The true story behind the 'Fatty Arbuckle' Scandal David Yallop is no stranger to controversy. The impact of his investigations in such bestsellers as In God's Name, Beyond Reasonable Doubt and To Encourage the Others has reverberated around the world. In The Day the Laughter Stopped, he uncovers the incredible true story behind the Roscoe 'Fatty' Arbuckle scandal of 1921, when the fat film comedian stood accused of the rape and murder of a pretty screen actress. Arbuckle's is the story of a man born in extreme poverty who was destined to rise to the heights of a multi-million dollar career, only to have it snatched from him by a wave of hysteria and bigotry that swept the globe. It is the story of Hollywood and what really happened in the corridors of power; the political corruption of San Francisco; the immorality of a president. How Charlie Chaplin's career was saved. How Buster Keaton's was begun. Both by Arbuckle. It is a life story that ranges from comic heights to tragic depths. The Day the Laughter Stopped confirms David Yallop's reputation as the world's greatest investigative author, combining exhaustive research with compulsive narrative.
From the opening scene of this novel you realize that from the moment you meet Bucklooking out of his bedroom windowin his pajamas with an erection in June of 1961, until the closing scenes in June of 1965 on the day after high school graduation, that Buck andhis friends have taken you into life inthe 1960s. This novel captures the conversations; the cars; the sex; the romance; the football games; the dances; the nude streaking;the voyeur peeking; the corporal punishment in school; the skinny-dipping; the drinking; the parties; the pranks; the necking; thesand dunes; the car wrecks; the high school graduation; and the graduation party. The novel is about coming of age and the teenage rite of passage, with all its humor; gawkiness; pain; and complexity! At times you will roll with side-splitting laughter; at times you will cry; at times you will cheer! All the chronicles are intertwined with actual historical events of the time and the popular music of the period. Browns Will the Laughter Stop? THE BABY BOOMER CHRONICLES will become a new kind of mantra for todays grandparents to tell other generations of Americans: Thats the way it was. The Author writes with a flair for description, and creates a viable setting in a Long Island, New York, Catholic High School, the kind every American city and town has, just around the corner. These characters voices could have been anyones in high school days, when they struggled to set boundaries; to develop ethical standards; to question the existence of God; to ponder their future; and the very existence of their life and goals. Readers of this book will ride along on the adventures, not knowing what the next day will bring, butalways asking, Who will star in the movie?
Over half century ago the society for the Prevention of Cruelty to Children complained to Mayor Van Wyck, of New York, that Joe Keaton, a vaudeville actor, was brutally mistreating his five-year old son. At each afternoon and evening performance the child, billed as “The Human Mop”, was slammed on the floor, hurled into the wings, and sometimes banged into bass drums. Unable to find a bruise or scratch on the lad, Mayor Van Wyck refused to ban the act. The “Human Mop” bounced on to worldwide fame as Buster Keaton, one of this century’s greatest comedians. In this intimate autobiography Buster Keaton tells his whole personal and professional story, beginning with his colourful and exciting childhood as the undentable tot in the “Three Keatons” whose proudest boast was having the rowdiest, roughest act in vaudeville. Buster has played with all the great ones, from George M. Cohen and Bojangles Robinson and Al Jolson to Jack Paar and Ed Sullivan and Red Skelton, during his sixty years as a star in vaudeville, silent and talking pictures, night clubs and television. Roscoe (Fatty) Arbuckle got him into the movies and taught him how to throw a custard pie. Buster could not even keep slapstick out of his eleven months as a draftee in our World War I army. He came out to help create the Golden Age of Comedy with his friends Charlie Chaplin, Harold Lloyd, Arbuckle, Mack Sennett and the Keystone Cops. Marital troubles and alcoholism once got Buster down, but could not keep him down. MY WONDERFUL WORLD OF SLAPSTICK was written with the collaboration of Charles Samuels, co-author of His Eye Is On the Sparrow, Ethel Waters’ best-selling autobiography. Buster Keaton’s Life Story will enchant and thrill all those who enjoy looking past the glitter and the grease paint into a magnificent performer’s mind and heart.
With his twinkling eyes, boundless energy and unrivalled natural wit, Robin Williams was the comedian who brought laughter to a generation.Through roles in cherished films such as Mrs. Doubtfire, Jumanji, Aladdin and Hook, he became the genial face of family comedy. His child-like enthusiasm was infectious, sweeping viewers away. Allied to his lightning-quick improvisation and ability to riff lewdly off any cue thrown at him, Robin was that rare thing - a true comic genius who appealed to adults and children equally.He could also play it straight, and empathetic depth came to him naturally. A poignant performance in Good Will Hunting won him an Academy Award whilst his masterfully chilling turn in psychological thriller Insomnia shocked audiences and hinted at a darker side.What truly caught the imagination, though, was his good-heartedness. Warmth radiated from him on-screen, but he was legendary for his off-screen acts of selfless generosity. Where most Hollywood A-listers demand outrageous pampering in their contract riders, he always insisted that the production company hire a full quota of homeless people to help make his movies.But behind the laughter lay a deeply troubled man, and tragedy would follow. At midday, on 11 August 2014, Robin Williams was pronounced dead at his California home. The verdict was suicide. He had battled depression and addiction for many years and was allegedly beset by financial difficulties.Virginia Blackburn's sensitive and thoughtful biography celebrates his genius and warmth, but also attempts to understand what could have driven such a gentle and gifted man to so tragic an end. This is Robin Williams, the life, the laughter, and the deep sorrow of the man who made the world smile.
What do O. J. Simpson, the Lindbergh baby, and Gary Gilmore have in common? They were all the focus of famous crimes and/or trials in the United States. In this two-volume set, historical and contemporary cases that not only shocked the nation but that also became a part of the popular and legal culture of the United States are discussed in vivid, and sometimes shocking, detail. Each chapter focuses on a different crime or trial and explores the ways in which each became famous in its own time. The fascinating cast of characters, the outrageous crimes, the involvement of the media, the actions of the police, and the trials that often surprised combine to offer here one of the most comprehensive sets of books available on the subject of famous U.S. crimes and trials. The public seems fascinated by crime. News and popular media sources provide a steady diet of stories, footage, and photographs about the misfortunes of others in order to satisfy this appetite. Murder, rape, terrorism, gang-related activities, and other violent crimes are staples. Various crime events are presented in the news every day, but most of what is covered is quickly forgotten. In contrast, some crimes left a lasting impression on the American psyche. Some examples include the assassination of President John F. Kennedy, the bombing of the Murrah building in Oklahoma City, and the September 11th attacks. These events, and other significant cases, are immediately or on reflection talked about as crimes of the century. They earn this title not only because they generate enormous publicity, but because of their impact on American culture: they help define historical eras, influence public opinion about crime, change legal process, and focus concern about important social issues. They seep into many other shared aspects of social life: public conversation, fiction and nonfiction, songs, poems, films, and folk tales. This set focuses on the many crimes of the century of the last 100 years. In vivid detail, each crime is laid out, the investigation is discussed, the media reaction is described, the trial (if there was one) is narrated, the resolution is explored, and the significance of the case in terms of its social, political, popular, and legal relevance is examined. Illustrations and sidebars are scattered throughout to enliven the text; print and electronic resources for further reading and research are offered for those wishing to dig deeper. Cases include the Scopes Monkey trial, Ted Bundy, Timothy McVeigh, O.J. Simpson, Leopold and Loeb, Fatty Arbuckle, Al Capone, JonBenet Ramsey, the Lacy Peterson murder, Abu Ghraib, Columbine and more.
Murder has a long and distinguished history in San Francisco. The city and its Bay Area can stand proudly with Paris, London, and New York in the splendour of its misdeeds -- murders that have suspense, horror, audacity, and flair. The homicides chronicled in Murder by the Bay have been selected because a convergence of personality, circumstance, character, and geography makes them peculiarly San Franciscan. Each of these crimes illustrates an historic importance, each has impacted its times -- either in the course or application of the law or in the manner in which the affair revealed a shortcoming in society. They range from the Montgomery Street killing of James King of William, editor of the Daily Evening Bulletin, in 1856 to the sensational trial of early movie comedian Fatty Arbuckle who was accused of killing a showgirl at a party in the St. Francis Hotel to the shocking "City Hall Murders" in which former city supervisor Dan White killed Mayor George Moscone and Supervisor Harvey Milk. Most were solved, some were not. They are murders that fascinated the city and frequently the country, sometimes for weeks, often for years and even decades.
Founded in 1957, the Southern California suburb prophetically named City of Industry today represents, in the words of Victor Valle, "The gritty crossroads of the global trade revolution that is transforming Southern California factories into warehouses, and adjacent working class communities into economic and environmental sacrifice zones choking on cheap goods and carcinogenic diesel exhaust." City of Industry is a stunning exposé on the construction of corporate capitalist spaces. Valle investigated an untapped archive of Industry's built landscape, media coverage, and public records, including sealed FBI reports, to uncover a cascading series of scandals. A kaleidoscopic view of the corruption that resulted when local land owners, media barons, and railroads converged to build the city, this suspenseful narrative explores how new governmental technologies and engineering feats propelled the rationality of privatization using their property-owning servants as tools. Valle's tale of corporate greed begins with the city's founder James M. Stafford and ends with present day corporate heir, Edward Roski Jr., the nation's biggest industrial developerùco-owner of the L.A. Staples Arena and possible future owner of California's next NFL franchise. Not to be forgotten in Valle's captivating story are Latino working class communities living within Los Angeles's distribution corridors, who suffer wealth disparities and exposure to air pollution as a result of diesel-burning trucks, trains, and container ships that bring global trade to their very doorsteps. They are among the many victims of City of Industry.
Twilight of the Idols revisits some of the sensational scandals of early Hollywood to evaluate their importance for our contemporary understanding of human deviance. By analyzing changes in the star system and by exploring the careers of individual stars—Wallace Reid, Rudolph Valentino, and Mabel Normand among them—Mark Lynn Anderson shows how the era’s celebrity culture shaped public ideas about personality and human conduct and played a pivotal role in the emergent human sciences of psychology, anthropology, and sociology. Anderson looks at motion picture stars who embodied various forms of deviance—narcotic addiction, criminality, sexual perversion, and racial indeterminacy. He considers how the studios profited from popularizing ideas about deviance, and how the debates generated by the early Hollywood scandals continue to affect our notions of personality, sexuality, and public morals.
