In The Day Lincoln Was Almost Shot: The Fort Stevens Story, historian B.F. Cooling documents the story of President Abraham Lincoln and the Battle of Fort Stevens in July 1864.
The Day Lincoln Was Almost Shot: The Fort Stevens Story recounts the story of President Abraham Lincoln’s role in the Battle of Fort Stevens in July 1864. This engagement stands apart in American history as the only time a sitting American president came under enemy fire while in office. In this new study of this overlooked moment in American history, Cooling poses a troubling question: What if Lincoln had been shot and killed during this short battle, nine months prior to his death by John Wilkes Booth’s hand in Ford's Theater? A potential pivotal moment in the Civil War, the Battle of Fort Stevens could have changed—with Lincoln's demise—the course of American history. The Day Lincoln Was Almost Shot, however, is more than a meditation on an alternate history of the United States. It is also a close study of the attempt by Confederate general Jubal Early to capture Washington, DC, to remove Lincoln and the Union government from power, and to turn the tide of the Civil War in the South's favor. The dramatic events of this attempt to capture Washington—and the president with it—unfold in stunning detail as Cooling taps fresh documentary sources and offers a new interpretation of this story of the defense of the nation’s capital. Commemorating this largely forgotten and under-appreciated chapter in the study of Lincoln and the Civil War, The Day Lincoln Was Almost Shot is a fascinating look at this potential turning point in American history.
The Day Lincoln Was Shot is a gripping, minute-by-minute account of April 14, 1865: the day President Abraham Lincoln was tragically assassinated. It chronicles the movements of Lincoln and his assassin John Wilkes Booth during every movement of that fateful day. Author and journalist Jim Bishop has fashioned an unforgettable tale of tragedy, more gripping than fiction, more alive than any newspaper account. First published in 1955, The Day Lincoln Was Shot was a huge bestseller, and in 1998 it was made into a TNT movie, with Rob Morrow as Booth.
Lincoln's Last Days is a gripping account of one of the most dramatic nights in American history—of how one gunshot changed the country forever. Adapted from Bill O'Reilly's bestselling historical thriller, Killing Lincoln, this book will have young readers—and grown-ups too—hooked on history. In the spring of 1865, President Abraham Lincoln travels through Washington, D.C., after finally winning America's bloody Civil War. In the midst of celebrations, Lincoln is assassinated at Ford's Theatre by a famous actor named John Wilkes Booth. What follows is a thrilling chase, ending with a fiery shoot-out and swift justice for the perpetrators. With an unforgettable cast of characters, page-turning action, vivid detail, and art on every spread, Lincoln's Last Days is history that reads like a thriller. This is a very special book, irresistible on its own or as a compelling companion to Killing Lincoln.
Grant Under Fire comprehensively dissects the military career of Ulysses S. Grant. Rigorously based on a wealth of primary sources--many not cited before--the book resolves scores of controversies, such as his drunken partying with the enemy on flag-of-truce boats out of Cairo, dishonestly blaming Lew Wallace for the march to Shiloh, pretending that he had the ultimate plan to pass Vicksburg all along, stealing the credit for the charge up Missionary Ridge, and leaving wounded men to suffer and die between the lines at Cold Harbor.Despite his sterling reputation as an officer and a gentleman, he suffered the biggest surprise of the American Civil War, committed the worst official act of anti-Semitism on this nation's soil, and came closest of all Union generals to losing Washington. Defenders rank his generalship above Robert E. Lee's, but to do so, they must ignore his simplistic, aggressive strategies that led to a war of attrition and the amateurish tactics of impetuous, frontal assaults, all along the line and against fortified positions.Grant Under Fire overturns the familiar renditions by detailing Grant's corruption at Cairo, his occupation of Paducah under orders, his incapacity in the Mississippi Delta, and the army's non-triumphal exit from the Wilderness, as well as debunking a host of other oft-told tales and myths.
From Richard Lawrence to John Wilkes Booth to John Hinckley, Jr., Americans have preferred their presidential assassins, whether failed or successful, to be more or less crazy. Seemingly, this absolves us of having to wonder where the American experiment might have gone wrong. John Wilkes Booth has been no exception to this rule. But was he? In a new, provocative study comprising three essays, historian William L. Richter delves into the psyche of Booth and finds him far from insane. Beginning with a modern, less adulating interpretation of President Abraham Lincoln, Richter is the first scholar to examine Booth's few known, often unfinished speeches and essays to draw a realistic mind-picture of the man who intensely believed in common American political theories of his day, and acted violently to carry them out during the time of America's greatest war.
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.
Now an Apple TV+ Series “A terrific narrative of the hunt for Lincoln’s killers that will mesmerize the reader from start to finish.”—Doris Kearns Goodwin The murder of Abraham Lincoln set off the greatest manhunt in American history--the pursuit and capture of John Wilkes Booth. From April 14 to April 26, 1865, the assassin led Union cavalry troops on a wild, 12-day chase from the streets of Washington, D.C., across the swamps of Maryland, and into the forests of Virginia, while the nation, still reeling from the just-ended Civil War, watched in horror and sadness. Based on rare archival materials, obscure trial transcripts, and Lincoln’s own blood relics Manhunt is a fully documented, fascinating tale of murder, intrigue, and betrayal. A gripping hour-by-hour account told through the eyes of the hunted and the hunters, it is history as it’s never been read before.
April 14, 1865. A famous actor pulls a trigger in the presidential balcony, leaps to the stage and escapes, as the president lies fatally wounded. In the panic that follows, forty-six terrified people scatter in and around Ford’s Theater as soldiers take up stations by the doors and the audience surges into the streets chanting, “Burn the place down!” This is the untold story of Lincoln’s assassination: the forty-six stage hands, actors, and theater workers on hand for the bewildering events in the theater that night, and what each of them witnessed in the chaos-streaked hours before John Wilkes Booth was discovered to be the culprit. In Backstage at the Lincoln Assassination, historian Thomas A. Bogar delves into previously unpublished sources to tell the story of Lincoln’s assassination from behind the curtain, and the tale is shocking. Police rounded up and arrested dozens of innocent people, wasting time that allowed the real culprit to get further away. Some closely connected to John Wilkes Booth were not even questioned, while innocent witnesses were relentlessly pursued. Booth was more connected with the production than you might have known—learn how he knew each member of the cast and crew, which was a hotbed of secessionist resentment. Backstage at the Lincoln Assassination also tells the story of what happened to each of these witnesses to history, after the investigation was over—how each one lived their lives after seeing one of America’s greatest presidents shot dead without warning. Backstage at the Lincoln Assassination is an exquisitely detailed look at this famous event from an entirely new angle. It is must reading for anyone fascinated with the saga of Lincoln’s life and the Civil War era.
On the evening of April 14,1865, when President Abraham Lincoln was assassinated in Ford's Theatre, an entire audience was witness to the tragedy. From diaries, letters, depositions, affidavits, and periodicals, here is a collection of accounts from a variety of theatergoers—who by chance saw one of the truly pivotal events in US history. Providing minute firsthand details recorded over a span of ninety years, We Saw Lincoln Shot explores a subject that will forever be debated. With a sharp focus upon the circumstances reported by one hundred actual witnesses, We Saw Lincoln Shot provides vivid documentation of a momentous evening and exposes errors that have been perpetuated as the assassination has been rendered into written histories.