An ethnographic and archaeological exploration of ancient traditions and folklore pertaining to "dancing goddesses" traces their roots in early Roman, Greek, and European cultures to reveal the origins of modern customs.
Explores how female and male poets in England and North America respond to older signatures in four archetypes: Medusa, Aphrodite, Artemis, and bears. This book shows how poems are structured on the interplay between Euro-patriarchal patterns and apatriarchal elements from the archetypes' historical background.
Blending theory, criticism, and ritual, reveals the foundations of the ancient tradition of "matriarchal art," and shows how that tradition flourishes in the works of major contemporary women artists and in contemporary women's spirituality.
Life is an adventure, a game, a dance. Whether you're shakin' it at the disco with Athena or doing the Charleston with Hecate, each goddess offers vital lessons for exploring-and enjoying-every facet of our lives. No matter your age, Dancing the Goddess Incarnate can help you get in touch with the maiden, mother, and crone within. You don't have to know the rhythm or the steps. Simply allow each of the nine goddesses to lead you onto the dance floor, outside your comfort zone, where you'll learn to unlock creativity, rediscover play, strategize success, and nurture yourself. This fun Pagan guide to self-exploration includes meditations, games, magic tips, herbal remedies, and exercises that can-with help from the goddesses-bring balance, beauty, and joy into your life.
This is a story is about the moon, the sea, and the magick of dance! Long ago, the Dancing Goddess tied her skirt into the sea and leapt to the moon, so she could always watch over those she loved. Pagans dance when the moon is full, and we never dance alone.
Explores how female and male poets in England and North America respond to older signatures in four archetypes: Medusa, Aphrodite, Artemis, and bears. This book shows how poems are structured on the interplay between Euro-patriarchal patterns and apatriarchal elements from the archetypes' historical background.
One of the most remarkable features of life in the Southwest is the presence of Native American religious ceremonies in communities that are driving distance from Sunbelt cities. Many of these ceremonies are open to the public and Dancing Gods is the best single reference for visitors to dances at the Rio Grande Pueblos, Zuni Pueblo, the Hopi Mesas, and the Navajo and Apache reservations. Fergusson's classic guide to New Mexico and Arizona Indian ceremonies is once again available in print. It offers background information on the history and religion of the area's Native American peoples and describes the principal public ceremonies and some lesser-known dances that are rarely performed. Here is information on the major Pueblo rituals--the Corn Dance, Deer Dance, and Eagle Dance--as well as various dances at Zuni, including the complicated Shalako. Fergusson also describes the Hopi bean-planting and Niman Kachina ceremonies in addition to the Snake Dance, the Navajo Mountain Chant and Night Chant, and several Apache ceremonies. "Still the best of all books about the Indian ceremonials of New Mexico and Arizona. . . .perceptive and simple, reverent and lucid."--Lawrence Clark Powell, Southwest Classics
This book is an ode to the mythological heritage of Bharatanatyam. The visual narrative captures the rich heritage of this temple dance and its original exponents, the Devadasis or 'handmaidens of the deity'. Its repertoire of movements and moods bring alive the fascinating stories of Hindu gods and goddesses and their kaleidoscopic lives. In the following pages, the authors have traced the myths and legends that are cherished in our performing arts, to delight the culture-curious reader. And what is interesting is that in these stories, the reader will discover the inter-connectedness of ancient mythologies around the world. Perhaps such discoveries go a long way in validating the role that art plays in connecting civilizations. The book is designed to engage the reader without pedagogy or scholastic strictures, but with a lightness of touch, that entertains while it informs. Because the vision here is to weave information, anecdotes and trivia, together in the spirit of a popular cultural ranconteur. Replete with rare photographs curated from the Sohinimoksha World Dance and Communications archives, complemented by a lucid narrative that wraps facts in the language of romance and adventure, this book promises to be a collector's item for those who value the legacy of India's most celebrated dance form. For glimpses of some live performances by Sohini Roychowdhury, and her Sohinimoksha World Dance troupe, celebrating the music, dance, mythology of India and the World, go on-line to 'Dancing With The God.... with Sohinimoksha World Dance' at https://youtu.be/naR7p6SKiko
Nemetona is an ancient goddess whose song is heard deep within the earth and also deep within the human soul. She is the Lady of Sanctuary, of Sacred Groves and Sacred Spaces. She is present within the home, within our sacred groves, our rites and in all the spaces that we hold dear to our hearts. She also lies within, allowing us to feel at ease wherever we are in the world through her energy of holding, of transformation. She holds the stillness and quiet of a perfect day; she is the stillness at the end of it, when the blackbird sings to the dusk. She is the energy of sacred space, where we can stretch out our souls and truly come alive, to be who we wish to be, filled with the magic of potential. Rediscover this ancient goddess and dance with a Druid to the songs of Nemetona. Learn how to reconnect with this goddess in ritual, songs, chants, meditation and more. ,
This is a story is about the moon, the sea, and the magick of dance! Long ago, the Dancing Goddess tied her skirt into the sea and leapt to the moon, so she could always watch over those she loved. Today, Pagans dance when the moon is full, and we never dance alone.