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There is a well-known French restaurant in the "Tenderloin" district which provides its patrons with small but elegantly appointed private dining-rooms. The restaurant occupies a corner house; and, though its reputation is not strictly first-class in some respects, its cook is an artist, and its wine cellar as good as the best. It has two entrances, and the one on the side street is not well lighted at night. At half-past seven o'clock one evening Nick Carter was standing about fifty yards from this side door. The detective had shadowed a man to a house on the side street, and was waiting for him to come out. The case was a robbery of no great importance, but Nick had taken it to oblige a personal friend, who wished to have the business managed quietly. This affair would not be worth mentioning, except that it led Nick to one of the most peculiar and interesting criminal puzzles that he had ever come across in all his varied experience. While Nick waited for his man he saw a closed carriage stop before the side door of the restaurant.
Robert A. Nye places in historical context a medical concept of deviance that developed in France in the last half of the nineteenth century, when medical models of cultural crisis linked thinking about crime, mental illness, prostitution, alcoholism, suicide, and other pathologies to French national decline. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A new translation of Georges Simenon's gripping novel set in an insular fishing community, book eight in the new Penguin Maigret series. It was indeed a photograph, a picture of a woman. But the face was completely hidden, scribbled all over in red ink. Someone had tried to obliterate the head, someone very angry. The pen had bitten into the paper. There were so many criss-crossed lines that not a single square millimetre had been left visible. On the other hand, below the head, the torso had not been touched. A pair of large breasts. A light-coloured silk dress, very tight and very low cut. Sailors don't talk much to other men, especially not to policemen. But after Captain Fallut's body is found floating near his trawler, they all mention the Evil Eye when they speak of the Ocean's voyage. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Sailors' Rendezvous. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent