The Critical Response to Andy Warhol

The Critical Response to Andy Warhol

Author: Alan Pratt

Publisher: Greenwood

Published: 1997-01-30

Total Pages: 352

ISBN-13:

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More than sixty samples of criticism reprinted from a variety of sources offer insights about the most controversial artist of the century. The collection includes some of the most important and best examples of Warhol criticism and provides access to material that is no longer easily obtainable. Organized chronologically, the criticism has been selected on the basis of its value in interpreting Warhol's artistic legacy. The last section of the book contains five new essays which specifically address the artist's relationship with the critics. Valuable for scholars, students, and others interested in art and popular culture. More than sixty samples of criticism reprinted from a variety of sources offer insights about the most controversial artist of the century. The collection includes some of the most important and best examples of Warhol criticism and provides access to material that is no longer easily obtainable. Organized chronologically, the criticism has been selected on the basis of its value in interpreting Warhol's artistic legacy. Valuable for scholars, students, and others interested in art and popular culture. The diverse nature of the texts presented here enables readers to compare critical and popular reactions as well as to follow the evolution of the criticism. In addition, as unrevised art history, the material offers additional insight into issues related to art criticism, art history, and the machinery of culture. The work includes a chronology of the artist's life, a selected bibliography of over 100 entries, and a detailed subject index providing a complete, cross-referenced directory to the assembled criticism.


Andy Warhol

Andy Warhol

Author: Donna M. De Salvo

Publisher: Yale University Press

Published: 2018-01-01

Total Pages: 401

ISBN-13: 0300236980

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A unique 360‐degree view of an incomparable 20th-century American artist One of the most emulated and significant figures in modern art, Andy Warhol (1928-1987) rose to fame in the 1960s with his iconic Pop pieces. Warhol expanded the boundaries by which art is defined and created groundbreaking work in a diverse array of media that includes paintings, sculptures, prints, photographs, films, and installations. This ambitious book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production--from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.


The Critical Response to Truman Capote

The Critical Response to Truman Capote

Author: Joseph J. Waldmeir

Publisher: Greenwood

Published: 1999-02-28

Total Pages: 288

ISBN-13:

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Truman Capote was one of the most controversial authors of the 20th century. Since his death in 1984, scholarly interest in his writings has grown considerably. This book traces the critical reception of his works.


Like Andy Warhol

Like Andy Warhol

Author: Jonathan Flatley

Publisher: University of Chicago Press

Published: 2022-12-06

Total Pages: 295

ISBN-13: 0226823946

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Scholarly considerations of Andy Warhol abound, including very fine catalogues raisonné, notable biographies, and essays in various exhibition catalogues and anthologies. But nowhere is there an in-depth scholarly examination of Warhol’s oeuvre as a whole—until now. Jonathan Flatley’s Like Andy Warhol is a revelatory look at the artist’s likeness-producing practices, not only reflected in his famous Campbell’s soup cans and Marilyn Monroe silkscreens but across Warhol’s whole range of interests including movies, drag queens, boredom, and his sprawling collections. Flatley shows us that Warhol’s art is an illustration of the artist’s own talent for “liking.” He argues that there is in Warhol’s productions a utopian impulse, an attempt to imagine new, queer forms of emotional attachment and affiliation, and to transform the world into a place where these forms find a new home. Like Andy Warhol is not just the best full-length critical study of Warhol in print, it is also an instant classic of queer theory.


The Critical Response to Andy Warhol

The Critical Response to Andy Warhol

Author: Alan Pratt

Publisher: Greenwood

Published: 1997-01-30

Total Pages: 0

ISBN-13: 0313292914

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More than sixty samples of criticism reprinted from a variety of sources offer insights about the most controversial artist of the century. The collection includes some of the most important and best examples of Warhol criticism and provides access to material that is no longer easily obtainable. Organized chronologically, the criticism has been selected on the basis of its value in interpreting Warhol's artistic legacy. The last section of the book contains five new essays which specifically address the artist's relationship with the critics. Valuable for scholars, students, and others interested in art and popular culture. More than sixty samples of criticism reprinted from a variety of sources offer insights about the most controversial artist of the century. The collection includes some of the most important and best examples of Warhol criticism and provides access to material that is no longer easily obtainable. Organized chronologically, the criticism has been selected on the basis of its value in interpreting Warhol's artistic legacy. Valuable for scholars, students, and others interested in art and popular culture. The diverse nature of the texts presented here enables readers to compare critical and popular reactions as well as to follow the evolution of the criticism. In addition, as unrevised art history, the material offers additional insight into issues related to art criticism, art history, and the machinery of culture. The work includes a chronology of the artist's life, a selected bibliography of over 100 entries, and a detailed subject index providing a complete, cross-referenced directory to the assembled criticism.


