London 1860 Felix Lazarus - I suppose you could say I was a voyeur and what I was doing was wrong, criminal even. But I’d suggest that no hot-blooded man could resist a look after finding peepholes behind the walls of Wychwood. Through the peepholes I saw my most secret desires playing out before my eyes. One of the gents I watched was deliciously handsome with brooding stormy eyes and darling black curls. So taken was I that he haunted my dreams. I knew the comely young man only by a number, 27 as none of the queer fellows who attended Wychwood gave their names. 27 didn’t know I existed. But when I saw how he got into trouble with a violent partner, I didn’t think twice about rushing to his aid. It was in my nature to help him...even if it cost me my job... and my heart. Trigger warning: Suicide attempt, dub-con
After losing her job and her partner in one fell swoop, journalist Elspeth Reeves is back in her mother’s house in the sleepy village of Wilsby-under-Wychwood, wondering where it all went wrong. Then a body is found in the neighbouring Wychwoods: a woman ritually slaughtered, with cryptic symbols scattered around her corpse. Elspeth recognizes these from a local myth of the Carrion King, a Saxon magician who once held a malevolent court deep in the forest. As more murders follow, Elspeth joins her childhood friend DS Peter Shaw to investigate, and the two discover sinister village secrets harking back decades.
Former London journalist Elspeth Reeves is trying to carve a new life for herself in the sleepy Oxfordshire countryside, until she's sent to cover the excavation of a notorious local witch's grave. Three hundred years ago, her name mixed up with murder and black magic, Agnes Levett was hanged and then buried under an immense stone, to prevent her spirit from ever rising again. Elspeth investigates, but soon finds there is far more to the old tale than meets the eye, as the surrounding area is rocked by a series of mysterious and brutal murders, all of people somehow connected with the dig. She and her childhood friend DS Peter Shaw race to uncover the truth, but secrets lain buried for centuries are not easily discovered.
The sequel to NYT bestselling Curious Tides and the second book in this lush and intoxicating world of dark academia, lunar magic, secret societies and dangerous friendships. After going through the door that called to them both in dreams, Emory and Romie find themselves in the Wychwood, albeit a twisted, rotting version of it that feels wrong. Meanwhile, tensions flare at Aldryn College when the truth about Collapsings comes to light, sparking rumours of the Shadow’s imminent return. Determined to cross into the Deep, Baz and Kai go through the door – only to be pulled back in time instead. Across time and worlds, the four friends find their fates eerily interwoven with those of the heroes from Clover’s book. But when they encounter a deadlier enemy than they ever thought possible, they must decide for themselves how their story will end. Opening locked doors has a price – even for those who hold a key... Praise for Curious Tides: 'A world that pulses and breathes. With intricate magic and a mystery that spirals as deep and dark as it can go, Curious Tides is a marvel in atmosphere.' – Chloe Gong, #1 New York Times bestselling author of These Violent Delights 'Rich, immersive and astonishingly layered—I want to sink into this darkly magical world and never leave.' – Laura Steven, author of The Society for Soulless Girls 'Vividly imagined, beautifully written, and as dark as it is dazzling – Curious Tides will drag you under from the very first page.' – Sarah Underwood, New York Times bestselling author of Lies We Sing to the Sea 'A darkly enchanting story that had me turning pages like mad. Gorgeous writing, fascinating characters, and the kind of rich magical lore that dreams are made of. Curious Tides swept me away. I'm obsessed with this world.' – Claire Legrand, New York Times bestselling author of Furyborn 'Curious Tides sucks you in from page one with a fully realized universe that feels lived-in and otherworldly all at once. The story is alive with lore, and it’s impossible not to be transported.' – Joan He, New York Times bestselling author of Strike the Zither 'With chewy, intricate worldbuilding; sparkling characters; and thrilling twists, Curious Tides pulled me under, and I never wanted to resurface from its richly imagined depths. An alluring, immersive debut.' – Allison Saft, New York Times bestselling author of A Far Wilder Magic 'A beautifully ethereal fantasy that reads like a dream. Filled with beguiling magic and whimsical storytelling, Curious Tides is a reverie I was sad to wake from.' – Chelsea Abdullah, author of The Stardust Thief
Eleven-year-old Steele Miller is being bullied because the other kids think he's strange for hearing voices coming from the ground in the park. When kids start to disappear all over Canada and the U.S., Steele finds himself in a strange underground world where there is a war of alien creatures going on.
In 1800 entries this valuable reference work covers texts and records of dramatic activity for about 400 sites in Britain from Roman times to 1558. Grouped in sections Texts listed chronologically; Records of England, Wales, Scotland, Ireland and Other, classified by county, site, and date; and Doubtful Texts and Records the entries summarize the contents of each record and give bibliographic information. Professor Lancashire presents a comprehensive survey of almost every type of literary and historical record, document, and work: civic, church, guild, monastic and royal court minutes and financial accounts; national records Chancery, Parliament, Privy Council, Exchequer; royal proclamations; wills; local court rolls; jest-books, poems, prose treatises, sermons; archaeological remains, artifacts, illustrations. He brings together works in several normally unrelated fields: Roman theatre in Britain; medieval drama as such, including the Corpus Christi play and the moral play; court revels of the Tudors and of their predecessors in England and Scotland; and finally Latin and Greek drama as played in Oxford and Cambridge colleges. An introduction outlines the history of early drama in Britain. Appendixes include indexes of about 335 towns or patrons with travelling players, complete with rough itineraries; about 180 playwrights; and about 320 playing places and buildings. There are illustrations, four maps and a large general subject and name index
Marshall McLuhan and Northrop Frye are two of Canada's central cultural figures, colleagues and rivals whose careers unfolded in curious harmony even as their intellectual engagement was antagonistic. Poet, novelist, essayist and philosopher B.W. Powe, who studied with both of these formidable and influential intellectuals, presents an exploration of their lives and work in Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy. Powe considers the existence of a unique visionary tradition of Canadian humanism and argues that McLuhan and Frye represent fraught but complementary approaches to the study of literature and to the broader engagement with culture. Examining their eloquent but often acid responses to each other, Powe exposes the scholarly controversies and personal conflicts that erupted between them, and notably the great commonalities in their writing and biographies. Using interviews, letters, notebooks, and their published texts, Powe offers a new alchemy of their thought, in which he combines the philosophical hallmarks of McLuhan's The medium is the message and Frye's the great code.
