Art of the Northwest Coast Indians

Art of the Northwest Coast Indians

Author: Robert Bruce Inverarity

Publisher: Univ of California Press

Published: 1950

Total Pages: 274

ISBN-13: 9780520005952

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Discusses the social patterns, material culture, and religion of the Indian tribes of Northwest North America stressing aspects of their primitive art.


Decorative Art of the Southwestern Indians

Decorative Art of the Southwestern Indians

Author: Dorothy S. Sides

Publisher: Courier Corporation

Published: 2013-03-05

Total Pages: 127

ISBN-13: 0486155242

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The decorative art of the Indians of the American Southwest has long been recognized as one of the most beautiful art traditions in the primitive world. It demonstrates a technical skill with simple materials, a symbolic richness, and a faculty for creating rich effects by the imaginative use of ornament that are all almost unique. Museums use Pueblo ceramics for display pieces, and modern artists and crafters have turned eagerly to the handwork of prehistoric Indian women for inspiration and working ideas. Mrs. Dorothy Sides, a noted artist and collector, has gathered together and redrawn in black and white nearly 300 examples of the finest authentic Southwestern Indian decoration that she has seen in a lifetime of study. She has not limited her selection to one period or style, however; to make her book as useful as possible, she has selected material ranging from the thirteenth century great geometric art of the Pueblos to the handcrafts carried on by the nomadic and Pueblo peoples of the present. The main emphasis of this volume is on ceramic decoration, and Mrs. Sides includes pieces from the rich archeological sites of Pecos, Sikyatki, the Mimbres, and modern Pueblo pottery from Acoma, Zuni, Cochiti, and the Hopi. She also includes designs and motifs from the basketry of the Apache, Pima, and Papago; beadwork from the Mohave; authentic Zuni masks; Hopi kachina dolls; and sand paintings and blanket designs from the Navajo. This broad coverage of beautiful ornament illustrates many different art styles to fit every situation: geometric designs based upon balanced mirror fields of design, symbolic figures of the thunderbird, and modern stylizations. All is beautiful and imaginative. Any crafter working with ceramics will find this book indispensable as a source of rich, easily used, powerful design; workers in wood, weavers, metal workers, and leather workers will find that it will enlarge their decorative resources considerably. It also offers unusual and eye-catching designs for commercial artists who wish to do work suggesting travel, handcrafts, the Southwest, or the social sciences. Individual drawings are royalty-free and may be reproduced without fee or permission. "Worthy of an honored place in the library of aboriginal American art." — F. H. Hodge, Director, Southwestern Museum.


Excluded Ancestors, Inventible Traditions

Excluded Ancestors, Inventible Traditions

Author: Richard Handler

Publisher: Univ of Wisconsin Press

Published: 2000-11-16

Total Pages: 325

ISBN-13: 0299163938

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Excluded Ancestors focuses on little-known scholars who contributed significantly to the anthropological work of their time, but whose work has since been marginalized due to categorical boundaries of race, class, gender, citizenship, institutional and disciplinary affiliation, and English-language proficiency. The essays in Excluded Ancestors illustrate varied processes of inclusion and exclusion in the history of anthropology, examining the careers of John William Jackson, the members of the Hampton Folk-Lore Society, Charlotte Gower Chapman, Lucie Varga, Marius Barbeau, and Sol Tax. A final essay analyzes notions of the canon and considers the place of a classic ethnographic area, highland New Guinea, in anthropological canon-formation. Contributors include Peter Pels, Lee Baker, Frances Slaney, Maria Lepowsky, George Stocking, Ronald Stade, and Douglas Dalton.


Contesting Art

Contesting Art

Author: Jeremy MacClancy

Publisher: Routledge

Published: 2020-08-27

Total Pages: 264

ISBN-13: 1000325644

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Art is a major political weapon of our times. Today, peoples around the world use art to boost their own identity and to attack the ways others represent them. At a time of increasing intercultural exchange, art has become a primary means through which groups reinforce their challenged sense of culture.This pioneering book breaks with the tradition of the anthropology of art as the depoliticized study of aesthetics in exotic settings. Transcending artificial distinctions between the West and the Rest, it examines the increasingly significant relations among art, identity and politics in the modern world.Among the themes investigated by the contributors: - how African painters undermine racist stereotypes yet remain dominated by the Western art market - the role of anthropology museums in the perpetuation of the Western market in 'tribal art' - the internal and external political disputes underlying the 'repatriation' of cultural property.


The Anthropology of Art

The Anthropology of Art

Author: Howard Morphy

Publisher: John Wiley & Sons

Published: 2009-02-04

Total Pages: 576

ISBN-13: 1405155329

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This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers’ appreciation of the aesthetics of art and of the important role it plays in human society.


The Poetics of Land and Identity Among British Columbia Indigenous Peoples

The Poetics of Land and Identity Among British Columbia Indigenous Peoples

Author: Christine J. Elsey

Publisher: Fernwood Publishing

Published: 2024-08-15T00:00:00Z

Total Pages: 144

ISBN-13: 1773637193

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The Poetics of Land and Identity is about the meaning of land for the many diverse First Nations within British Columbia. The work offers a study of the folklore and symbolic traditions within many Aboriginal regions and illustrates how these traditions emphasize the importance of orality and poetics as the defining factor in the value of land. Christine J. Elsey offers a deft, scholarly discussion of these “storyscapes,” providing us with a point of access for understanding First Nations’ perspectives on the world and their land. She provides an important alternative to the monetary, exploitative, resource-driven view of nature and land ownership and highlights the conflicts between the colonial, Western perspective of nature and the holistic view of First Nations people.