"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.
"The story of David is the greatest single narrative representation in antiquity of a human life evolving by slow stages through time, shaped by the pressures of political life, family, the impulses of body and spirit, and the eventual sad decay of the flesh. In its main character, it provides the first full-length portrait of a Machiavellian prince in Western literature."--BOOK JACKET. "The beautiful, musical David, loved by all, resourceful slayer of Goliath, is revealed through his life to be a calculating political animal. To advance his own cause, he becomes a collaborator with the archenemies of Israel, the Philistines. Later he commits adultery with Bathsheba, and compounds the betrayal with murder. But through the author's empathy and skill, David also emerges as a fully realized character, a man of passion and intelligence who navigates the ambiguities of belief, loyalty, ambition, temptation, and circumstance with uneven success."--BOOK JACKET.
The story of David, forceful slayer of Goliath, is plucked from the Bible and molded into a piece of literature that stands on its own--a narrative representation of a human life shaped by the pressures of political life and family, the impulses of body and spirit, and the eventual sad decay of the flesh.
A powerful post-apartheid novel and winner of South Africa’s M-Net Literary Award, hailed by J.M. Coetzee as “a tremendous achievement.” South Africa, 1991: Nelson Mandela is freed from prison, the African National Congress is now legal, and a new day dawns in Cape Town. David Dirkse, part of the underground world of activists, spies, and saboteurs in the liberation movement, suddenly finds himself above ground. With “time to think” after the unbanning of the movement, David searches his family tree, tracing his bloodline to the mixed-race “Coloured” people of South Africa and their antecedents among the indigenous people and early colonial settlers. But as David studies his roots, he soon learns that he’s on a hit list. Now caught in a web of surveillance and betrayal, he’s forced to rethink his role in the struggle for “nonracial democracy,” the loyalty of his “comrades,” and his own conceptions of freedom. Mesmerizing and multilayered, Wicomb’s award-winning novel delivers a moving examination of the nature of political vision, memory, and truth. “A delicate, powerful novel, guided by the paradoxes of witnessing the certainties of national liberation and the uncertainties of ground-level hybrid identity, the mysteries of sexual exchange, the austerity of political fiction. Wicomb’s book belongs on a shelf with books by Maryse Condé and Yvette Christiansë.” —Gayatri Chakravorty Spivak, author of A Critique of Postcolonial Reason
From award-winning comedian, director, writer, and producer David Steinberg comes the totally original, utterly blasphemous, and hysterically funny memoir of a young man who emerged from a traditional Jewish childhood to become an international star—all because, it seems, he kept God in stitches. David Steinberg was raised in Winnipeg, Canada, by parents who expected little from him. And no wonder. Instead of studying Talmud in order to become a rabbi, he chose to major in Martin and Lewis with a minor in basketball. As David imagines the story of his life (since his success otherwise makes no sense), God one day spotted him on the playground and decided that this young man with no ambition could go far with His help. Sure enough, God soon had David on network TV and Broadway, and selling out nightclubs across the country—as well as being pursued by hot starlets. The Book of David is David Steinberg's hilarious trip down memory lane, assuming that the lane has a biblical address. This wild riff on the Old Testament is guaranteed laughter.
Joel Baden, a leading expert on the Old Testament, offers a controversial look at the history of King David, the founder of the nation of Israel whose bloodline leads to Jesus, challenging prevailing popular beliefs about his legend in The Historical David. Baden makes clear that the biblical account of David is an attempt to shape the events of his life politically and theologically. Going beyond the biblical bias, he explores the events that lie behind the David story, events that are grounded in the context of the ancient Near East and continue to inform modern Israel. The Historical David exposes an ambitious, ruthless, flesh-and-blood man who achieved power by any means necessary, including murder, theft, bribery, sex, deceit, and treason. As Baden makes clear, the historical David stands in opposition not only to the virtuous and heroic legends, but to our very own self-definition as David’s national and religious descendants. Provocative and enlightening, The Historical David provides the lost truth about David and poses a challenge to us: how do we come to terms with the reality of a celebrated hero who was, in fact, similar to the ambitious power-players of his day?