The Critical Response to Flannery O'Connor

The Critical Response to Flannery O'Connor

Author: Douglas Robillard

Publisher: Praeger

Published: 2004-12-30

Total Pages: 352

ISBN-13:

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With an emphasis on examining Flannery O'Connor's literary reputation during her lifetime, and the growth of that reputation after her death, this collection brings together fifty years of critical reactions to her work.


The Critical Response to Samuel Beckett

The Critical Response to Samuel Beckett

Author: Cathleen C. Andonian

Publisher: Greenwood

Published: 1998-06-30

Total Pages: 464

ISBN-13:

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Best known as the author of Waiting for Godot, Samuel Beckett was one of the most distinguished writers of the 20th century. He was awarded the Nobel Prize in 1969, and his works have secured him a lasting place in the literary canon. The critical response to his fiction has been overwhelming. Numerous books and thousands of articles have been published on Beckett, primarily in Europe, the United States, and Canada. Since he wrote most of his works in French, and then translated them himself into English, critics responded to different versions of his works. This reference book documents the critical response to Beckett from his earliest prose and poetry to the public reaction to his death in 1989. Reviews and scholarly articles representing the response to Beckett's creative works are included. Selections are arranged chronologically, so that the reader may trace the reception of Beckett's works over time. An introduction summarizes Beckett's enormous contribution to literature, and a bibliography lists works for further reading. Winner of the 1969 Nobel Prize for literature, Irish-born author Samuel Beckett earned a solid reputation for being one of the most important authors of the 20th century. Best known as the author of Waiting for Godot, Beckett wrote other dramatic works, such as Endgame and Krapp's Last Tape. He wrote several novels, including Molloy, Malone Dies, and The Unnamable, and a number of poems and short stories. His innovative approach to language, character, plot, and narrative style was appreciated but sometimes criticized, and his nontraditional concepts of time and space taught readers to approach literature in a new way. Though he experimented with literary forms, his works are within the 20th century intellectual tradition of alienation, isolation, and pessimism. Through essays and reviews, this reference book documents the critical response to Beckett's poetry, fiction, and drama from his earliest works to the public reaction to his death in 1989. Because Beckett often wrote in French and then translated his works into English, scholars responded to several versions of the same work. Because Beckett also had an exceptional knowledge of world literature, philosophy, mathematics, and the sciences, his works are dense with meaning and have invited a broad range of critical approaches. This reference is divided into several sections that roughly correspond with the different genres Beckett utilized. Within each section, reviews and seminal articles are arranged chronologically, so that the reader may trace the response to Beckett over time. An introductory essay discusses the overall response to Beckett, and a bibliography lists works for further reading.


Rosalind Krauss and American Philosophical Art Criticism

Rosalind Krauss and American Philosophical Art Criticism

Author: David Carrier

Publisher: Bloomsbury Publishing USA

Published: 2002-10-30

Total Pages: 140

ISBN-13: 0313076421

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Rosalind Krauss is, without visible rival, the most influential American art writer since Clement Greenberg. Together with her colleagues at ^IOctober^R, the journal she co-founded, she has played a key role in the introduction of French theory into the American art world. In the 1960s, though first a follower of Greenberg, she was inspired by her readings of French structuralist and post-structuralist materials, revolted against her mentor's formalism, and developed a succession of radically original styles of art history writing. Offering a complete survey of her career and work, ^IRosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism^R comprises the first book-length study of its subject. Written in the lucid style of analytic philosophy, this accessible commentary offers a consideration of her arguments as well as discussions of alternative positions. Tracing Krauss's development in this way provides the best method of understanding the changing styles of American art criticism from the 1960s through the present, and thus provides an invaluable source of historical and aesthetic knowledge for artists and art scholars alike.


Warhol's Dream

Warhol's Dream

Author: Saul Anton

Publisher: Jrp Ringier

Published: 2007

Total Pages: 164

ISBN-13:

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A fictional dialogue between Andy Warhol and Robert Smithson.


The Dialectics of Art

The Dialectics of Art

Author: John Molyneux

Publisher: Haymarket Books

Published: 2020-08-04

Total Pages: 241

ISBN-13: 1642592137

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To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.