The Critical Practice of Film

The Critical Practice of Film

Author: Elspeth Kydd

Publisher: Bloomsbury Publishing

Published: 2017-09-16

Total Pages: 336

ISBN-13: 0230345271

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The Critical Practice of Film introduces film studies and production through the integration of criticism, theory and practice. Its approach is that of critical practice, a process that explores the integration and intersection between the critical analysis of films and the practical aspects of filmmaking. In other words, this book is both an introduction to the ways in which we watch films, as well as an introduction to how films are created. The more you know about how films are made, the more you can appreciate the artistry involved in a film. Author Elspeth kydd combines explorations of basic technical and aesthetic principles with extended analyses drawn from both classic and contemporary Hollywood and other world cinemas, including Battleship Potemkin (1927), Un Chien andalou (1929), Stagecoach (1939), Mildred Pierce (1945), Notorious (1946), Letter from an Unknown Woman (1948), Gentlemen Prefer Blondes (1953), Breathless (1959), Memories of Underdevelopment (1968), Star Wars (1977), Raiders of the Lost Ark (1981), Distant Voices, Still Lives (1988), The Matrix (1999), Amores Perros (2000), Gosford Park (2001) and The Lord of the Rings trilogy (2001–3). Also included is a range of exercises designed to stimulate critical and analytical thought and help to demystify the process of creative mediamaking. Assignments range in scale from simple storyboarding and narrative development exercises that may be explored with minimal technology, to more complex video projects that can be adapted to suit varying levels of technical skill. The Critical Practice of Film provides an accessible introduction to the theory and practice of film studies, integrating creative practice with critical and theoretical engagement to guide students towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production. Elspeth kydd is a Senior Lecturer in Film Studies and Video Production at the University of the West of England. She has taught, researched and published in film and television studies for nearly twenty years, as well as being an active documentary videomaker. This book developed from teaching integrated theory-practice film courses at universities in the US and UK.


Critical Cinema

Critical Cinema

Author: Clive Myer

Publisher: Columbia University Press

Published: 2012-04-10

Total Pages: 491

ISBN-13: 023150456X

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Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.


Production Culture

Production Culture

Author: John Thornton Caldwell

Publisher: Duke University Press

Published: 2008-03-25

Total Pages: 463

ISBN-13: 0822341115

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An investigation of the cultural practices and belief systems of Los Angelesbased film and video production workers.


Critical Dictionary of Film and Television Theory

Critical Dictionary of Film and Television Theory

Author: Roberta Pearson

Publisher: Routledge

Published: 2005-12-08

Total Pages: 731

ISBN-13: 1134716982

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This Dictionary lays out the major theoretical approaches deployed in the study of the moving image as well as defining key theoretical terms. Contextual entries range from 500 to 3,000 words.


Critical Practice in Social Work

Critical Practice in Social Work

Author: Robert Adams

Publisher: Bloomsbury Publishing

Published: 2009-04-16

Total Pages: 527

ISBN-13: 1350313017

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What do social workers need to know in order to practise skilfully and effectively? Edited by three Social Work's leading scholars, the second edition of this highly respected textbook helps bridge the gap between social work theory and the challenges of day-to-day practice. Versatile and thoughtful, the book's simultaneous accessibility and depth make it essential reading suited for both social work students at undergraduate and post-qualifying level. Practitioners, too, will learn and benefit from the insights collected together in this valuable addition to their bookshelf.


Photography as Critical Practice

Photography as Critical Practice

Author: David Bate

Publisher:

Published: 2020

Total Pages: 303

ISBN-13: 9781789382006

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The "other" is a topic of great interest within and across contemporary photographic practice and theory, yet it remains neglected outside the now well-established field of postcolonial studies. This volume brings together photography and written essays that relate to aspects of otherness and visual work. Presented together, the images and critical writings work in concert to construct a new social perspective on questions of otherness and alterity and to highlight photography as a form of critical practice. In a departure from existing conceptions of otherness in postcolonial discourse, 'Photography as Critical Practice' places emphasis on the human condition not as a liberal concept, but as something formed and framed by a broader dimension of social, sexual, and cultural otherness. In this way, the book provides a fascinating new vista on the otherness of photography.


AS Film Studies

AS Film Studies

Author: Sarah Casey Benyahia

Publisher: Routledge

Published: 2009-05-07

Total Pages: 468

ISBN-13: 1135226601

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AS Film Studies: The Essential Introduction gives students the confidence to tackle every part of the WJEC AS level Film Studies course. The authors, who have wide ranging experience as teachers, examiners and authors, introduce students step by step, to the skills involved in the study of film. The second edition follows the new WJEC syllabus for 2008 teaching onwards and has a companion website with additional resources for students and teachers. Specifically designed to be user friendly, the second edition of AS Film Studies: The Essential Introduction has a new text design to make the book easy to follow, includes more than 100 colour photographs and is jam packed with features such as: Case studies relevant to the 2008 specification Activities on films including Little Miss Sunshine, Pirates of the Caribbean & The Descent Key terms Example exam questions Suggestions for further reading and website resources


The Analysis of Film

The Analysis of Film

Author: Raymond Bellour

Publisher: Indiana University Press

Published: 2000

Total Pages: 330

ISBN-13: 9780253213648

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The Analysis of Film brings together the authors studies of classic Hollywood film. It is a book about the methods of close film analysis, the narrative structure of Hollwood film, Hitchcock's work and the role of women.


Political Film

Political Film

Author: Mike Wayne

Publisher: Pluto Press

Published: 2001-06-20

Total Pages: 178

ISBN-13: 9780745316697

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Wayne (Brunel U.) analyzes The Battle of Algiers as an example of films that fall within the body of theory and filmmaking practice committed to social and cultural emancipation that emerged a decade after and was influenced by the 1959 Cuban Revolution. Then he traces the changing dialectics of the First, Second, and Third Cinema movements. Distributed in the US by Stylus. Annotation copyrighted by Book News, Inc., Portland, OR


The Avant-Garde Feature Film

The Avant-Garde Feature Film

Author: William E.B. Verrone

Publisher: McFarland

Published: 2011-11-08

Total Pages: 232

ISBN-13: 0786488816

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Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appendix offers a brief list of directors who have made significant contributions to films that take alternative approaches to cinematic practice, establishing new grounds for analysis and evaluation.