In The Craft of Justice, more than three hundred judges, prosecutors, and defense attorneys candidly and often with disarming frankness discuss the fascinating dynamics of the American criminal court system. In one of the largest, most intensive comparative investigations ever undertaken of America's criminal courts, the authors studied nine felony courts in both similar and dissimilar communities in three states. The results of this research provided an unparalleled opportunity to examine the contextual and environmental conditions that shape the efforts of individuals who use their personal influence to determine how felony cases are processed. The Craft of Justice explains how criminal court policies reflect tensions or harmony among judges on the bench, and it systematically identifies and illustrates patterns of dominance and conflict within courthouse communities. Craft as work brings the courtroom into focus as a place where attorneys and judges adapt to their institutional settings and seek to promote their careers. In The Craft of Justice, Roy B. Flemming, Peter F. Nardulli, and James Eisenstein have provided a thought-provoking and controversial analysis of the American criminal court system. The candor with which prosecutors, judges, and defense attorneys discussed their courtroom craft provides for an interesting, illuminating, and accessible book that will be of interest to both professional and lay readers.
The final volume of a trilogy (begun with The Contours of Justice and The Tenor of Justice) based on a large-scale, complex study of nine criminal courts. Explains how criminal court policies reflect tensions or harmony among judges on the bench, and identifies and illustrates patterns of dominance and conflict within courthouse communities.
This book traces the development of Plato's analogy between craft and virtue from Euthydemus and Gorgias through the central books of the Republic. It shows that Plato's middle dialogues develop and extend, rather than reject, philosophical positions taken in the early dialogues.
This book weaves together disparate worlds of crafting, social justice, and digital technologies around The Partnership Quilt. It crafts a manifesto for meaningful action and design processes in charitable organizations through participatory sewing and its digital augmentation. The book charts a history of how sewing has been used to voice concerns of oppression, and how digital technologies can be embedded into textiles to tell stories more powerfully. It explores the relationship between quilting and research, looking beyond the seams of The Partnership Quilt to shed light on the importance of invisible work behind such participatory, justice-oriented design projects. It concludes with a discussion of the impacts and potential future avenues for research on digitally quilting social justice. “This book is an excellent offering that highlights ways in which visual approaches to research and community work can serve as a canvas for the outpouring of oppression, anger, hope, resilience and reimagining of a socially just future. It is a great gift and valuable resource for academics, activists and students interested in social justice, participatory action research, and digital technologies.” —Puleng Segalo, Professor, University of South Africa, SA “This expansive undertaking exhibits Strohmayer’s force as a thinker, author, and partner in design. From the soldering of electrodes through the review on craft-based activism, Strohmayer generously takes us through a design process from start to finish to examines the relationships that shift along the way. She shows us how worlds of textiles partake in the making of collective futures—nurturing forms of connection as a means of creative expression, self-determination, and remembrance.” —Daniela Rosner, Associate Professor, Human Centered Design & Engineering, University of Washington, USA “This book is a highlight for the courageous minds to break the circle and re-think artistic practices as a more justice-oriented, connected and collaborative mechanisms for our futures. You will have a journey to face who and what forms of designs were privileged or silenced in the global history of quilting. You will be inspired and provoked by the making of the Partnership Quilt. The quilt piece is the materialized example that embodies the many ways of touchy-feely conversations and the possibilities to weave, stitch -or this time to quilt new worlds together. This book is about the making of artistic hope. It is about what is possible, once we see the beauty of equity instead of privileges in design.” —Özge Subaşı, Futurewell, Assistant Professor, Department of Media and Visual Arts, Koç University, Turkey "The Partnership Quilt is a powerful example of the transformative power of craftivism. In this book Dr Angelika Strohmayer pragmatically illustrates how carefully considered participatory craft based projects empower those involved, value-add to the important work being done by NGO’s and provide researchers with a methodology that supports and promotes social justice outcomes." —Dr Tal Fitzpatrick, Artist, Craftivist and Disability Support Worker, Naarm (Melbourne), Australia ‘’The Partnership Quilt, as a model of participatory textile making, draws together relational expertise from the distinct worlds of communication technologies, crafting and ecologies of care. With a focus on collaboration, Strohmayer experiments with the quilt as a metaphor for a layered, interdisciplinary research process as well as a material expression of carefully crafted relationships between makers, researchers, charitable organisations and a marginalised group of sex workers. This richly detailed and insightful book is a timely addition to a growing literature around participatory textile making advocating for interdisciplinary practices that address the care and maintenance of people’s lived experiences.’’ —Dr Emma Shercliff, Arts University Bournemouth, UK
Considers the contested concept of truth in contemporary politics in light of the postmodernist challenge to Enlightenment ideals and examines the treatment of truth in an unusual lineup of thinkers ranging from Plato and Hobbes to Weber, Foucault, and Arendt.
