The Framing of Sacred Space
The Framing of Sacred Space

Author: Jelena Bogdanovic

Publisher: Oxford University Press

Published: 2017-06-19

Total Pages: 457

ISBN-13: 0190681373

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The Framing of Sacred Space offers the first topical study of canopies as essential spatial and symbolic units in Byzantine-rite churches. Centrally planned columnar structures--typically comprised of four columns and a roof--canopies had a critical role in the modular processes of church design, from actual church furnishings in the shape of a canopy to the church's structural core. As architectonic objects of basic structural and design integrity, canopies integrate an archetypical image of architecture and provide means for an innovative understanding of the materialization of the idea of the Byzantine church and its multi-focal spatial presence. The Framing of Sacred Space considers both the material and conceptual framing of sacred space and explains how the canopy bridges the physical and transcendental realms. As a crucial element of church design in the Byzantine world, a world that gradually abandoned the basilica as a typical building of Roman imperial secular architecture, the canopy carried tectonic and theological meanings and, through vaulted, canopied bays and recognizable Byzantine domed churches, established organic architectural, symbolic, and sacred ties between the Old and New Covenants. In such an overarching context, the canopy becomes an architectural parti, a vital concept and dynamic design principle that carries the essence of the Byzantine church. The Framing of Sacred Space highlights significant factors in understanding canopies through specific architectural settings and the Byzantine concepts of space, thus also contributing to larger debates about the creation of sacred space and related architectural taxonomy.

Icons of Space
Icons of Space

Author: Jelena Bogdanović

Publisher: Routledge

Published: 2021-07-26

Total Pages: 581

ISBN-13: 1000410862

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Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.

The Oxford Handbook of Byzantine Art and Architecture
The Oxford Handbook of Byzantine Art and Architecture

Author: Ellen C. Schwartz

Publisher: Oxford University Press

Published: 2021

Total Pages: 665

ISBN-13: 0190277351

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"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--

Mapping Different Geographies
Mapping Different Geographies

Author: Karel Kriz

Publisher: Springer Science & Business Media

Published: 2010-09-15

Total Pages: 255

ISBN-13: 3642155375

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This book is the outcome of the work of contributors who participated in the wo- shop “Mapping Different Geographies (MDG)” in February 2010, held in Puchberg am Schneeberg, Austria. This meeting brought together cartographers, artists and geoscientists who research and practice in applications that focus on enhancing o- to-one communication or develop and evaluate methodologies that provide inno- tive methods for sharing information. The main intention of the workshop was to investigate how ‘different’ geographies are being mapped and the possibilities for developing new theories and techniques for information design and transfer based on place or location. So as to communicate these concepts it was important to appreciate the many contrasting meanings of ‘mapping’ that were held by workshop participants. Also, the many (and varied) viewpoints of what different geographies are, were ela- rated upon and discussed. Therefore, as the focus on space and time was embedded within everyone’s felds of investigation, this was addressed during the workshop. This resulted in very engaging discourse, which, in some cases, exposed the restrictions that certain approaches need to consider. For participants, this proved to be most useful, as this allowed them to appreciate the limits and restrictions of their own approach to understanding and representing different geographies. As well, the workshop also was most helpful as a vehicle for demonstrating the common ground of interest held by the very diverse areas of endeavour that the workshop participants work within.

Byzantium in Eastern European Visual Culture in the Late Middle Ages
Byzantium in Eastern European Visual Culture in the Late Middle Ages

Author:

Publisher: BRILL

Published: 2020-08-03

Total Pages: 320

ISBN-13: 9004421378

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Byzantium in Eastern European Visual Culture in the Late Middle Ages focuses on how the heritage of Byzantium was continued and transformed alongside local developments in the artistic and cultural traditions of Eastern Europe between the fourteenth and sixteenth centuries.

Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)
Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)

Author:

Publisher: BRILL

Published: 2022-01-31

Total Pages: 574

ISBN-13: 900451158X

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(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.

Urban Art and the City
Urban Art and the City

Author: Argyro Loukaki

Publisher: Routledge

Published: 2020-09-13

Total Pages: 347

ISBN-13: 042963255X

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This book offers original interdisciplinary insights into cities as a diachronic creation of urban art. It engages in a sequence of historical perspectives to examine urban space as an object of apparent quasi-cycles and processes of constitution, exaltation, imitation, contestation and redemption through art. Urban art transforms the city into a human-made sublime which is explored in the context of the Eastern Mediterranean. The book probes this process primarily through the example of Athens and Byzantine Constantinople, but also Jerusalem, Cyprus and regional cities, revealing how urban space unavoidably encompasses a spatial and temporal palimpsest which is constantly emerging. It presents new ideas for both the theorization and sensuous conception of artistic reality, architecture, and planning attributes. These extend from archaic, classical and Byzantine urban splendour to current urban decline as constitution and attack on the sublime and back. Urban processes of contestation and redemption respond recently to the new ‘imperialism of debt’ and the positivist, technocratic understandings and demands of Euro-governments and neoliberal institutions, while still evoking older forms of spatial power. Offering fresh notions on art, architecture, space, antiquity, (post)-modernity and politics of the region, this book will appeal to scholars and students of geography, urban studies, art, restoration, and film theory, architecture, landscape design, planning, anthropology, sociology and history.

Dionysius the Areopagite between Orthodoxy and Heresy
Dionysius the Areopagite between Orthodoxy and Heresy

Author: Filip Ivanović

Publisher: Cambridge Scholars Publishing

Published: 2011-09-22

Total Pages: 190

ISBN-13: 1443834319

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Dionysius the Areopagite between Orthodoxy and Heresy aims to explore the thought of one of the most controversial characters of Christian history, Dionysius the Areopagite, and put it in a correct context, between pagan (namely Neoplatonic) philosophy on the one side, and Christian theology, on the other. In significant part, the book examines Dionysius’ Neoplatonic sources, but it also offers insights into the original points of his philosophy and theology, thus showing how he managed to achieve a masterful integration of pagan thought and newly revealed faith. The chapters of the book, taken together, try to offer a broad insight into the Areopagite’s thought, through examining not just his intellectual background and milieu, but also some of the crucial features of his work, such as notions of hierarchy, deification, apophatic and cataphatic theologies, icon, and others. This work is of a multidisciplinary character, since Dionysius’ thought has been studied from different points of view, so the contributions range from philosophy and theology to history and art history. Dionysius the Areopagite between Orthodoxy and Heresy is intended for both specialists and non-specialists. Apart from being a collection of specific studies, it can also serve as an introduction to the Areopagite’s thought, and will be useful to all those interested in late antique and early Christian philosophy and theology, patristics, and cultural studies in general.