Sari doesn't like being the only Muslim student in her class, especially when kids like Andrew ask difficult questions. Then, a trip back in time takes them both to September 11, 2001. A tragic day in U.S. history helps them see their world in a whole new way. This graphic novel introduces the events of 9/11 to students and explores important social issues such as religious prejudice. This hi-lo book will capture the interest of kids who enjoy graphic novels involving time travel, tragic events, and historical fiction.
Sari doesn't like being the only Muslim student in her class, especially when kids like Andrew ask difficult questions. Then, a trip back in time takes them both to September 11, 2001. A tragic day in U.S. history helps them see their world in a whole new way. This graphic novel introduces the events of 9/11 to students and explores important social issues such as religious prejudice. This hi-lo book will capture the interest of kids who enjoy graphic novels involving time travel, tragic events, and historical fiction.
One of School Library Journal's Best Nonfiction Books of 2011One of Horn Book's Best Nonfiction Books of 2011 On the ten year anniversary of the September 11 tragedy, a straightforward and sensitive book for a generation of readers too young to remember that terrible day. The events of September 11, 2001 changed the world forever. In the fourth installment of the Actual Times series, Don Brown narrates the events of the day in a way that is both accessible and understandable for young readers. Straightforward and honest, this account moves chronologically through the morning, from the terrorist plane hijackings to the crashes at the World Trade Center, the Pentagon, and Pennsylvania; from the rescue operations at the WTC site in New York City to the collapse of the buildings. Vivid watercolor illustrations capture the emotion and pathos of the tragedy making this an important book about an unforgettable day in American history.
From award-winning author Jewell Parker Rhodes comes a powerful novel set fifteen years after the 9/11 attacks in a classroom of students who cannot remember the event but live through the aftermath of its cultural shift. When her fifth-grade teacher hints that a series of lessons about home and community will culminate with one big answer about two tall towers once visible outside their classroom window, Dèja can't help but feel confused. She sets off on a journey of discovery, with new friends Ben and Sabeen by her side. But just as she gets closer to answering big questions about who she is, what America means, and how communities can grow (and heal), she uncovers new questions, too. Like, why does Pop get so angry when she brings up anything about the towers? Award-winning author Jewell Parker Rhodes tells a powerful story about young people who weren't alive to witness this defining moment in history, but begin to realize how much it colors their every day.
Sari doesn't like being the only Muslim student in her class, especially when kids like Andrew ask difficult questions. Then, a trip back in time takes them both to September 11, 2001. A tragic day in U.S. history helps them see their world in a whole new way. This graphic novel introduces the events of 9/11 to students and explores important social issues such as religious prejudice. This hi-lo book will capture the interest of kids who enjoy graphic novels involving time travel, tragic events, and historical fiction.
At 5:20 in the afternoon on 9/11, Building 7 of the World Trade Center collapsed, even though it had not been struck by a plane and had fires on only a few floors. The reason for its collapse was considered a mystery. In August 2008, NIST (the National Institute of Standards and Technology) issued its report on WTC 7, declaring that "the reason for the collapse of World Trade Center 7 is no longer a mystery" and that “science is really behind what we have said.” Showing that neither of these claims is true, David Ray Griffin demonstrates that NIST is guilty of the most serious types of scientific fraud: fabricating, falsifying, and ignoring evidence. He also shows that NIST’s report left intact the central mystery: How could a building damaged by fire—not explosives—have come down in free fall?
All of the families and friends of all of the people who died on September 11, 2001 will never be the same. The world will never be the same. Hatred is a terrible thing. It causes pain and suffering and grief. On September 11, 2001 The Day the Towers Fell all of the people of the world saw the effects of hatred. May we always remember what hatred looks like and may we never forget those who died on that terrible day.
The instant #1 New York Times bestseller. In time for the twentieth anniversary of 9/11, master storyteller Alan Gratz (Refugee) delivers a pulse-pounding and unforgettable take on history and hope, revenge and fear -- and the stunning links between the past and present. September 11, 2001, New York City: Brandon is visiting his dad at work, on the 107th floor of the World Trade Center. Out of nowhere, an airplane slams into the tower, creating a fiery nightmare of terror and confusion. And Brandon is in the middle of it all. Can he survive -- and escape? September 11, 2019, Afghanistan: Reshmina has grown up in the shadow of war, but she dreams of peace and progress. When a battle erupts in her village, Reshmina stumbles upon a wounded American soldier named Taz. Should she help Taz -- and put herself and her family in mortal danger? Two kids. One devastating day. Nothing will ever be the same.
On the morning of September 11 2001 Pasquale Buzzelli was working on the 64th floor of the North Tower of the World Trade Center. His wife Louise was at home, seven months pregnant with their first child. She was woken that morning by a call from Pasquale who asked her to put on the television as his building was on fire. As Louise watched in horror, the events of 9/11 unfolded over the next few hours. Pasquale called her again and told her he was about to evacuate the building but, just minutes later, Louise watched as the North Tower collapsed with Pasquale still inside. She was sure she had watched her husband and father of her unborn child die in front of her eyes... Pasquale was in the middle of evacuating and reached the stairwell on the 22nd floor when the North Tower collapsed. He remembers thinking "this is how Im going to die" as he fell with the building. Miraculously, he survived the fall and awoke three hours later perched on a pile of rubble on a concrete slab 4ft by 4ft sticking out over a huge 60ft drop. Eventually, firemen managed to get him down and he was taken to the hospital. Louise was at home being consoled by family and friends, still thinking he was dead, until late that afternoon, when the phone rang, and it was him on the other line! Pasquale was one of only 16 people to have survived the collapse of the North Tower. Although Pasquale escaped with bruising and a fractured foot, virtually unscathed, the mental scars took a lot longer to heal. In the months after 9/11 Pasquale found it hard to come to terms with what happened that he had survived and his friends and colleagues had not. He became distant from his wife and newly born baby as the guilt made it impossible for him to be happy. At the same time Louise was experiencing her own PTSD. As joyous as she was to find out her husband survived, she equally felt pain and sorrow for those whose husbands were not as fortunate. Stories in the press would show widows and babies of men who had died in the attacks. "It is hard to imagine the pain they suffered and the strength they needed to carry out their pregnancy." Louise wrote A Song for Hope (named after their newborn daughter) and the money from the sale of the CD was shared among the widows and their babies born after 9/11. 'We All Fall Down: The True Story of the 9/11 Surfer' is the story of how Pasquale dealt with the horrific events of 9/11, with the PTSD and survivor guilt that followed, and ultimately with his road to recovery. For Pasquale, 9/11 will always be with him and he thinks about it every day but now, 10 years on, he has realised the best way to respect the memory of those who died, he needs to live for his life again ... "I could not control what had happened to me but now I can control how I would lead my life. How I would be the father and husband that my family deserved and to help and respect my fellow man as I was taught to do by my father".
“[An] insightful view on how 9/11 is perceived in American society—the day that ‘refuses to enter history,’ the tragedy that ‘has, in effect, not yet passed.’” —Journal of Popular Culture The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive tendency to treat these tragic events as spectacle. Though the collapse of the World Trade Center was “the most photographed disaster in history,” it failed to yield a single noteworthy image of carnage. Thomas Stubblefield argues that the absence within these spectacular images is the paradox of 9/11 visual culture, which foregrounds the visual experience as it obscures the event in absence, erasure, and invisibility. From the spectral presence of the Tribute in Light to Art Spiegelman’s nearly blank New Yorker cover, from the elimination of the Twin Towers from TV shows and films to the monumental cavities of Michael Arad’s 9/11 memorial, the void became the visual shorthand for the incident. By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan. “A concise, engaging, and thought-provoking work that asks the reader to reassess their knowledge and relationship to that moment and the resulting milieu of post 9/11 life in America.” —ARLIS/NA Reviews “Extraordinarily brilliant . . . will change how we think about disasters and tragedies. The book is a must-read for both students and practitioners of media studies.” —Repository
