Smith

Publisher: Anchor

Published: 2004-06-08

Total Pages: 204

ISBN-13: 1400079411

DOWNLOAD EBOOK

Fans around the world adore the bestselling No. 1 Ladies’ Detective Agency series and its proprietor, Precious Ramotswe, Botswana’s premier lady detective. In this charming series, Mma Ramotswe—with help from her loyal associate, Grace Makutsi—navigates her cases and her personal life with wisdom, good humor, and the occasional cup of tea. Mma Precious Ramotswe is content. Her business is well established with many satisfied customers, and in her mid-thirties (“the finest age to be”) she has a house, two adopted children, a fine fiancé. But, as always, there are troubles. Mr. J.L.B. Matekoni has not set the date for their marriage. Her able assistant, Mma Makutsi, wants a husband. And worse, a rival detective agency has opened in town—an agency that does not have the gentle approach to business that Mma Ramotswe’s does. But, of course, Precious will manage these things, as she always does, with her uncanny insight and her good heart.

Women Writing Nature
Women Writing Nature

Author: Barbara J. Cook

Publisher: Lexington Books

Published: 2008

Total Pages: 156

ISBN-13: 9780739119136

DOWNLOAD EBOOK

Since Silent Spring was published in 1962, the number of texts about the natural world written by women has grown exponentially. The essays in Women Writing Nature: A Feminist View argue that women writing in the 20th century are utilizing the historical connection of women and the natural world in diverse ways. For centuries women have been associated with nature but many feminists have sought to distance themselves from the natural world because of dominant cultural representations which reflect women as controlled by powerful natural forces and confined to domestic spaces. However, in the spirit of Rachel Carson, some writers have begun to invoke nature for feminist purposes or have used nature as an agent of resistance. This collection considers women's writings about the natural world in light of recent and current feminist and ecofeminist theory and finds a variety of approaches and perspectives, both by the scholars and by the authors discussed, culminating with the voices of two women, activist and scientist Joan Maloof and Irish poet Rosemarie Rowley, who both write about the natural world from a feminist perspective.

Trading Gazes
Trading Gazes

Author: Susan Bernardin

Publisher: Rutgers University Press

Published: 2003

Total Pages: 268

ISBN-13: 9780813531700

DOWNLOAD EBOOK

The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Métis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era. By tracing the complex, often unexpected relationships forged between these women, their cameras, and the Native subjects of their photographs, Trading Gazes offers a new focus for recovering women's histories in the West while bringing attention to the complicated legacies of these images for Native and non-Native viewers.