Why should a man's social standing matter if he is honorable and kind, and if he loves you? Why shouldn't you marry for love instead of money? Twenty-one-year-old Lady Harriet Hampstead, dubbed 'the Ice Queen', wants nothing to do with the men who pursue her. When her father is killed in a riding accident, Harriet must submit to her mother's expectation that she marry the Duke of Salston. Will she be forced to tie herself to a man she doesn't love? Does the woman he has plans to woo have a warm heart or is she really only interested in his money? The man Lady Harriet thinks is Lord Caleb DeVere, the Duke of Salston, doesn't seem to cut as fine a figure as the suitors who have come before him. He is too old, for starters, and not much into conversation. But he is a good judge of character. He knows who Lady Harriet really wants to marry...and it isn't him. How will Harriet and the Duke overcome the obstacles in their way? He is guilty of deception and she is bound by duty. And then there's her sister Catherine, who does everything in her power to derail their relationship. Can they ever find a way to be happy together?The Deceptive Duke of Salston is a clean 50,000-word Regency romance story with a happily ever after.
London’s Urban Landscape is the first major study of a global city to adopt a materialist perspective and stress the significance of place and the built environment to the urban landscape. Edited by Christopher Tilley, the volume is inspired by phenomenological thinking and presents fine-grained ethnographies of the practices of everyday life in London. In doing so, it charts a unique perspective on the city that integrates ethnographies of daily life with an analysis of material culture. The first part of the volume considers the residential sphere of urban life, discussing in detailed case studies ordinary residential streets, housing estates, suburbia and London’s mobile ‘linear village’ of houseboats. The second part analyses the public sphere, including ethnographies of markets, a park, the social rhythms of a taxi rank, and graffiti and street art. London’s Urban Landscape returns us to the everyday lives of people and the manner in which they understand their lives. The deeply sensuous character of the embodied experience of the city is invoked in the thick descriptions of entangled relationships between people and places, and the paths of movement between them. What stories do door bells and house facades tell us about contemporary life in a Victorian terrace? How do antiques acquire value and significance in a market? How does living in a concrete megastructure relate to the lives of the people who dwell there? These and a host of other questions are addressed in this fascinating book that will appeal widely to all readers interested in London or contemporary urban life.
This early work by Arthur Conan Doyle was originally published in 1826 and we are now republishing it with a brand new introductory biography as part of our Professor Challenger series. Arthur Conan Doyle was born in Edinburgh, Scotland, in 1859. It was between 1876 and 1881, while studying medicine at the University of Edinburgh, that he began writing short stories, and his first piece was published in Chambers's Edinburgh Journal before he was 20. In 1887, Conan Doyle's first significant work, A Study in Scarlet, appeared in Beeton's Christmas Annual. It featured the first appearance of detective Sherlock Holmes, the protagonist who was to eventually make Conan Doyle's reputation. A prolific writer, Conan Doyle continued to produce a range of fictional works over the following years. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
At a time when prejudiced historical verdicts are being largely revised, and when it is universally admitted that history must be studied on broader and more discriminating lines than heretofore, the restatement of the case for our first Queen Regnant scarcely needs an apology. Two books, one The Privy Purse Expenses of the Princess Mary, with an Introductory Memoir by Sir Frederick Madden, some time Keeper of the Manuscripts in the British Museum, and the other, The Life of Jane Dormer, Duchess of Feria, edited by the Rev. Joseph Stevenson, from the original manuscript in the possession of Lord Dormer, first revealed Queen Mary to me as an attractive and sympathetic personality. Subsequent diligent examination of documents relating to her life and reign, scattered about the various archives of Europe, has not belied that impression, but has further shown that more interest attaches to her dire struggle with the difficulties which beset her than has generally been supposed. This material has proved to be extremely rich and abundant, especially as regards the archives of Venice, Austria, Belgium and England. The valuable papers formerly at Brussels have, it is true, disappeared, but fortunately we are provided with transcripts of them in the Record Office. And where the despatches of ambassadors, those of Giustinian, Chapuys, Renard, Michiel, de Noailles, Surian and others, drop the thread of the story, our own chroniclers, Stowe, Holinshed, Machyn, Wriothesley, Foxe, etc., take it up, so that an almost continuous narrative is formed, reaching from Mary’s earliest childhood to her death. I have endeavoured, where possible, to give the story in the words of each individual ambassador or annalist, in order to preserve, if it might be, the atmosphere of the times, in a manner unattainable by our modern phraseology. In most instances, I have been careful to reproduce even the eccentricities of the spelling in the English documents quoted, but in others, where I have given somewhat lengthy extracts from our chroniclers, the spelling has been modernised to avoid tedium. It has not come within the scope of the present work to deal exhaustively with Mary’s correspondence, and many of her most interesting letters have been unavoidably omitted, preference being given to those which relate to the more crucial points in her history. One word may not be out of place here, as to the now fully recognised necessity of bringing historical imagination to bear upon any period under consideration; for unless we throw ourselves into the spirit, the views, the interests of that period, we shall utterly fail to form a correct notion of its merits and its short-comings. The thoughts and opinions, the virtues and vices of the sixteenth century are not those of our own day, and the only way in which we can form a just estimate of them is by divesting ourselves of every preconceived notion, and by judging each individual case according to the standard which then prevailed. Whether, bearing this necessity in mind, and with the colours at my disposal, I have succeeded in painting a picture vivid enough to supersede the old traditional, but generally spurious, portraits of Queen Mary, I must leave to the kind judgment of my readers.
The Invasion of 1910 is a 1906 novel written mainly by William Le Queux (with H. W. Wilson providing the naval chapters). It is one of the more famous examples of Invasion literature. It is viewed by some as an example of pre-World War I Germanophobia. It can also be viewed as prescient, as it preached the need to prepare for war with Germany. The novel was originally commissioned by Alfred Harmsworth as a serial which appeared in the Daily Mail from 19 March 1906. The story rewritten to feature towns and villages with high Daily Mail readership, greatly increased the newspaper's circulation and made a small fortune for Le Queux; it was translated into twenty-seven languages, and over one million copies of the book edition were sold. The idea for the novel is alleged to have originated from Field Marshal Earl Roberts, who regularly lectured English schoolboys on the need to prepare for war. The book takes the form of a military history. William Tufnell Le Queux (1864-1927) was an Anglo-French journalist and writer. He was also a diplomat, a traveller, a flying buff who officiated at the first British air meeting at Doncaster in 1909, and a wireless pioneer who broadcast music from his own station long before radio was generally available.
Discusses how European scientists from the High Middle Ages through the Enlightenment used wonders, monsters, curiosities, marvels, and other phenomena to envision the natural world.