This imaginative, practical, and engaging sourcebook offers inspiration and tools to craft critical, meaningful, transformative arts education curriculum and arts integration grounded within a clear social justice framework and linked to ideas about culture as commons.
Art Therapy for Social Justice seeks to open a conversation about the cultural turn in art therapy to explore the critical intersection of social change and social justice. By moving the practice of art therapy beyond standard individualized treatment models, the authors promote scholarship and dialogue that opens boundaries; they envision cross disciplinary approaches with a focus on intersectionality through the lens of black feminism, womanism, antiracism, queer theory, disability studies, and cultural theory. In particular, specific programs are highlighted that re-conceptualize art therapy practice away from a focus on pathology towards "models of caring" based on concepts of self-care, radical caring, hospitality, and restorative practice methodologies. Each chapter takes a unique perspective on the concept of "care" that is invested in wellbeing. The authors push the boundaries of what constitutes art in art therapy, re-conceptualizing notions of care and wellbeing as an ongoing process, emphasizing the importance of self-reflexivity, and reconsidering the power of language and art in trauma narratives.
In many discussions of ancient philosophy, teleology is acknowledged as an important theme. How do we act for a particular end or purpose? One common answer describes humans as acting with the intention of achieving a goal. A person selects particular actions with the thought that these actions will lead to that goal. Andrew Payne accepts that this is one good answer to our question but proposes that it is not the only one. In Plato's Republic, Socrates appeals to a different understanding of how humans act for the sake of ends as they live together in political communities and pursue knowledge. As they carry out activities that are necessary for human flourishing, their actions can produce unintended results that signal the full completion of human capacities. For example, performing the actions of a just individual can help promote the establishment of a just society as an unintended result. Such unintended results qualify as ends or purposes of human action. This volume fully explores this functional teleology of action in Plato's Republic.
One difficulty with interpreting Plato is that his philosophical views are hidden within his dialogues and articulated through his dramatic characters. Nowhere in the dialogues does Plato the philosopher speak directly to his readers. One of the fundamental tenets of Platonism is the assertion that 'virtue is knowledge'. Yet Socrates and the other characters in the dialogues do not maintain consistent views on the role of knowledge in virtue. This book develops a new interpretation of the puzzling claim that virtue is knowledge, while also providing a reading of the dialogues as a whole which harmonizes the apparently diverse statements of their various characters. Michael Cormack examines dialogues from Plato's early and middle periods, emphasizing the role knowledge plays in each. The most significant of Plato's examples of knowledge is the type of knowledge possessed by the craftsman. Using craft knowledge as a guide, Cormack illustrates the similarities and differences between craft knowledge and Plato's concept of moral knowledge - that specific type of knowledge identified with virtue. While the Platonic conception of virtue is widely recognized as the apprehension of universal truths, this book illustrates how the dialogues reveal a number of distinct degrees of understanding that correspond to distinct degrees of virtue. The significance of this interpretation is that Plato has not only revealed the goal of the philosophic life, but has shown us the path - or the 'stepping stones' as he calls them in the Republic - that we should follow to reach that goal.
It is an excellent book – highly intelligent, interesting and original. Expressing high philosophy in a readable form without trivialising it is a very difficult task and McAleer manages the task admirably. Plato is, yet again, intensely topical in the chaotic and confused world in which we are now living. Philip Allott, Professor Emeritus of International Public Law at Cambridge University This book is a lucid and accessible companion to Plato’s Republic, throwing light upon the text’s arguments and main themes, placing them in the wider context of the text’s structure. In its illumination of the philosophical ideas underpinning the work, it provides readers with an understanding and appreciation of the complexity and literary artistry of Plato’s Republic. McAleer not only unpacks the key overarching questions of the text – What is justice? And Is a just life happier than an unjust life? – but also highlights some fascinating, overlooked passages which contribute to our understanding of Plato’s philosophical thought. Plato’s 'Republic': An Introduction offers a rigorous and thought-provoking analysis of the text, helping readers navigate one of the world’s most influential works of philosophy and political theory. With its approachable tone and clear presentation, it constitutes a welcome contribution to the field, and will be an indispensable resource for philosophy students and teachers, as well as general readers new to, or returning to, the text.
