Faces in the Forest
Faces in the Forest

Author: Michael D. Blackstock

Publisher: McGill-Queen's Press - MQUP

Published: 2001

Total Pages: 266

ISBN-13: 9780773522565

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In Faces in the Forest Michael Blackstock, a forester and an artist, takes us into the sacred forest, revealing the mysteries of carvings, paintings, and writings done on living trees by First Nations people. Blackstock details this rare art form through oral histories related by the Elders, blending spiritual and academic perspectives on Native art, cultural geography, and traditional ecological knowledge. Faces in the Forest begins with a review of First Nations cosmology and the historical references to tree art. Blackstock then takes us on a metaphorical journey along the remnants of trading and trapping trails to tree art sites in the Gitxsan, Nisga'a, Tlingit, Carrier, and Dene traditional territories, before concluding with reflections on the function and meaning of tree art, its role within First Nations cosmology, and the need for greater respect for all of our natural resources. This fascinating study of a haunting and little-known cultural phenomenon helps us to see our forests with new eyes.

Carved Trees
Carved Trees

Author: Robert Thomas

Publisher:

Published: 2011

Total Pages: 16

ISBN-13: 9780731372065

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In 1978, the collections of the State Library of NSW were further enriched by receiving the Clifton Cappie Towle collection, donated by his family. This collection includes more than a thousand photographs showing Aboriginal weapons and implements, rock art, ceremonial sites, shell middens and stone arrangements from all parts of NSW, all photographed between about 1920 and 1940. The State Library of NSW is presenting an exhibition of these works, containing some of the most beautiful, haunting images of carved trees collected by Clifton Cappie Towle before his death in 1946.

The Makers and Making Of Indigenous Australian Museum Collections
The Makers and Making Of Indigenous Australian Museum Collections

Author: Nicolas Peterson

Publisher: Melbourne Univ. Publishing

Published: 2008-08-16

Total Pages: 614

ISBN-13: 0522859895

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This volume of original essays brings together, for the first time, histories of the making and of the makers of most of the major Indigenous Australian museum collections. These collections are a principal source of information on how Aboriginal people lived in the past. Knowing the context in which any collection was created; the intellectual frameworks within which the collectors were working, their collecting practices, what they failed to collect, and what Aboriginal people withheld; is vital to understanding how any collection relates to the Aboriginal society from which it was derived. Once made, collections have had mixed fates: some have become the jewel of a museum's holdings, while others have been divided and dispersed across the world, or retained but neglected. The essays in this volume raise issues about representation, institutional policies, the periodisation of collecting, intellectual history, material culture studies, Aboriginal culture and the idea of a 'collection'.