Gustav Meyrink is now considered to be one of the most important German language novelists of the 20th century. This collection of stories illustrates Meyrink's fondness for the bizarre and the grotesque which reflects his personal interest in occult works.
The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.
"Graham Anderson's translations of both Sand's and Colet's novels are faithful and highly readable, with short but helpful introductions. Anderson's translation is far better [than the previous]: his prose is tighter, better paced, more natural sounding, modern without being anachronistic." -Raymond N. MacKenzie in The London Review of Books George Sand's fictionalised account of her notorious affair with the poet Alfred de Musset caused a sensation on its publication two years after his death, in 1859. It also prompted a volley of claim and counter-claim: two more novels rapidly appeared in the following months, Lui Et Elle, by Musset’s brother, defending his reputation; and Lui, by Louise Colet, Flaubert’s former mistress and briefly Musset’s. Then the journalists and commentators of the day joined in, with Eux, by Gaston Lavalley, and Eux Et Elles, by Adolphe de Lescure, satirising the whole sordid business
A companion volume to Simplicissimus: the story of young girl named Courage, caught up in the turmoil of the Thirty Years' War, who survives, even prospers, by the use of her native cunning and sexual attraction. Completely amoral, she flits through a succession of husbands and lovers and ends her life with a band of Gypsies. The conceit here is that Courage supposedly tells her story to get back at Simplicissimus, who treats her dismissively in his own memoirs. This is a remorseless tale of lechery, knavery and trickery.
The occult was a crucial influence on the Renaissance, and it obsessed thinkers like Isaac Newton. Works of brilliance, sometimes even of genius were produced under the influence of occultism. Yet, not too infrequently, it also opened the door on a peculiar kind of madness. The Dedalus Book of the Occult celebrates the influence of occult thought and sensibility on some of the central poets and writers of the last two centuries, beginning with the Enlightenment obsession with occult politics, through the Romantic explosion, the paradoxically decadent and futuristic occultism of the fin de siecle, and the deep occult roots of the modernist movement. Swedenborg, Baudelaire, Huysmans and Strindberg are only some of the names to feature in this hidden history of western thought.
Writers have been killing themselves for centuries. From Petronius in ancient Rome to the 20th Century Japanese novelist Yukio Mishima, writers, more than any other kind of artist, have taken their own lives in an extraordinary number of ways. With bullets, poison, drugs and swords, poets, playwrights, novelists and philosophers have sent themselves off into the big sleep. Others, one step shy of that last exit, have made great literature about the urge to self-destruction. For the first time, Gary Lachman investigates the many links between self-death and the written word, bringing together an unusual gallery of literary greats and a host of other fatal characters. Typically for Dedalus, the covers gorgeous. Sasha Selavie in QX International Dead Letters ultimately proves to be at once stimulating and thought-provoking and the section devoted to various suicidal writings is most diverting. Peter Burton in One80 Reviews
How did an ancient Indian spiritual discipline turn into a $20+ billion-a-year mainstay of the global wellness industry? What happened along yoga's winding path from the caves and forests of the sages to the gyms, hospitals and village halls of the modern West? This comprehensive history sets yoga in its global cultural context for the first time. It leads us on a fascinating journey across the world, from arcane religious rituals and medieval body-magic, through muscular Christianity and the British Raj, to the Indian nationalist movement and the arrival of yoga in the twentieth-century West. We discover how the practice reached its present-day ubiquity and how it became embedded in powerful social currents shaping the world's future, such as feminism, digital media, celebrity culture, the stress pandemic and the quest for an authentic identity in the face of unprecedented change. Shearer's revealing history boasts a colorful cast of characters past and present, who tell an engaging tale of scholars and scandal, science and spirit, wisdom and waywardness. This is the untold story of yoga, warts and all.
For more than 50 years John Clute has been reviewing science fiction and fantasy. Look at the Evidence is a collection of reviews from a wide variety of sources - including Interzone, the New York Review of Science Fiction, and Science Fiction Weekly - about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. It covers the period between 1987 and 1992.
This volume explores aspects of yoga over a period of about 2500 years. In its first part, it investigates facets of the South Asian and Tibetan traditions of yoga, such as the evolution of posture practice, the relationship between yoga and sex, yoga in the theistic context, the influence of Buddhism on early yoga, and the encounter of Islam with classical yoga. The second part addresses aspects of modern globalised yoga and its historical formation, as for example the emergence of yoga in Viennese occultism, the integration of yoga and nature cure in modern India, the eventisation of yoga in a global setting, and the development of Patañjali’s iconography. In keeping with the current trend in yoga studies, the emphasis of the volume is on the practice of yoga and its theoretical underpinnings.