Exile. Princess. Thief. THIS BOX SET INCLUDES EIGHT BEST SELLING BOOKS WITH OVER 1800 PAGES OF THRILLING ACTION—AND 1000 FIVE-STAR REVIEWS/RATINGS! Ekaterina "Kat" Dashkova and a young Ben Franklin investigate supernatural forces amid the afterbirth of the American Revolution, but they must avoid the assassins bent on stopping them and ushering in a new world order led by sinister forces.
In 1782, Princess Ekaterina Dashkova was appointed dir. of Russia's Imperial Acad. of Arts & Sci. by Catherine the Great. It was just two years after she had met with another personality of the Enlightenment -- Benjamin Franklin, founding pres. of Amer. first scientific acad., the Amer. Philosophical Soc. (APS). The essays in this vol., pub. as a companion to an exhib. of the same title & on the occasion of the Franklin Tercentenary of 2006, highlight Dashkova as an accomplished Enlightenment woman. They explore how she, like Franklin, took up the challenge of living according to the newest ideals of her age. Nominated by Franklin in 1789 to become the first female member of the APS, she in turn made him the first Amer. member of the Russian Acad.
Princess Yekaterina Romanovna Vorontsova-Dashkova (1743 – 1810) was a leading figure of the Russian Enlightenment and the closest female friend of Empress Catherine the Great. By her own account, she played a critical role in the coup d'état by which the autocratic Peter III was overthrown and Catherine was raised to the throne. In her travels abroad, she met Diderot, Voltaire and Benjamin Franklin. Catherine later named her the first female head of the Imperial Academy of Arts and Sciences, and then the Russian Academy.
In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans “of the ruins of Rome for a sequin apiece” and the Pope’s “bless’d beads”, to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.