The biblical story of King David and his conflict with King Saul (1 and 2 Samuel) is one of the most colorful and perennially popular in the Hebrew Bible. In recent years, this story has attracted a great deal of scholarly attention, much of it devoted to showing that David was a far less heroic character than appears on the surface. Indeed, more than one has painted David as a despicable tyrant. Paul Borgman provides a counter-reading to these studies, through an attentive reading of the narrative patterns of the text. He focuses on one of the key features of ancient Hebrew narrative poetics -- repeated patterns -- taking special note of even the small variations each time a pattern recurs. He argues that such "hearing cues" would have alerted an ancient audience to the answers to such questions as "Who is David?" and "What is so wrong with Saul?" The narrative insists on such questions, says Borgman, slowly disclosing answers through patterns of repeated scenarios and dominant motifs that yield, finally, the supreme work of storytelling in ancient literature. Borgman concludes with a comparison with Homer's storytelling technique, demontrating that the David story is indeed a masterpiece and David (as Baruch Halpern has said) "the first truly modern human."
A classic of children's literature, translated into several languages. Separated from his parents who are deported by the Nazis, David struggles to survive, alone, hungry and scared, until he eventually finds his way to the city of Warsaw. There he learns from other Jewish boys how to work in the black market, dodging the police and the Gestapo until the terrible day comes when the Warsaw ghetto is cleared and everyone is herded onto trains for the long trip to the camps. Will David survive? Can he outwit them one more time? Shortlisted for The Marsh Award for Children’s Literature in Translation. Reviews: “How was it possible for Stig Dalager to write about the last years of the story of David in such a shocking and convincing way that one should think that this was written by Isaac B. Singer or one of the other Polish-Jewish geniuses?” -Jewish Information Magazine “Dalager has written a shockingly relevant historical novel, a taut story of international standing and appeal. A monument to our own shame, at that time and now.” -Politiken Newspaper, Denmark "Despite being a translation of Stig Dalager's original Danish text, this is one of the most readable and accessible accounts of the Holocaust I have ever read. My wife and I both enjoyed this book immensely, and it reads well. It is presented in good clear prose, and rings true with other accounts - my wife once transcribed texts from Holocaust survivors, and knows what sounds like real accounts. Dalager is an experienced writer, and this shows. There are a number of Holocaust survivor children's diaries, and you can feel that whilst this book is changing from one to another, each section was very real to the person who wrote the diaries used. The story begins with the start of restrictions on Jewish life, and advances to roundups, forced marches, the ghetto, and transportation. The ending is something you'll have to judge for yourself as to whether or not David makes it out alive. He certainly seems to be able to escape from earlier challenges, but the author has adapted the stories, so who knows which chapters were real happy endings, and which ended the way that so many tragedies did in those times. The atmosphere in David's village at the start shows the tipping point where Jews were suddenly no longer just neighbours, and became non-persons to be abused and ultimately murdered. The question one has to ask is: just how did their oppressors come to believe that anybody has the right to do what they did? In reality, this book reminds you that in the end, it was the Nazis who lost their humanity. Humans could not have treated children the way that these children were forced to suffer. Read this book, and if you didn't understand what I meant in the previous paragraph, you soon will... " *****- M. J. Jacobs, Amazon About the Author Stig Dalager is one of Denmark’s most distinguished authors whose novels and plays have been translated and staged internationally. His works include I count the hours, (staged in 12 countries), The Dream, (premiered in New York’s La Mama Theatre starring Ingmar Bergman and Bibi Andersson ); Two Days in July (a novel about the plot to kill Hitler), Journey in Blue, about Hans Christian Andersen (published in 15 countries and nominated for The Impac Prize 2008), The Labyrinth and Falling Shadows (about 9/11).
A classic tale of bravery and faith in this inspiring retelling of a timeless Bible story. A long time ago, there was a giant named Goliath, who even the toughest soldiers were afraid to fight. But one young boy, David, was very brave, and he found the courage to stand up to Goliath. Armed with only his slingshot and his faith in God, David defeated Goliath and brought peace to his people. Share the classic, remarkable tale of David and Goliath with young ones in the third book of this delightful series. With stunning art by Helen Dardik and simplified text for little readers, The Story of David and Goliath is sure to become a perennial favorite for families.
All anyone wants to hear about is the giant. For those who never knew the man, only his legend, it's all they ever ask. Did he do this? Did he say that? Was he afraid? Was he beautiful?Do they think his life narrows down to this one thing, sums up in this single moment? Do they think running toward danger explains him? Clearly, they never knew him.So I will tell. But I will have to take you back there to make you understand.So begins Mark Buchanan's trilogy of novels vividly recreating the life and times of David, a man of many contradictions - poet, killer, God-lover, adulterer, brigand, fugitive, war hero. It's a tale told through many eyes, those who love David and those who don't, in details both intimate and epic. Three thousand years after he lived, David: Rise reminds us why he still captures our imagination and rivets our attention.
